Sentences with phrase «gave black audiences»

The Blaxploitation films in the 1970s gave black audiences their own heroes: Shaft, Cleopatra Jones, Coffy, Slaughter, Foxy Brown.

Not exact matches

«The idea that we're going to give you a black box and it auto - magically fixes everything, that's a lie,» Hindawi told the audience.

was pitched to an evangelical audience, it would go like this: Academy Award nominee Darren Aronofsky, the brilliant writer - director who gave us The Fighter, Black Swan and The...

Some of them are available for a general audience, while others raise the bar so only a given community (seniors, blacks, Asians, Jews, etc.) can sign up.

«Black Panther» gave audiences so much to root for and talk about.

This picture ought to be of particular interest to African - American audiences, given the fact that the black community is the only one where the HIV infection rate is skyrocketing.

Very few villains have been given all that much character development in the MCU, but Black Panther took the time for audiences to actually get to know Killmonger, and it's resulted in one of Marvel's best antagonists yet.

The combined success of the record - breaking, critical acclaim - nabbing and audience - thrilling success of Marvel Studios» Black Panther, introducing a black superhero and boasting a largely black cast, and the recent record - breaking, critical acclaim - nabbing and audience - thrilling successWonder Woman, whixh gave female filmgoers a superhero in their own image, should prove to Hollywood that inclusion sells in cinema, but will it bring real change in the making of moBlack Panther, introducing a black superhero and boasting a largely black cast, and the recent record - breaking, critical acclaim - nabbing and audience - thrilling successWonder Woman, whixh gave female filmgoers a superhero in their own image, should prove to Hollywood that inclusion sells in cinema, but will it bring real change in the making of moblack superhero and boasting a largely black cast, and the recent record - breaking, critical acclaim - nabbing and audience - thrilling successWonder Woman, whixh gave female filmgoers a superhero in their own image, should prove to Hollywood that inclusion sells in cinema, but will it bring real change in the making of moblack cast, and the recent record - breaking, critical acclaim - nabbing and audience - thrilling successWonder Woman, whixh gave female filmgoers a superhero in their own image, should prove to Hollywood that inclusion sells in cinema, but will it bring real change in the making of movies?

Given how audiences have responded to the groundbreaking way that Black Panther has represented both black and female characters on screen, a sequel is all but guaranteed at this pBlack Panther has represented both black and female characters on screen, a sequel is all but guaranteed at this pblack and female characters on screen, a sequel is all but guaranteed at this point.

While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.

Black Panther and Doctor Strange seem to be geared towards an older audience given the actors they are landing.

Psycho is pulpy and sordid and perverse, shot in black and white on a low budget to give it the tawdry feel of a B movie, and directed with the impeccable craft of a master who knew how to shock the sensibilities and shake up the expectations of an audience.

Well, you think, it's «Chinatown» again, but no, director / co-scriptwriter Shane Black («Iron Man 3») gives the audience a story about a private investigator, Holland March (Ryan Gosling), who teams up with a rough looking bag of muscle, Jackson Healy (Russell Crowe) and away they go looking for a missing girl named Amelia (Margaret Qualley.)

There are no details given, and the viewing audience doesn't actually see the torture, but the understanding is that Dixon has tortured black people and kept his job as a police officer.

The first full trailer for Marvel's Black Panther has been released, and it wastes no time in giving audiences a tantalising glimpse at the mythical kingdom of Wakanda.

Well I'm not a fan of sequels that go straight to DVD, but this film does dangle a wild card for the audience that convinced me to give this a shot, Michael Jai White (Spawn, Black Dynamite).

After the record - breaking, critical acclaim - nabbing and audience - thrilling success of «Wonder Woman» finally gave female filmgoers a superhero in their own image, Marvel Studios» «Black Panther» — starring a black superhero and boasting a largely black cast — opened this weekend to record - breaking, critical acclaim - nabbing and audience - thrilling sucBlack Panther» — starring a black superhero and boasting a largely black cast — opened this weekend to record - breaking, critical acclaim - nabbing and audience - thrilling sucblack superhero and boasting a largely black cast — opened this weekend to record - breaking, critical acclaim - nabbing and audience - thrilling sucblack cast — opened this weekend to record - breaking, critical acclaim - nabbing and audience - thrilling success.

The group, dubbed «Down With Disney's Treatment of Franchises and its Fanboys,» had set up an event — «Give Black Panther a Rotten Audience Score on Rotten Tomatoes» — with nearly 4,000 members ready to trash «Black Panther» sight unseen.

Black Panther deviates from those approaches, however, and gives the audience something to think about, especially with its mid-credits scene.

A scurrilous Facebook event page, whose stated purpose was to «give Black Panther a rotten audience score on Rotten Tomatoes» purported to be a grassroots protest against Disney and its «treatment of franchises and its fanboys».

But now that he has set his mark on Hollywood history as surely as his handprints have been immortalised in cement outside the Chinese Theatre in LA (extreme left of the entrance, between Danny Glover, Walter Matthau, Michael Keaton, Susan Sarandon and Oskar Werner, if you're curious) he has license, if he wants it, to change, to experiment, maybe even to subvert his image — to give audiences black and white more opportunities to say (as he told The Telegraph in 2013), «we haven't seen Denzel like that.»

And it's more than certain that Black Panther will give audiences, especially underrepresented ones, a vision of themselves that Hollywood historically denies.

A Facebook event titled «Give Black Panther a Rotten Audience Score on Rotten Tomatoes» has been created, but the review aggregate website has now responded in a statement via The Wrap.

Marvel's Black Panther gave audiences plenty to think about, not the least of which is the film's ending.

Now, they've created a Facebook event titled «Give Black Panther a Rotten Audience Score on Rotten Tomatoes» with the hopes of ruining the film's audience rating on RottenTomatoes, as well as purposely spoiling the film for MarvAudience Score on Rotten Tomatoes» with the hopes of ruining the film's audience rating on RottenTomatoes, as well as purposely spoiling the film for Marvaudience rating on RottenTomatoes, as well as purposely spoiling the film for Marvel fans.

Coogler concluded his letter by thanking Black Panther everyone who contributed to the movie's thunderous debut:» For the people who bought out theaters, who posted on social [media] about how lit the film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world before even seeing the film... To the press who wrote about the film for folks who hadn't yet seen it, and encourage audiences to come out... And to the young ones, who came out with their parents, with their mentors, and with their friends... Thank you for giving our team of filmmakers the greatest gift: The opportunity to share this film, that we poured our hearts and souls into, with you.»

An initial glance at the Luxury Card homepage gives a pretty good indication of the intended audience for the Mastercard Black Card.

The best stories in this franchise have adroitly never stopped progressing long enough to give players time to think through anything other than necessary information, but Black Ops 2 seems bent on generously allowing its audience time to pick apart some of the more nonsensical turns in its plot, of which there are many.

Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.

Her request read, in part: «Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.