Sentences with phrase «game tickets to show»

I've given away things like ball - game tickets to show that we care about our customers» business.

Not exact matches

It's also important to remember that showing employees you care about them isn't all about monetary bonuses or tickets to the big game or concert, says Steve Adams, CEO at EmployeeChannel, Inc., a leading provider of mobile apps for employee engagement and communication.

And although the attendance figures in the papers the next day would still show 60,000 because of season tickets, on the evening of the match on the TV (MOTD) it would be visible by millions of people and the pundits would go wild at such a strong visible gesture particularly if a lot of publicity was made prior to the game about the plan.

I think half the ticket holders have to not show up for games, that comes off better.

If our people want to see good basketball we can get them tickets to the Lakers» games, just as we can for golf tournaments, art shows, concerts, Disneyland and the like, at less than box - office prices.»

I say we all rally together and buy a block of ticket's to the next Cowboys home game and wear new Greg Hardy jerseys with a big «X» taped over them to show Jones just how disgusted we are.

«A Freedom of Information request has revealed that more than 170,000 people bought tickets but did not show up to Arsenal games at the Emirates Stadium last season.

«We ended up getting tickets to end up on the TV show, «The Chew,» yesterday [during the Maryland game],» Baumann said.

It was revealed a month ago that the Gunners were going to freeze ticket prices for next season, but that hardly matters as figures released today show that the Emirates generates more matchday revenue than any other club in the world with a total of # 101.84 million last year, narrowly ahead of Real Madrid, who made # 100.12 m from games at the Bernabeu, and Barcelona, with a total of # 90.17 m. Manchester United are next on the list, generating # 87.96 m from Old Trafford while Chelsea are sixth with # 71.84 m made from Stamford Bridge.

At least one fish market in the Nashville area is offering free catfish to any fan who shows up with a ticket to the game.

Following the game, ticket holders will be treated to a live show of «Something to Wrestle with Bruce Prichard» and co-host Conrad Thompson.

As much as this game was supposed to show off the brand new Dallas Cowboy stadium and their Mega scoreboard, there were thousands of disgruntled ticket holders who were unable to watch indoors.

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

If it is the board who care only about the # then we need to starve them, not but tickets not show up to games, not buy merchandise we need to hit them in the pocket where it hurts the way they have been making us suffer with this lack of qaulity in the team.

Gov. David Paterson's former Communications Director Peter Kauffmann, who quit in March after a Public Integrity Commission report made it clear the governor had not been truthful with his top staffer regarding the payment of tickets to a Yankees World Series game, showed up at the CPI to testify today and was swarmed by the very reporters he used to spin during his Capitol days.

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Social tie - in: People posting their photos while at the Auto Show, wearing a Wolves hat and tagging both Chicago Auto Show and Chicago Wolves on Facebook / Twitter / Instagram / Snapchat will be entered to win tickets to a 2018 Wolves home game

The team will utilize the tablet throughout US Airways Center on game - nights for more effective activation related to Suns partner initiatives, as well as showing prospective Suns ticket holders an interactive view of seats from anywhere in the arena.

Among the forms of digital media... games, apps, tunes, shows, books... only shows can justify a bigger ticket, due to innate technical costs.

• A private tour of the Metropolitan Museum of Art's latest exhibit hours before opening to the public • Private after - hours trunk show at Bergdorf Goodman to preview and preorder designer shoe collections • Get backstage access to meet the cast of a Tony Award - winning Broadway show • Procure court - side tickets to sold - out NBA playoff games • Secure the most coveted reservations in New York City's hottest restaurants

You will travel in style, often with airport lounge access, VIP treatmnt at hotels and 24/7 concierge service to get you tickets to a hot Broadway show or courtside seats at basketball games.

Offer available only to eligible US Card Members for purchases made directly with Delta as the merchant of record, such as (but not limited to)(i) flight reservations made via delta.com, phone, or at ticket counters, (ii) upgrades, miles, seat selection, change fees, bag fees, (iii) Delta Sky Club ™ membership or passes, (iv) pre-purchased or in - flight meal purchases, (v) in - flight alcoholic beverages, (vi) audio headsets, movies, shows and video games accessed via Delta's seatback in - flight entertainment on Delta - operated flights, and (vii) Delta Vacation ® packages (but not other all - inclusive packages).

- $ 150 tier PLUS 2 Ultimate Gamer V.I.P. Backstage Experience Packages which consist of the following: Video Games Live backstage laminated tour pass, Pre-show production tour, Q&A and special personal meet & greet with Video Games Live creator and game composer Tommy Tallarico, Free download card for the special extended Video Games Live: Level 2 album, Official vintage Video Games Live poster, Video Games Live Temporary Tattoos, Special FRONT OF LINE access to the Video Games Live post-show meet & greet, Signed composers scores and sheet music from the performance (V.I.P. Packages to be given in person at the show of your choice and does NOT include show tickets, travel, airfare, transportation, accommodations, etc., you pick the show and get yourself there, we supply the experience), PLUS a High Quality Thick Presentation Paper print out of original artwork of Earthworm Jim playing a guitar created exclusively for Tommy Tallarico (composer of Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND Doug!

Tommy Tallarico on the greatest honour for a game composer, bringing video game music to the mainstream and why he wants everyone to be able to afford tickets to the VGL shows

This year's sold - out show marks the 10th BlizzCon celebration and commemorates Blizzard's 25th anniversary, and gamers around the world can be part of the fun with the BlizzCon Virtual Ticket — available to order now...

