Sentences with phrase «gameplay work so»

The unifying aspects between story and gameplay work so well in tandem, offering a unique perspective on the plot that will differ between players.

Not exact matches

MP is being worked on, in two years there will be a full blown MMO version of the game with more classes, more environments, more quests, similar gameplay but with expanded skill trees and so on.

This also aptly describes the core gameplay found in Liv Games» Legendary Wars [$ 2.99], but there's so much variety and so many things to work towards that I've been having an absolutely fantastic time playing through it.

In order to make Silent Hill 2 work we need to be focusing on making the characters real by having high - quality textures, and at the same time we must improve the gameplay so people will feel, even though its really horrific, we must make them want to play the game over and over.

Furthermore, the gameplay can get a little repetitive, especially when you're on a dying roll but overall, this game works on so many levels.

The online mode actually works peer to peer, so your gameplay will depend on both you are your opponents connection, which never seemed to be a problem throughout my experience in the game.

I can appreciate the ambiguity that the developers have tried to achieve here by presenting the narrative in a non-linear structure, but it is also marred by a gameplay that is repetitive and doesn't have anything interesting to offer so it unfortunately doesn't work as intended.

The core combat and stealth gameplay that worked so well in Shadow of Mordor has been both expanded and refined, and the powerful procedural generation of the Nemesis System has been kicked into high gear.

Games that are so visually appealing, pristine works of art that seamlessly combine cutscenes with gameplay, that make all of these exotic places a treasure hunter travels to look so incredibly REAL.

These levels that so expertly encourage players to work together come across almost like puzzles in a way that makes gameplay engaging and rewarding.

Sadly, I didn't get any hands on time with the game so I can't tell you how well the two work together, but Shibata says they've designed it so the gameplay flows around the two.

No dates are locked down, but «we are working closely with our community of players on features and polish, so we can't provide any specific dates, however, we are currently in alpha and releasing the core gameplay feature set to a large set of backers.

Games like this take tremendous devotional work towards story and gameplay, so the last thing the developers need is having to develop for two different consoles.

- for Sonic's 25th anniversary last year, Iizuka received a task to deliver some sort of product - the target was «dormant fans» who used to play the SEGA Genesis, but haven't really played any games since - Iizuka met Christian Whitehead, which lead to the creation of Sonic Mania - there was talk of another port, but Iizuka thought fans would desire something new from the old games - this is the first time Iizuka partnered with a team of devs spread across various countries - Iizuka said this team had a greater passion to create - this was in comparison to companies that set decisions on a pre-determined schedule (in meetings, etc)- the team had so many features they still wanted to add after the beta version was complete - since there were only a few spots with text that needed to be localized, they could bring the game to more places quicker - the game has Japanese, English, French, Italian, German, and Spanish support - the Studiopolis stage is included due to receiving the most requests from the Sonic Mania development team - Iizuka actually considered reducing the amount of stages at one point in order to meet the development schedule - Sonic Mania doesn't really have much in the way of cut content like scrapped stages - since Sonic Mania was only distributed digitally, the team was able to continue working very close leading up to launch - this let them put in practically all ideas, and there are currently no plans for DLC - Iizuka recommended Flying Battery Zone for inclusion becaues he likes the music - he also likes when the player goes inside and outside the ship - Iizuka likes Mirage Saloon because the stage structure will be different depending on the player character chosen - Puyo Puyo gameplay was added because there was a Puyo Puyo game released in the west for the SEGA Genesis - this game was originally called «Dr. Robotnik's Mean Bean Machine», and the team thought it would make a fun boss battle - Iizuka didn't have plans to feature Blue Sphere in the special stages - the Blue Sphere special stages were brought over to Mania as a test, but ended up staying for the final game - the team felt the need to continuously connect stages from various eras, which is doe with the Phantom Ruby story - for Sonic Mania, it was decided that the technological limit would be set at SEGA CD, - this is higher than the Genesis but lower than Saturn - in creating a SEGA CD - grade special stage, they would intentionally make SEGA CD - grade polygons

So of course Level - 5 worked on the story, characters, world, gameplay, all those mechanics.

During development, though, Kojima Productions struggled to make the sword - based gameplay they envisioned work to their satisfaction, and so in late 2010 the project was quietly canned.

It eschews the arcade style gameplay that made Punch - Out so popular, opting for more of a realistic gameplay experience, and it worked very well.

I've never seen this kind of spherical design in another multiplayer, so I'm really curious to see how it's going to work out during gameplay.

It adds an emphasis on moving your character around more in order to actually be able to target an enemy, which isn't only more difficult in general but can also see you put into an awkward situation when cornered by foes — Iron Crypticle is already a pretty tough game, so having the gameplay mechanics working against you doesn't help.

Better don't hype for it people, it may sound interesting, but it all depends how they'll make it work, so wait for the gameplay,

Back in those days, developers were forced to work with limited resources, so gameplay was king.

Once again we had a fantastic Experimental Gameplay session thanks to the amazing work of so many fearless game design explorers.

Then maybe, if it's a story - driven game like Danganronpa, trying some parallels from film, and then gameplay if you can find anything there, in this case Ace Attorney was a very good analogue, so that worked very well.»

SO5, with its seamless gameplay, is created like an open world, but it's a scenario - driven game, so it wound up being a tremendous amount of work.

This will be the first real - time strategy game built in our in - house engine Asura, after all, so we need to do a little bit of extra work under the hood before we expand the team, nail down gameplay design and go into full production.

