Sentences with phrase «gazing at a work of art»

This often came as a surprise to the students, who didn't expect to learn much about chemistry while gazing at a work of art.

Not exact matches

Her work has also been featured in several group shows curated by Indira Cesarine at The Untitled Space including «One Year of Resistance,» «Secret Garden: The Female Gaze on Erotica,» «She Inspires,» «Uprise / Angry Women» and «(Hotel XX)» at SPRING / BREAK Art Show 2018.
A 272 - page catalog with 12 scholarly essays, edited by PAFA's Curator of Modern Art, Robert Cozzolino (who also served as Female Gaze's curator, and worked alongside PAFA President David R. Brigham in making the case that PAFA should be the recipient of Alter's gift) is available through PAFA and at Amazon.com.
In her monumental sculpture, Flack has worked to change the representation of women in art, presenting them as strong, intelligent, purposeful individuals rather than «mere sex objects gazing up at a general on a horse,» according to a release from the WCA.
Keppler spoofed the most talked - about works in the 1878 exhibition, and twenty - five years later, Glackens turned his gaze on cubism, which was among the most discussed and derided styles of art at the Armory Show.
Towards an AIDS Archive outsider blackness American Noir: Into a Dark Past The Multitudes of Frank Moore Overnight Wave (For Arthur) Jungle Pussy The Infidels» Hallelujah Take With Food Burning The Candle at Both Ends Art, AIDS and Activism Mythologies Salute Red, White & Blue I'm Not Mad at You, I'm Mad at the Dirt Eclipse Vital Signs The Male Gaze Night Work Eleven Artists Particular Insight Immortality...
The Los Angeles - based painter Henry Taylor, meanwhile, turns his gaze on the communities he knows — whether the patients at the mental hospital where he once worked or, more recently, people from the streets around his studio in downtown L.A. Maya Stovall, an anthropologist and choreographer, dances in front of liquor stores in her neighborhood on the east side of Detroit, before interviewing local patrons and passersby about the city, the streets around them, and the place of art in their lives.
Honorary Chairs Robert Klein John Patrick Shanley Artist Chairs Dillon Cohen Katie Holten Tim Rollins Co-Chairs Laura Blanco Olivia Douglas Marilyn Greene Ruth Corn Roth Location: Conrad New York 102 North End Avenue New York City (Between Murray and Vesey Streets) Special Guest Performer Kevin Harris Jazz Pianist and Faculty at Berklee College of Music Master of Ceremonies Lynda Lopez Journalist; Anchor, CBS Newsradio — AUCTION Featuring Artists Diana Al Hadid Miya Ando Alexandre Arrechea Jared Aufrichtig Donald Baechler Claudia Baez Patrick Berran Janet Biggs Julien Bismuth Ernesto Burgos Alberto Casado Willie Cole Caetano De Almeida Shepard Fairey Tony Feher Ramiro Fernandez Jake Fernandez Dan Finsel Tony Fitzpatrick Fragments Jewelry Mary Frank Jane Freilicher Richard Garet Theaster Gates Leon Golub Dan Graham Joel Greenberg Clinton Hill Steven Hirsch Katie Holten Carl Holty Michael Joo Anna K.E. Tim Rollins and K.O.S. Maira Kalman Betsy Kaufman Mike Kelly Keizo Kitajima George Kovacs Thomas Lanigan - Schmidt Lisa Leone Dean Levin Jeff Chien - Hsing Liao Rubén Torres Llorca Hew Locke Vivian Maier Gordon Matta - Clark Mary Mattingly George McNeil Jessica Mein Sean Mellyn Jose Toirac and Meira Marrero Pat Moser Richard Mosse Isamu Noguchi JJ PEET Karlos Pérez Jon Pestoni Elizabeth Peyton Chloe Piene Liliana Porter Jon Pylypchuk Jon Pylypchuk Lee Quinones Raquel Rabinovich Pedro Reyes Katrin Saigurdardottir Emilio Sanchez Jessica Sanders Kate Shepherd Alan Shields Harriet Shorr Samara Shuter Amy Sillman Xaviera Simmons Michelle Stuart Rachel Sussman Swoon Jorge Tacla Tats Cru Henry