Sentences with phrase «gameplay design thinks»

Not exact matches

Each game is designed to make learning as natural and intuitive as possible by using fun subjects and original gameplay to draw him or her into a new world that will improve rational thinking, fine motor skills, breadth of knowledge and self - expression.

I think that a long standing series can get stale when the same gameplay design is used over and over again.

I think the gameplay itself is well designed and competitive and is a breath of fresh air considering how awful the Dragon Ball games have been in recent years.

With DriveClub, Evolution Studio is delivering truly astonishing visuals matched by a forward - thinking approach to game design that leverages all the social gameplay we developed for MotorStorm RC, and takes it to the next level.

I framed the gameplay with the design thinking process to focus students on their goal and deliverable.

I thought that both the design and the gameplay were really great and therefore that The Ball deserved a fine localization!

Richly designed and well - balanced gameplay, adding new squad - based and tactical interfaces to an already complex style of play, Ghost Recon is the thinking man's shooter.

Featuring hundreds of stages, Runbow Deluxe is a side - scrolling action game that supports competitive multiplayer for up to nine players online and locally on Wii U. Runbow Deluxe's bright and vivid artwork is more than just visual design — it's also an integral gameplay mechanic, as platforms and obstacles in the environment shift in and out of existence with broad swipes of color across the screen, challenging players to think and react while constantly on the move.

NSMBU looked nice, but based on what I played of them I thought NSMB2 had better level design and more new gameplay ideas.

Until we can create a game based entire on the concept of emergent gameplay with systems that can learn and think we'll always be playing within the confines of design.

In game design, I think the theme of a game occupies the same position of importance as the gameplay.

It actually felt a little more like Time Crisis than Gears of War, but I think that's for the better; the LEGO video games aren't designed to be third person shooters, so it's nice that these new segments feel more like a mini-game that add a little bit of variety to the gameplay.

Features Include: • 30 flights of frenzy: Take on 30 bizarre, dream - like puzzle levels by removing obstacles from Subob's path to return him to safety before he crashes • Puzzle Gameplay Turned Upside Down: Negotiate impossible constructions in mind - bending, gravity - defying puzzle levels that require creative thinking to solve • Appreciate the Art of Impossible: Take in the painstakingly hand - drawn artwork of a game whose individual level design takes its cues from some of modern art's most memorable pieces • Nightmare Mode: Serious puzzle enthusiasts that can complete the main game are invited to try this all - new, enhanced - difficulty mode to truly put their puzzle - solving skills to the test

But I really think the console games on the Wii and Wii U respectively are a great evolution of gameplay and level design from the SNES game.

The answer lies in the unique gameplay of Invisigun Heroes, which conceals all heroes — including your own — in a stealthy game of PVP mayhem designed to make you think before you shoot.

I think Sonic Mania is better than the classic's because of the slightly tweaked gameplay, new bonus stages and improved level design.

Enjoyable gameplay and unique level designs are just a couple of thoughts that come to mind when I think back to when I played the DS version of the game.

Do you think developers have a similar attitude — that their game will succeed or fail on its narrative and / or gameplay elements regardless of interface design choices?

«I think the games that successfully do loot box systems are designed around them completely from the outside and they're a core part of the gameplay loot, whereas as our loop, it's more based on the gameplay action itself, then gathering items, then using that to create better gear, and then using that to go and do more action gameplay,» Game director Kaname Fujioka explained.

But it's not just the storyline, graphics and gameplay that I think were put together in a wonderful mix of gaming design; the save points are just as brilliant.

«That's our answer to maintaining the integrity of that cinematic gameplay that you have with, for example, the experience of the Los Angeles level, but opening up the gameplay with some choice, which we think is a good thing for the game design.

I think that this kind of simple control layout is more like the older generation of games, going back to the days where the thing that made a game great wasn't amazing graphics but brilliant level design and simple gameplay.

The gameplay provides a satisfying experience; the level - design is often cunning and the puzzles can take creative thinking to get through.

They share our belief that Catherine's unprecedented exploration of the psychology and horrors of commitment and relationships, its breathtaking visual design, and its frantic action - adventure / puzzle gameplay make for a thought - provoking, entertaining experience that can not be missed.»

I personally think it's a good mix: old school gameplay with modern Sonic design.

Considering the totally original gameplay idea and the fun environment designs, you'd think that Sonic Team could have come up with some equally unique missions to go through, rather than basic «beat the enemy» or «collect coins».

I think this concept would fit perfectly with your past gameplay style and previous puzzles you've designed.

But you get the picture... A blend of 2D and 3D gameplay, crazy level designs, the sonic unleashed model for the Wii game, DS one looks like Sonic Rush... I think you can even see some of the «wisp» side effects in there.