Sentences with phrase «gay man in our room»

Remember the anesthesiologist who thought every gay man in our room was the father?

Not exact matches

HOWEVER, if in the next 99 rooms there are 100 men in each room, and in each room 1 of them is gay and 1 of them is bi, it becomes normal that 10 % of the men are gay and 10 % of the men are bi.

Likewise, if there are a few rooms with 2 bi men and some with 2 gay men, or a number with none of either, but the overall number when taken as a whole is that of the 10,000 men, 1000 are gay and 1000 are bi, normal is still 10 % of each in the population.

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The most prominent characters include Haven Hamilton (Henry Gibson), a socially conservative, arrogant country music star; Linnea Reese (Lily Tomlin), a gospel singer and mother of two deaf children; Del Reese (Ned Beatty), her lawyer husband and Hamilton's legal representative, who works as the local political organizer for the Tea Party - like Hal Philip Walker Presidential campaign; Opal (Geraldine Chaplin), an insufferably garrulous and pretentious BBC Radio reporter on assignment in Nashville, or so she claims; talented but self - involved sex - addict Tom Frank (Keith Carradine), one - third of a moderately successful folk trio who's anxious to launch a solo career; John Triplette (Michael Murphy), the duplicitous campaign consultant who condescendingly tries to secure top Nashville stars to perform at a nationally - syndicated campaign rally; Barbara Jean (Ronee Blakley), the emotionally - fragile, beloved Loretta Lynn - like country star recovering from a burn accident; Barnett (Allen Garfield), Barbara Jean's overwhelmed manager - husband; Mr. Green (Keenan Wynn), whose never - seen ailing wife is on the same hospital ward as Barbara Jean; groupie Martha (Shelley Duvall), Green's niece, ostensibly there to visit her ailing aunt but so personally irresponsible that she instead spends all her time picking up men; Pfc. Glenn Kelly (Scott Glenn), who claims his mother saved Barbara Jean's life but who mostly seems obsessed with the country music star; Sueleen Gay (Gwen Welles), a waitress longing for country music fame, despite her vacuous talent; Bill and Mary (Allan F. Nicholls and Cristina Raines), the other two - thirds of Tom's folk act, whose ambition overrides constant personal rancor; Winifred (Barbara Harris), another would - be singer - songwriter, fleeing to Nashville from her working - class husband, Star (Bert Remsen); Kenny Frasier (David Hayward), a loner who rents a room from Mr. Green and carries around a violin case; Bud Hamilton (Dave Peel), the gentle, loyal son of the abrasive Hamilton; Connie White (Karen Black), a glamorous country star who is a last - minute substitute for Barbara Jean at the Grand Old Opry; Wade Cooley (Robert DoQui), a cook at the airport restaurant where Sueleen works as a waitress and who tries unsuccessfully to convince her that she has no talent; and the eccentric Tricycle Man (Jeff Goldblum), who rides around in a three - wheel motorcycle, occasionally interacting with the other characters, showing off his amateur magic tricks, but who has no dialogue.

One gay boy (played by the young Bob Balaban) is almost assaulted by the hustler in the toilet of a cinema on Forty - second Street, and a gay man is mugged in his hotel room.

Set over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni - born poet Jacob as he revisits the events of his life, from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS.

23 As Jones and Jonathan D. Katz have convincingly argued, silence emerged as Cage's primary means of countering the fervently expressive, highly individualistic machismo associated with Abstract Expressionism.24 It was a construct that gave him room to act independently as an artist in a world dominated by the abstract expressionist paradigm and to create space for himself as a gay man in the atmosphere of homophobia that permeated postwar American culture.

The complaint is full of interesting tidbits, like the procedure whereby the league's «Protest Committee» called each of the plaintiffs (and three other players whose gayness was questioned) into a room and, in front of a crowd of 25, peppered them with questions about their sexual preferences before voting on whether the men were gay or not.