Taylor Ana Tiscornia Gladys Triana James Turrell Nicola Tyson Manuela Viera Gallo Darren Waterston Madeline Weinrib Stanley Whitney Timothy Woodman — Benefit Committee Rae Alexander - Minter ** Eric Appel * Augusto Arbizo * Sigmund Balka ** Laura Blanco ** and Robert F. Shainheit Holly Block ** Linda Blumberg ** Marianne Boesky Laura Bohn * James - Keith Brown and Eric Diefenbach Deborah Buck Victoria Cabanos ** and Philip Hecht Ellen Cantrowitz * Katherine Chan * Fiona Cibani James Cohan Alessandra DiGiusto ** Olivia Douglas ** and David DiDomenico Dana Emmott Lea and Stephan Freid * James Fuentes * Liz Goldman Gail Gregg Marilyn and Stephen Greene ** Horacio José and Julia P. Herzberg * Susan Hinko ** and Carl Batlin Joyce Hogi ** Jeanna Hussey ** Susan and Steven Jacobson Keesha Johnson Nicole Klagsbrun * Liz Klein * Alice Kosmin ** Serge and Ian Krawiecki Gazes Joan Krevlin ** Ashley Leutner, Paddle8 * Cher Lewis Teresa Liszka & Martin Weinstein Candice Madey * Mary Beth Mandanas ** Diane and Adam Max Cormac McEnery ** Lisa Melmed Cohen Joseph Mizzi ** Nathan Newman ** Ifeoma Okoronkwo Aitkenhead ** Wendy Osloff * Debra Palma Meredith Palmer Penny Pilkington * Lesley and Jonathan Plotkin ** Nancy Portnoy * Simon Preston * Stacey Richman Tim Rollins ** Ruth Corn Roth ** Mary Sabbatino Don Savelson ** Abigail Scheuer Carole Server ** and Oliver Frankel Lauren Sharfman Manon Slome ** Joshua Stein PLLC ** Lybess Sweezy and Ken Miller Sarah Sze Frederieke S. Taylor Leslie Tonkonow Madeline Weinrib Kate Werble * * Art Auction Committee ** Trustees List in formation About the Teen Council The Bronx Museum Teen Council, comprised of a group of high school students working closely with educators in the Museum's Media Lab, was created in 2005 to make contemporary art and culture accessible to urban youArt Auction Committee ** Trustees List in formation About the Teen Council The Bronx Museum Teen Council, comprised of a group of high school students working closely with educators in the Museum's Media Lab, was created in 2005 to make contemporary art and culture accessible to urban youart and culture accessible to urban youth.
The idea for the group exhibition came to Ligon as he gazed up at Ellsworth Kelly's monumental work «Blue Black» (2000), a 28 - foot - tall painted wall sculpture commissioned for the Tadao Ando designed main exhibition hall of Pulitzer Arts.
Her work was recently included in Black Sheep Feminism: The Art of Sexual Politics, a four - artist exhibition curated by Alison Gingeras at the Dallas Contemporary, and The Female Gaze, Part Two: Women Look at Men at Cheim and Read in New York.
Walking into a large vagina, shooting paint, gazing at the stars in a planetarium, dancing the twist, plowing a path through a room filled with balloons: the exhibitions might easily be considered more as theme park attractions than serious art shows, comprising theatrical props instead of works of art.
Her work has also been featured in several group shows curated by Indira Cesarine at The Untitled Space including «ONE YEAR OF RESISTANCE,» «SECRET GARDEN: The Female Gaze on Erotica,» «SHE INSPIRES,» «UPRISE / ANGRY WOMEN» and «(Hotel) XX» at SPRING / BREAK Art Show 2018.
She dropped by the studio this week to talk about working with professional actors for her pieces, her recent solo exhibition at On Stellar Rays, complicating traditional notions of the viewer's gaze, watching bad TV, not buying video equipment, and her constantly - shifting relationship with the genre of performance art.
Anyone with a theory about that will have a good opportunity to test it at the Pennsylvania Academy of the Fine Arts, where «THE FEMALE GAZE: WOMEN ARTISTS MAKING THEIR WORLD,» a show of works by about 150 women, opens on Saturday.
