Noisy chaos reigns, with the same sickly -
garish colour palette Ayer imported into the DC Universe, and even a crazed blonde Elf (Lucy Fry) with a pronounced resemblance to Margot Robbie's Harley Quinn.
The vulgar sense of
colour in John Chamberlain's crushed metal Ravyredd (1962) reinforced Sillman's own
garish palette, while the palimpsest - like effect of a ghostly late work by Willem de Kooning, Untitled XXII (1982), also echoed her process.