Fortunately, here not only do these gameplay switches not inspire a creeping dread, the controls work so well that no additional instruction is required and the transitions are fluid and fast.

The gameplay that meshes the classic Pokemon formula with dungeon crawling works very well and the inclusion of the full lineup of Pokemon is very impressive, but the pace of the story surrounding the gameplay is so off in the early game that it can take a long time to really get invested in Pokemon Super Mystery Dungeon.

When you have so many different gameplay systems working together there are a lot of chances for glitches and bugs, of which there are plenty here.

Each designer (Kojima, Nakamura, and Tajiri) was at full - stride in their careers, so it's interesting to hear their different perspectives: the emphasis on cinematic devices and themes from Kojima (who was working on Metal Gear Solid at the time) contrasts sharply with Tajiri and Nakamura's more «traditional» conception of design as rules and gameplay.

During the last months, we have worked on many different things, including: — animation, improving the moves of the fox and slightly changing its shape so it feels more like a living creature — game context, expanding the universe, its characters and their motivations — game structure, starting implementing some levels and creating more gameplay elements — narration, figuring out how we want to tell our story in harmony with the gameplay Of course there's still a lot to be done, but we are not going backward so it's pretty encouraging!

While it may look similar to the Gundam Breaker games, the core team behind that didn't work on this (which likely explains why the gameplay element feels so disappointing).

I'm not one to respond back to comments but to say Horizon Zero Dawn didn't earn all those awards in my eyes they deserved more they delivered on every aspect of the game, come on the game was so good and unique that it caught the eye of the great Hideo Kojima let's say this again the Great Hideo Kojima and now he's teamed up and working with gorilla games on his Death Stranding project after that I need say anymore but one thing when it comes to all time classics I put this game in my top 3 story mode games of all time and this game ain't even called a classic yet but you'll see in due time this game stands up to great games like God of War, The Last of Us and Uncharted just to name a few and if real hardcore gamers are out there they would agree with this statement, so in closing I don't think you really took the time to let this game absorb and immerse you in all its richness and fluidity of gameplay and character movement and mind you I didn't even add the beautiful Frozen Wilds Dlc which was breathtaking and masterfully done and crafted this game is original.

So it's probably not hard to imagine how the gameplay works, already.

I so do not know who this game will work, it looks like it has a crazycomplex Gameplay, but i'm already hooked.

When we work on motion games, we do things the other way around: the gameplay is the most important thing, so that's what we start with.

Sure, the controls can be a little clunky at times, especially falling short distances that make you take damage, bumping into things in close quarters or when things are located too close together but overall, the gameplay mechanics work well which is the reason why this game is so enjoyable to play.

It's such a simple gameplay mechanic but it works so well and is completely engaging.

Criterion is not - so - secretly working on a new game that has best described as a stunt racing game, that's completely played in the first person perspective, and we get to see a glimpse of gameplay footage in its pre-alpha state.

Based on the cult tactical series Nobunaga's Ambition, the gameplay works fairly similar to other classic strategy RPGs like Final Fantasy Tactics and Advance Wars, so we love Conquest for the same reasons.

Great indie game (in fact its more than a great indie game and I feel it gives many big name hits a sound thrashing), I have recommended this to several friends and another family member is also enjoying it as well, both of us are on chapter 4 and the dynamic of the game has changed quite a lot (I wont spoil how the balance of power / gameplay has changed), plus I have most of the games ships unlocked and there is plenty of variety in how I can build my fleet (I am running a huge drone control ship and my wingmen are in mixed laser / torpedo ships of their relevant tiers which works well so far).

So that's the core gameplay and how the basic level design works here.

The gameplay is lovingly crafted with its focus entirely on just being as fun as possible, a quality sorely lacking from today's market, so I'm willing to look past the things that don't work so well and appreciate

We might finally be reaching the promised age of multiplayer gaming where praising games for simply working is becoming silly, but with some painful online memories not - so - long - ago, I still think stable online gameplay deserves a tip of the hat.

The reason the review is so positive and why the gameplay part of things talks about how everything works is simply because A Link Between Worlds is an amazing game that doesn't really screw up anything.

So we thought that by working with Artdink, we were able to offer something new in terms of features and gameplay.

The gameplay is lovingly crafted with its focus entirely on just being as fun as possible, a quality sorely lacking from today's market, so I'm willing to look past the things that don't work so well and appreciate Yooka - Laylee as a truly wonderful example of what veteran developers can do when freed from the confines of the AAA industry.

Immersion is ultimately about whether or not you have a gameplay experience so compelling that you look out the window, realize it's 6 AM, and figure, hey, as long as you're still up, you might as well play a few more turns before you head off to work.

Fortunately, the post in question also compiles some gameplay videos from her surprise addition, so you can see how she works and what she's capable of doing.

«So, in essence, you've got a full - featured MMORPG dripping with polish and quality at every turn, an awesome combat system that takes the time to show each epic attack in slow - motion cutscenes, while still providing a simple, tactical gameplay experience that's great for kids, and fun for everyone else, that also creates a social dynamic allowing players to work together to survive — not to mention the chance to pilot your own pirate ship, alongside a bunch of addictive little mini games — and all that's before you reach level 5.»

And so with attention paid to everything from the gameplay of the series to the different art styles, here's why a Zelda Maker game just wouldn't work.