Sentences with phrase «games industry moves»

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And they say the mobile games industry moves fast.

Elena has been seeing the game industry moving toward greater mobility.

By the time the video game industry moved to the next generation, the PS3 had sold 80 million units, which was about the same amount as the Xbox 360.

Not exact matches

It's an important move, one that will have a ripple effect across the lucrative «brain game» industry that — despite concerns from prominent psychologists, cognitive scientists and neuroscientists — has been operating without much regulatory oversight for years.

«Creating an advisory board was a game - changing move for us because it gave us credibility in our industry.

Instead, he asked her to move to Toronto, and build a 350 - person studio from scratch to produce what the industry calls «AAA» games, ones with the highest development and promotion budgets.

He has guided the retailer as the video game industry has moved to a model where titles are downloaded digitally, rather than purchased in stores.

The testing industry, moreover, has moved far beyond computer games, its original bread and butter.

While industry attention remains laser - focused on the Department of Labor fiduciary efforts, states are sneaking into the regulation game with bold moves.

Starting off his career at Saatchi & Saatchi in Los Angeles working on Toyota, Lexus and T - Mobile, he then moved to San Francisco where he spent four and a half years leading a sales development team at publishing firm, Future US — ideating and producing integrated marketing campaigns to compliment tens of millions of dollars of media buys for clients such as Google, UBISOFT, Hyundai, The Walking Dead, NVIDIA, Bethesda and dozens more in the video game, music and tech industry.

Industry analysts say the move into original streaming programming is helping Xbox become more than just a device for people who like to get mercilessly taunted by foul - mouthed 12 - year - olds during friendly games of Call of Duty.

In the Christian publishing industry, where ideals and the bottom line often collide and where rejection is a part of the game, it can be especially tempting for both authors and publishers to cite God's will as a reason for either moving forward with a project or leaving it behind.

We started with one of this year's Razzie firsts, THE EMOJI MOVIE being the first animated film to vie for the worst picture award before moving on to the industry's love - hate relationship with Rotten Tomatoes; Adam Sandler's opinion of his fans; how Wilson has dealt with a steady diet of bad films for the last 38 years; the odd timing of FIFTY SHADES FREED's release; and who the Razzies consider to be fair game.

There's the occasional exception, but most game writing is either industry analysis or qualitative reviewing (usually amounting to some variation of «EA (Electronic Arts) is evil» and «I can't move and shoot... FAIL»).

By now, many of the original players — primarily those who saw instant dollars signs instead of a long - haul industry option — have moved on, leaving behind a few steadfast game changers.

While the move has been good for Amazon, for Goodreads, and even for readers, it doesn't appear to have been a game changer within the bookselling industry, at least not in the way that these kinds of dollars reflect.

With India's homegrown Amazon clone, Flipkart.com, having announced plans to offer e-books, industry watchers have no doubt that Amazon's move in India will prove to be a «game changer.»

While a rep from Amazon confirmed that royalty does not apply to Konrath's deal with AmazonEncore, the deal still had some in the industry saying the move signaled a «game changer» for corporate publishing.

The video game industry relies on indie developers to move game design forward.

This process has actually been ongoing for quite some time and began with the emergence of tools that digitized the back - end of the business; word processors, computers, design software, email and much more (which changed writing, editing, typesetting, design etc) and has over time moved from there towards more front facing aspects of the industry (production, distribution, selling) before starting to make a large impact on the consumer side of the industry, consumption in the form of ebooks and web - reading (not to mention making many other forms of content from music to games available to those consumers).

All entries will be deliberated on by a group of 160 notable industry judges, with selected finalists moving on to the final showdown at the Game Developers Conference in San Francisco next March.

When we moved into the 21st century, after 1997 and the Third Republic of Poland, going back to being a free country, we were building our industries from back then, but the video game industry probably landed to a bigger screen in the 21st century.

In an unsurprising move Microsoft and 343 Industries announced today during Microsoft's E3 media event that a brand new Halo game will be arriving sometime in 2014, boasting dedicated servers...

In an unsurprising move Microsoft and 343 Industries announced today during Microsoft's E3 media event that a brand new Halo game will be arriving sometime in 2014, boasting dedicated servers for multiplayer and running at a slick 60 FPS.

Acknowledging the importance them and supporting them means our industry moves forward... I'm just pointing out to the xbox fans who says indies aren't games and and dismiss them or use them as a negative against the PS brand are silly in that assertion.

Even though my childhood was filled with games like Monopoly where you had to roll dice to move, that particular mechanic has been mostly fazed out of the modern board game industry.

Or it shows that you don't have the mental Capacity to understand that this game has just moved the industry forward.

Rumors surrounding the move suggest that Rockstar's disowning of the studio left it with little friends in the game industry, leaving it to go into film work -LSB-...]

Regarding his transition into the casual games space, Aaron essentially moved with the industry as it matured through the years — carving out his own niche in the process.

ZeroLight takes a look at why the knowledge, outlook and capacity for rapid progress that marks out games industry stars means they should consider commercial visualisation companies for their next career move.

Games technology has become so powerful and useful that it has been adopted for commercial projects around the world; and now is the perfect time for the talent of the games industry to make the same move.

Now that we've graduated and moved into the games industry, we want nothing more than to reunite the team with our refined skills and embark on another game development adventure together.

Each one of these games was a game changer in their own right and did a lot to move the video game industry closer to its present greatness.

As with any pioneering initiative in the video games industry, this move also raises a lot of questions.

Being able to play Far Cry 4 with your mates even though they don't own the game is really a brilliant move and one that could set a very welcome industry standard.

The game is one of the highest - selling entertainment properties of the past decade, moving 73 million units, with new installments released yearly — a level of regularity that is hard to match in the industry.

I love games that think outside of the box and I think this is one of many concepts that is needed for us as an industry to move forward.

The game also won't let players kill anyone and will be a strictly single - player experience, both of which are unique moves for a game in today's industry.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Due to this, while EA plans to keep offering its games through all the business models that gamers want, they expect them to move towards subscriptions as they have done in other industries.

Everything depends on what options the games will include, and while the industry has been moving in the right direction when it comes to accessibility, some companies, like Nintendo, haven't taken basic steps to recognize disabled fans.

Creating fun and memorable shooters is in my DNA, and making the move to free - to - play games is all about maximizing the potential audience for your title while embracing where the industry is headed.

Alas, Bounty Arms vanished from sight around the middle of 1995, with Data West moving on to another game and subsequently retreating from the industry.

Decades ago... when I was young, the computer gaming industry moved beyond Pong and Jump Joe and branched out into adventure games.

Its also great to see some classic games are still making a move in the gaming industry through Xbox Live Arcade, such as Ultimate Mortal Kombat 3 and Doom.

After spending over 7 years in the «AAA» game industry working on titles such as Singularity and Call of Duty: Modern Warfare 3, Aaron decided it was time to move onto something smaller and more creative.

Since Kenji Eno decided to move into the education field at the end of 2012, this was his last game proposal, made in order to announce his departure from the game industry.

Mr. Religioso's efforts are one of several recent moves by video game makers and publishers to increase diversity in esports, which is rapidly becoming one of the video game industry's most visible segments.

Since then CRAS graduates have moved on to work throughout the game audio industry as sound designers and audio leads.