Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely drawn, graffiti - like images of, and writings about, bareback and interracial
gay sex — «hate fucking,» «
gay terrorism,» «white Daddy dick,» «
big fat
black dick,» «straight
cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling over with posters, and other messy piles of carefully amalgamated bric - a-brac.