Sentences with phrase «gazing at these figures»

A commenter, after gazing at these figures, asks: how much influence do presidents really have over the economy anyway?

Not exact matches

I remember standing at the sliding glass door, holding my screaming baby and gazing out at the bleak back yard as I grappled to figure out my new role as a Nebraska hausfrau.

This Season: A key figure in Inter's Scudetto - winning Primavera side last season, Carraro is getting his first taste of senior football this season under the wily gaze of Zdenek Zeman at Pescara, and after a slow start to the campaign he's found his feet rather nicely.

But the brain synchrony we were observing was at such high time - scales — of three to nine oscillations per second — that we still need to figure out how exactly eye gaze and vocalisations create it.»

I gazed at the first picture for a while, before I figured out it really was your dining room table!

When he had completed the description, Ruso scratched one ear and gazed down at the pale figure laid out on the table.

A charming yet magnificent piece, the quasi-human figure gazes up to the heavens, inviting others to stand at its base and do the same.

At the end of (Female figure)'s looped routine, in one such moment of shared gaze, she lip - syncs Wolfson's own voice:

At Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rock (Lehmann Maupin will also open a new show of Emin's work in New York on May 5At Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rock (Lehmann Maupin will also open a new show of Emin's work in New York on May 5at an enormous rock (Lehmann Maupin will also open a new show of Emin's work in New York on May 5).

At Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rocAt Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rocat an enormous rock.

We see a group of men playing cards in Calais, the central figure's gaze calmly looking out at us, or a pair threading each other's eyebrows in the late afternoon sun.

Faceless female figures appear to be shameful of their exposed bodies, but at the same time seem oblivious to the viewer's gaze.

Last summer, Rachofsky and Faulconer purchased the largest sculpture from Koons's recent Gazing Ball series of white plaster figures with blue glass globes that, following its loan to the Koons retrospective opening this month at the Whitney Museum of American Art in New York, will take up residence in the Warehouse.

The work is viewed lying down with your eyes gazing at a sensual firmament where two naked Eve figures float innocently and lustily around.

Semmel's treatment of the figure — the gaze directed at either her own body or her lover's — was her challenge to the dominant patriarchal portrayal of the passive female nude.

He presents us with whimsical interpretations of iconic artists at work and play; Kahlo sitting regally on a chair; Dali jumping athletically across a triptych created by vintage Thai calendars; Bacon casually checking the time on his wrist watch; Pollock dripping paint; Duchamp fixing the viewer with a cold gaze; Picasso drawing freestyle across a vintage sign; and multiple Warhol figures crouching on a studio floor creating screen prints.

Our gaze wanders over to the output of central figures of twentieth - century art history caught by Picasso's Stalin portrait in the Communist cultural journal Les Lettres françaises from 1953, Andy Warhol's poster promoting the German Green Party from 1978 (at the suggestion of Joseph Beuys, who also appears in the exhibition), or Robert Rauschenberg's poster for the United Nations» International Conference on Population and Development in 1994.

An urban pastoral scene featuring black figures engaged in golf, croquet, waterskiing and boating, three figures gaze directly at the viewer in the foreground while lyrics by The Temptations and Snoop Dogg flow from two boom boxes.

In «Two girls and two boys» a row of figures seem to look out of the image at the viewer but their gaze is opaque and impenetrable.

Adorned with fringes of hair as a way of invoking the human body and its physical presence, Geyer's constructions give three - dimensional contemporary form to the illustration on the cover of The Ladder's initial 1956 issue, which depicts two figures gazing up at a runged ladder reaching into the clouds.

And he gazes helplessly back at you and your indignation, mind - racing, trying desperately to figure out how his lack of enthusiasm for surf and sand have provoked your ire.

I gazed at the first picture for a while, before I figured out it really was your dining room table!