Terms like anti-authoritarian, provocative and American pop culture are often attached to Kelley — and are certainly applicable — but such categorizations belie the baffling complexity of his works» construction and the critical gaze directed at issues including art, education and enlightenment principles upon which they are based.
While gazing at Rauschenberg's painting Double Feature, Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that «for the last forty years it's been [his] ambition to write about contemporary art not as a critic or a judge, but as a participant.»
Amy Elkins (BFA 2007 Photography) Photographer and curator; represented by Yancey Richardson Gallery, NYC; co-founder Women in Photography; known for her archiving of prisoners on death row in Texas; winner of the 2014 Aperture Portfolio Prize; artist - in - residence, Villa Waldberta, Munich (2012) and Light Work, Syracuse, NY (2011); included in the permanent collections of North Carolina Museum of Art and Light Work, Syracuse, NY; exhibited at Kunsthalle Wien in Vienna., the Carnegie Art Museum in Oxnard, CA, the Minneapolis Institute of Arts, Minneapolis; solo and group exhibitions at the International Modern Photography Festival, South Gyeongsang Province, South Korea;» Cast,» Philadelphia Photo Arts Center, Philadelphia; «Gazed Upon» (curator), Ampersand Gallery, Portland, OR; «Deconstructing the Female Gaze» (curator), PPOW Gallery, NYC; photos and features include «Prison Photography,» included in The Telegraph's Stella Magazine, Real Simple, The Huffington Post, American Photo, Harper's, Newsweek and The New York Times.
Canada Booth B4, organized by Katherine Berhardt (2016) Jardin, No. 4 Studio, Brooklyn, NY (2016) Gazing Inland, COOP, Nashville, TN (2016) Family Values, 195 Christie St., curated by Paola Gallio (2016) Tread, Ess Ef Eff at the Living Gallery, curated by Alex Sewell (2016) Your Bad Self, Arts and Leisure, Harlem, NY (2016) Improvised Showboat # 5 curated by Zachary Keeting and Lauren Britton with Ashley Garrett and Brian Wood, Manhattan, NY (2015) Apples Turn to Water at Spring / Break Art Fair, curated by Kari Adelaide and Max Razdow (2015) New Work City curated by Julie Torres, Momenta Art, Brooklyn, NY (2015) The Art of Compassion, Freight and Volume, NY (2014) Family Style, curated by Julie Torres, Formerly Pocket Utopia, NY, NY (2014) Typhoon Haiyan Philippines Relief Benefit, Lodge Gallery, NY, NY (2013) C'est Brooklyn - Paper, Janet Kurnatowski Gallery, Brooklyn, NY (2013) Strange Times, Novella Gallery, NY, NY (2013) Peaces On Earth, Sardine, Brooklyn, NY (Dec 2012) Soft Opening, Heliopolis, Brooklyn, NY (2012) Hogwarth Worldwide Biannual, Hogwarth Worldwide Inc, New York, NY (Dec 2012) Hunter MFA Thesis Show, Times Square Building, Hunter MFA Building, New York, NY (Dec 2012) Brucennial (Bruce High Quality Foundation Biennial), New York, NY (2012) The Whitney Houston Biennial, Murdertown, Chicago, IL (2012) Paperazzi, Janet Kurnatowski Gallery, Brooklyn, NY (2012) Mic: Check (Occupy), Sideshow Gallery, Brooklyn, NY (2012) Idiot's Delight, Curated by Craig Olson, Janet Kurnatowski Gallery, Brooklyn, NY (2011) Temporary Antumbra Zone, Group Show, Janet Kurnatowski Gallery, Brooklyn, NY (2011) co-curator Purple Nurple, Beta Space, Brooklyn, NY (2011) Espacio Entre Medio, Chemi's Room, Santurce, Puerto Rico (2011) IT»S ALL GOOD, Apocalypse Now, Group show, Sideshow Gallery, Brooklyn, NY (2011) Half Invisible, Group show, Beta Space, Brooklyn, NY (2010) Painting Comes Alive!
The works can thus also be used as a starting point for the elucidation of the social function of art, facilitating a gaze at our past, present and not least, our future through their stance on various conflict - filled realities.
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