During the fifth edition of the Flash GAMM conference in Kiev, Ukraine fifteen indie game developers were selected by the Casual Games Association (CGA) to receive an Innovation Scholarship, including a free airplane tickets and full conference passes to the Casual Connect Europe conference and the opportunity to show their games in Hamburg.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

General fixes • Significant improvements to the Squad Join interface • Removed FIND ME A SQUAD option • Allow players to join empty Squads alone, thus having 1/4 Squad members • Change order of options to LEAVE SQUAD, INV A FRIEND, SWITCH TEAM • Disable Privacy flag when 1 man Squad • Reset Privacy flag from Private to Public when Squad drops to 1 player • All occupied Squads will now show up colored blue on the Squad selection screen • Players who choose not to join Squads will also show up as Blue in the «Not in a Squad» line • Squads that are currently empty will display as white — if you wish to join an empty Squad, you can choose the first one marked with white text • Added round duration and ticket summary at end of round screen • Fixed sound for when climbing ladders • Fixed and issue with some weapons» sounds in first person view • Fixed a swim sound loop error • You should no longer be able to damage a friendly vehicle when sitting in an open position • Grenades now drop to ground if you get killed while attempting to throw it • Spawn protection now should work in Conquest so you no longer should spawn too close to enemies • You should no longer spawn too close to enemies in TDM and SQDM • Fix for missing input restriction during intro movie, causing players to potentially fall and die while watching movie if moving controller (or having a controller with a bad stick zone) • Combat areas on Kharg Island in Rush mode tweaked in order to disallow defenders to access the carrier ship after first base is taken and being able to enter the AA gun • Fixed a problem with revived players not being able to get suppressed • Fixed a problem with the camera when being revived in co-op • Spotting VO now plays when spotting from MAV / EOD bot • Fixed several issues regarding the kill card, including showing wrong weapons used for the kill • Fixed that sometimes you would be stuck on a black screen when kicked from server • Fixed so when a team captures two flags at the same time, the UI does not show wrong owner of the flag • Fixed a problem where the capture progress bar was shown as friendly when the enemy was capturing • Fixed a problem with the bipod deploy sound • Fixed a problem that you could be spawned in with no weapons after being killed while using the EOD bot • Fixed problems with health bars not displaying health properly when using EOD bots • Fixed a problem with flickering name tags • Fixed a problem where you could damage friendly helicopters • Fixed a problem where you could get stuck in the co-op menu when attempting to join the session twice • You should now be able to spot explosives • You should no longer spawn in home base if your selected spawn point is disabled while waiting to spawn (e.g. if your teammate dies right before you are about to spawn) • Damage from bullets will now continue to cause damage even after the firing user is dead • Fixed several client crashes • Fixed a problem where players could get stuck in the join queue • Fixed the repair icon on the minimal • Fixed a problem with changing camera on certain vehicles • Fixed a problem with the grenade indicator when in guided missile mode • Fixed a problem where the machine could hard lock when joining a public coop game • Fixed a problem where the headset attached icon would not show up in the UI • Fixed a problem with the falling antenna on Caspian Border.

Well after an incredibly tiring TGS, loosing my bullet train ticket, and then catching the oh so fun after expo plague I'm finally ready to give you all the run down on Tokyo Game Show 2014.

Session Title: Best Practices for Showing Your Game to the Public Date: Wednesday, April 18, 2018 Time: 3:15 pm — 4:15 pm Location: Raleigh Convention Center — Room 302B Speak Bio & Session Description: http://ecgconf.com/kelly-wallick/ For more info & tickets to ECGC, visit: http://ecgconf.com/

Ten Student Showcase winners will be given all - access GDC 2010 tickets to show their games at the show, as well as $ 500 towards travel costs.

This ticket is for general admission access to the PC Gaming Show for gamers.

➡ EVERYTHING so far ($ 5,000 tier) PLUS ➡ 2 FREE TICKETS, ALL ACCESS PASSES & V.I.P. EXPERIENCE TO ANY VIDEO GAMES LIVE SHOW FOR THE REST OF YOUR LIFE!!

* What: BGS 2017 Showcase * When: May 13th, 6 pm * Where: Buffalo Game Space (Suite # 454 inside the Tri-Main Center) * Tickets: $ 15 presale, $ 20 door (16 + or accompanied by an adult) Presale tickets available now at BigCartel Have a game you want to sGame Space (Suite # 454 inside the Tri-Main Center) * Tickets: $ 15 presale, $ 20 door (16 + or accompanied by an adult) Presale tickets available now at BigCartel Have a game you want tTickets: $ 15 presale, $ 20 door (16 + or accompanied by an adult) Presale tickets available now at BigCartel Have a game you want ttickets available now at BigCartel Have a game you want to sgame you want to show?

Enjoy the best driving experience for open - world multiplayer Immerse yourself in the original The Crew ® open world action driving game Show off your skills to earn your ticket to The Summit, an unofficial gathering of thousands of drivers and mechanics from around the world which takes place in iconic locations all around the USA.

For the first time, the Entertainment Software Association sold 15,000 tickets to a video game trade show that had previously been accessible only to industry insiders and the press.

For all its immersive pleasures (and terrors), The Lust Experience alternate reality game represents an enormous investment of time and attention into something that is ultimately word - of - mouth marketing for the ticketed events — though the creative team is quick to point out that the immersive theater shows are also designed as stand - alone experiences that can be enjoyed by anyone.