Sentences with phrase «gelatin photograph image»

Silver gelatin photograph Image © the artist.

Not exact matches

Stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 14 x 18 in.

It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver gelatin print photographs taken from

BOB ADELMAN (1930 - 2016) Andy Warhol empties his boots after being pushed into the pool by Edie Sedgwick, Al Roon's Gym, New York photograph 1965 (printed later) unique vintage gelatin silver print signed and stamped on verso image size > 6 x 8.5 inches / paper size > 11 x 14 inches

Eight photographs by Hullihen Williams Moore (American, born 1942): «Appalachian Trail and Mist,» 1994, pigment print, image: 30 x 23 1/2 inches; «Falling Spring,» 1996, pigment print, Image: 30 x 24 1/2 inches; «Rhododendron and Tall Trees,» 2007, pigment print, image: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iimage: 30 x 23 1/2 inches; «Falling Spring,» 1996, pigment print, Image: 30 x 24 1/2 inches; «Rhododendron and Tall Trees,» 2007, pigment print, image: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iImage: 30 x 24 1/2 inches; «Rhododendron and Tall Trees,» 2007, pigment print, image: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iimage: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iimage: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iimage: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iimage: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iimage: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 iimage: 10-3/8 x 13 1/4 inches

BOB ADELMAN (1930 - 2016) Marisol Escobar looks at Bob Adelman through a glass, in Robert Rauschenberg's studio photograph 1966 unique vintage gelatin silver print signed and annotated in pencil, photographer's credit stamp, and photographer's copyright stamp on verso image size > 8.25 x 5.75 inches / paper size > 11 x 14 inches

BOB ADELMAN (1930 - 2016) Andy Warhol on the fire escape of the Factory on 47th Street photograph 1965 (printed later) unique vintage gelatin silver print signed in ink, photographer's copyright stamps on verso image size > 9.375 x 6.375 inches / paper size > 14 x 11 inches

Image provided by Weinstein Gallery Gordon Parks, Invisible Man Retreat, Harlem, New York, 1952 Gelatin silver print, PHOTOGRAPH BY GORDON PARKS COPYRIGHT: COURTESY OF AND COPYRIGHT THE GORDON PARKS FOUNDATION.

Signed «BERENICE ABBOTT» in pencil on the mount l.r., stamped «PHOTOGRAPH / BERENICE ABBOTT / ABBOTT, MAINE 04406» and signed «Berenice Abbott» in pencil on the reverse of the mount l.c. Gelatin silver print, image / sheet size 13 1/8 x 10 3/8 in.

DIANE ARBUS (1923 - 1971) Woman with a veil on Fifth Avenue, New York City, 1968 stamped «A Diane Arbus photograph», signed, titled, numbered and dated» 27/75» by Doon Arbus, Administrator, and stamped Estate copyright credits (on the reverse) gelatin silver print, printed later by Neil Selkirk image: 14 3/4 x 14 ⅝ in.

Titled in red ink on the mount verso l.l., stamped «PHOTOGRAPH BY PETER FINK» in red ink on the mount verso l.r. Gelatin silver print mounted to board, image / sheet size 17 5/8 x 10 in.

Handmade black and white gelatin silver photographs are juxtaposed with computer mediated digital inkjet prints, reinforcing the flux of change experienced in these images.

In the 1926 gelatin silver print Record, a track runner leaps over a hurdle, with Broadway at night whizzing by in the background; the picture is composed entirely of images taken by other photographers, an example of Lissitzky's fotopis (painting with photographs).

Portrait of the artist as a shadow of his former self Artist: Keith Arnatt 1930 - 2008 Date: 1969 - 72 Classification: on paper, print Medium: Photograph, gelatin silver print on paper Dimensions: image: 605 x 665 mm Transferred from Tate Archive 2010 © Keith Arnatt Estate

Gelatin silver photograph, image: 75⁄8 x 12 in.

Image: Shirin Neshat (Iran, Qazvin, active United States, New York, New York City, born 1957), Speechless, 1996, Photograph, Gelatin silver print and ink.

For this exhibition Ezawa will present a series of paintings and silver gelatin prints derived from historical photographs and paintings that underscores a keen understanding of how images shape our experience and memory of events.

Roosevelt, Franklin Delano (1882 - 1945) Signed photograph, circa April 5, 1933, silver gelatin print, with note from the White House secretary detailing the enclosure, image 7 3/4 by 7 More...

Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.

• André Kertész (American, born Hungary, 1894 - 1985), two gelatin silver photographs: Paris, 1929, printed late 1950s - 60s, image: 7 ⅝ x 9 ⅝»; Fire Escape, New York, November 8, 1949, printed in 1960, image: 13-15/16 x 10 1/2».

Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.

There are few American photographs more famous than Alfred Eisenstaedt's V.J. Day, Times Square, New York City, 1945, with the iconic image of a newly - returned sailor kissing a USO nurse, and a gelatin silver print of that celebrated image (estimate: $ 12,000 - $ 15,000) anchors a grouping of six Eisenstaedt photographs in the auction, including the breathtaking Marilyn Monroe, 1953 (estimate: $ 7,000 - $ 10,000), Ice Skating Waiter, St. Moritz, 1932 (Estimate: $ 6,000 - $ 8,000) and Portrait of Marilyn Monroe, 1953 (Estimate: $ 5,000 - $ 7,000).

Both stamped «Photograph by / BRADFORD WASHBURN» with copyright information on the verso, Peak titled in pencil on the verso u.l. Glossy gelatin silver prints on Velox paper, images sizes 3 1/2 x 4 5/8 in.

Five Photographs: David Lubbers (American, b. 1947), Willard and Murray Van Dyke, White Cliffs near Abiquiu, New Mexico, August 1981, signed «Lubbers» in pencil on mount l.r., titled in pencil on mount l.c., gelatin silver print, 10 x 12 5/8 in., matted, unframed; Walter Chappell (American, 1925 - 2000), Wild Mountain Plaza Blano, New Mexico, 1983, signed «Walter Chappell» in pencil on the mount l.r., titled and dated on the reverse of the mount, gelatin silver print, 10 5/8 x 13 1/4 in., matted, unframed; Susan Crocker (American, b. 1940), New Mexico»89 Acoma, 1989, signed and titled «Susan Crocker...» in pencil on the reverse, gelatin silver print, sheet size 19 7/8 x 16 in., matted, unframed; Joan Myers (American, b. 1944), Monument Valley Bush, 1979, printed 1981, signed and dated «Joan Myers, 1979» in pencil l.r., titled in pencil l.l., signed, dated, and identified in an inscription on the reverse, platinum - palladium print, image size 11 3/4 x 10 3/8 in., matted, unframed; and Michael A. Smith (American, b. 1942), Cedar Breaks National Monument, Utah, 1975, signed «Michael A. Smith» in pencil on the mount l.r., dated «1975» in pencil on the mount l.l., titled in an inscription on the reverse of the mount, gelatin silver print, 7 5/8 x 9 5/8 in., matted, unframed.

Cover image: Basquiat photographed by Andy Warhol in 1982 (silver gelatin print).

Image credits: György Kepes, 1906 - 2001, Bas Relief with Circles c. 1939 - 40, Photograph, gelatin silver print on paper, 281 x 348 mm © estate of György Kepes.

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.

Unsigned, stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 8 7/8 x 12 in.