Sentences with phrase «gelatin photograms»

Lisa Oppenheim Landscape Portraits (Birdseye Maple and Cherry)(Version II), 2015 Two silver gelatin photograms in Birdseye Maple and Cherry frames 38 5/8 x 50 1/4 inches; 98.1 x 127.6 cm (overall) 38 5/8 x 24 5/8 inches; 98.1 x 62.5 cm (each frame)

Lisa Oppenheim Landscape Portraits (Some North American Trees), 2014 (detail) Set of five black and white silver gelatin photograms with unique frames 98 x 64.45 cm (framed) each

Lisa Oppenheim Landscape Portraits (Butternut)(Version I) 2015 Set of four silver gelatin photograms in Butternut frames 24 3/8 x 24 1/4 inches; 61.9 x 61.6 cm (each frame) 49 3/8 x 49 3/8 inches; 125.4 x 125.4 cm (overall)

Lisa Oppenheim Landscape Portraits (Engineered Eastern Red Cedar)(Version I) 2015 set of four silver gelatin photograms in Eastern Red Cedar and Birch frames 50 3/8 x 54 1/4 inches; 128 x 137.8 cm (overall) 24 7/8 x 26 3/4 inches; 63.2 x 67.9 cm (each frame)

Lisa Oppenheim Landscape Portraits (Apple)(Version I) 2015 Set of four silver gelatin photograms in Apple frames 49 1/2 x 49 1/2 inches; 125.7 x 125.7 cm (overall) 24 3/8 x 24 3/8 inches; 61.9 x 61.9 cm (each frame)

Lisa Oppenheim Landscape Portraits (Birdseye Maple and Cherry)(Version I), 2015 Two silver gelatin photograms in Birdseye Maple and Cherry frames 38 5/8 x 50 1/4 inches; 98.1 x 127.6 cm (overall) 38 5/8 x 24 5/8 inches; 98.1 x 62.5 cm (each frame)

Lisa Oppenheim Landscape Portraits (Poplar)(Version III), 2015 Set of four silver gelatin photograms in Poplar frames 51 1/2 x 54 3/8 inches; 130.8 x 138.1 cm (overall) 25 3/4 x 26 3/4 inches; 65.4 x 67.9 cm (each frame)

Document is pleased to present Middle Gray, a selection of eight black and white silver gelatin photograms and five wooden sculptures by California - based artist Greg Stimac.

Sheree Hovsepian, A Room of One's Own, 2015, Archival dye transfer print, silver gelatin photograms, string, brass nails, acrylic, 40 x 30 in., Image courtesy the artist and Monique Meloche Gallery, Chicago

, silver gelatin photograms mounted to sheets of aluminum stand upright on the gallery floor, stabilized by rectangular white frames.

• Ervin Marton (Hungarian, 1912 — 1968), Untitled (Hand & lace), undated vintage silver gelatin photogram.

Hank Ketelsen of Savannah College of Art and Design created this silver gelatin photogram in the darkroom on 11x14 - inch Oriental RC paper.

Untitled # 21, from the series Haptic Wonders, 2013, unique silver gelatin photogram, 20 × 16 inches.

Material Gesture (A Meditation on Latency), 2016, fabric, unique silver gelatin photogram, drawing paper, and pins, 50 × 86 inches.

Untitled 2009 - 2016 Dyed silver gelatin photogram, dyed photocopy, painted colour photogram, dyed acrylic medium, acrylic paint, enamel paint on paper 51.6 x 43.9 x 3.8 cm / 20.3 x 17.3 x 1.5 in framed

Society for Nebulous Knowledge, Open Star Cluster in Sagittarius by Anabella Gaposchk circa 1903, silver gelatin photogram (baking soda) 2002 (8» x5»).

Not exact matches

Silver - toned gelatin silver photograms mounted on metal.

Shot Reverse Shot 2, March 24, 2013 2013 Photogram Size: 47 1/4 x 39 1/2 inches Polaroid Size: 10 3/4 x 8 3/4 inches photogram on gelatin silver paper with Polaroid (diptycPhotogram Size: 47 1/4 x 39 1/2 inches Polaroid Size: 10 3/4 x 8 3/4 inches photogram on gelatin silver paper with Polaroid (diptycphotogram on gelatin silver paper with Polaroid (diptych) unique

Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery

The collection has grown to represent the full historical range of the medium, including early daguerreotypes, anonymous stereoviews, and cartes de visite; gelatin silver prints by Walker Evans, Robert Frank, and Ansel Adams; Kenneth Snelson's expansive panorama; landscapes by Carleton Watkins; photograms by Man Ray and Lotte Jacobi; and works by a range of contemporary American photographers, such as Robert Mapplethorpe, Cindy Sherman, and Andy Warhol (Polaroids).

