Drawing on silver
gelatin photograph using color retouching pencil, 23 1/2 x 17 1/2 in., Edition variant 1 of 4 with 1 artist's proof.
Bruno Taut on Mies van der Rohe (1922), i 2009 Drawing on silver
gelatin photograph using color retouching pencil 23 1/2 x 17 1/2 inches (59.7 x 44.5 cm) Edition of 4 with 1 AP ARG # MJ2009 - 005
Bruno Taut on Mies van der Rohe (1922), ii 2009 Drawing on silver
gelatin photograph using color retouching pencil 23 1/2 x 17 1/2 inches (59.7 x 44.5 cm) Edition variant 1 of 4, 1AP ARG # MJ2009 - 006 © Josiah McElheny
Not exact matches
Welling was first known for his abstract
photographs in which he
used such materials as crumpled aluminum foil, velvet, and
gelatin as subject matter.
Here,
gelatin silver
photographs and photograms — taken from the artist's personal archive made over the years and
used both altered or unmodified — are layered into compositions, along with pieces of sheer black or tan fabric that allude to women's hosiery.
Made within the past year, the roughly fifteen
photographs exhibited in The Outside World are large - format, black - and - white
gelatin silver contact prints, made
using the negative / positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot.
silver print Also known as
gelatin silver print, this refers to
photographs mainly produced since the early 1870s
using gelatin as a colloid.
A deconstruction of such a grand framework would benefit the curation, as a regional focus somewhat excuses visitors from contemplating the conceptual quagmire that lies beneath the alluring surface of each
photograph, which the photographer executed
using tintype,
gelatin silver, or wet - plate collodion techniques.
She carried these objects from one medium to another, inking over
photographs and
using charcoal and acrylic to echo some of her
gelatin silver prints.
While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston
photographs are presented both in their original form as silver
gelatin works printed on Ilford paper and as large scale works where Julien has
used both digital and analogue techniques to create an immersive, cinematic experience.