Here, gelatin silver photographs and photograms — taken from the artist's personal archive made over the years and used both altered or unmodified — are layered into compositions, along with pieces of sheer black or tan fabric that allude to women's hosiery.

László Moholy - Nagy, Untitled (Self and Lucia), modern silver gelatin copy print of a lost photogram of 1926, made from a vintage glass copy negative (Hattula Moholy - Nagy).

Jason Kalogiros, Black & White Floral, gelatin - silver photogram, 2007.

Judge works with photograms, scarified or drawn - on negatives, and chromogenic and silver gelatin prints.

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

O'Keeffe (Indigo), from the series «Tengallon Sunflower», gelatin silver photogram with indigo dye, 16 x 20in, 2016.

Bandanna, 2016, gelatin silver photogram 24 x 20 inches.

Gelatin silver photogram and chemogram,, 14 x 11 inches (35.6 x 27.9 cm), Unique.

Untitled 2009 - 2016 Acrylic paint, enamel paint, dyed colour photograms, dyed solarised silver gelatin print, dyed paper on paper 69.3 x 56.6 x 3.8 cm / 27.3 x 22.3 x 1.5 in framed

Untitled 2009 - 2016 Acrylic paint, enamel paint, colour photograms, solarised silver gelatin print, steel lids, coffee grounds, gloss varnish, gouache, ink, dye, copper penny, acrylic medium and paper 69.3 x 56.6 x 3.8 cm / 27.3 x 22.3 x 1.5 in framed

Petzel Gallery's solo exhibition of Heineckens work from the 1960s and 70s highlights his photographic journey into this cross-section of consumer culture and the nature of photography through his photo - based paintings, sculpture photograms, silver gelatin prints and installation works.

Included in the exhibition are pigment, gelatin silver, contact, and Lambda C - type prints, along with gelatin silver photograms.

László Moholy - Nagy - Photogram, c. 1925, Photograph, gelatin silver print on paper, 181 x 238 mm, Jack Kirkland Collection, Nottingham

Photogram, 1926 Gelatin silver photogram Los Angeles County Museum of Art, Ralph M Parsons Fund Photo © Museum AssociatePhotogram, 1926 Gelatin silver photogram Los Angeles County Museum of Art, Ralph M Parsons Fund Photo © Museum Associatephotogram Los Angeles County Museum of Art, Ralph M Parsons Fund Photo © Museum Associates / LACMA

Welling has experimented with a range of photographic techniques, including gelatin silver prints, photograms, Polaroids, and digital prints.

Lisa Oppenheim Calendar, 1819 - 1874, 2013 Silver gelatin black and white photographs exposed and solarized by firelight, toned photograms 50.5 x 57.7 inches (128.5 x 146.5 cm) Unique in a series

The exhibition will present over twenty - five pieces spanning the years from 1964 — 1978 and will include photo - based painting, film transparency, sculpture, photograms, silver gelatin prints, and the iconic installation «TV Time Environment».

During his career, Welling has experimented with different photographic mediums, including Polaroids, silver gelatin prints, photograms, and digital prints, exploring the tensions of and between representation and abstraction.

MAN RAY (1890 - 1976) Untitled Rayograph, 1922 unique gelatin silver photogram signed in pencil (on the mount); annotation «Original Man Ray 23» in ink (on the reverse of the mount) image / sheet: 9 1/4 x 7in.

Gelatin silver print photogram mounted on canvas, 62 1/4 x 102 in.

The Smooth and Striated] 2011 Silver gelatin print, photogram 20 X 16 in.

2007 black and white photogram on gelatin silver paper 171 x 106.5 cm (67 3/8 x 41 7/8 in) This work is accompanied by a certificate of authenticity.

MAURICIO ANCALMO Dualing Pianos; [In the Land / Ray of Light] 2011 Silver gelatin print, photogram 20 X 16 in.

Klea McKenna Rainstorm 6 (California, February), 2014, unique, photogram of rain on gelatin - silver fiber paper, 34 x 41 inches (86.3 x 104.1 cm), Von Lintel Gallery, Los Angeles

Artist Klea McKenna describes her Rain Studies as «an ongoing series of unique gelatin silver photograms of rain made outdoors at night... I have always paid attention to rainfall and how weather affects the land, but by making this work my awareness has been heightened.

Collage with cut gelatin silver print, torn paper, and paint on gelatin silver print photogram, 10 × 8 in.