The exhibition begins with a series of geometric abstractions rendered in Formica by de Barros, along with silver
gelatin photographs from both the beginning and end of his career.
This Thursday at Ryan Lee Gallery, the noble and light - footed nephew of the late Helen Frankenthaler will showcase two series of silver
gelatin photographs from the late»90s in «The Abstract Edge,» beginning with his «Grain Series,» perhaps the most abstract and spare photographic works in Ross» expansive but underappreciated catalogue.
Not exact matches
All
photographs in the Marking Questions portfolio are selenium - toned silver
gelatin prints
from 120 film negatives.
Stamped «ARTHUR ROTHSTEIN /
PHOTOGRAPH /
from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l.
Gelatin silver print, image size 14 x 18 in.
John Divola,
Photographs from The Vandalism Portfolio (1974 - 5) Printed 1993, Silver
gelatin prints on 50x40cm paper, © John Divola, Courtesy of Gallery Luisotti
It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver
gelatin print
photographs taken
from
He also made an important series of
photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver
gelatin prints and two large and rare tapestries that the artist had fabricated
from composites made
from his pictures in the late - 1960s.
The exhibition features some of the artist's most celebrated
photographs from the 1920s and 1930s, including large - scale
gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.
Photographed in 1980 and printed in 1980, this work is number three
from an edition of fifteen plus three artist's proofs Other
gelatin silver prints
from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.
Here,
gelatin silver
photographs and photograms — taken
from the artist's personal archive made over the years and used both altered or unmodified — are layered into compositions, along with pieces of sheer black or tan fabric that allude to women's hosiery.
There are also
photographs by Felix Gonzalez - Torres, including a group of five framed
gelatin silver prints (
from an edition of two) showing birds that seem to disappear into the sky, the artist's comment on the fleeting nature of life.
This exhibition of Andy Warhol's
photographs is culled
from over 100 Polaroids and black and white silver
gelatin prints granted to the University Museum of Contemporary Art by the Andy Warhol Photographic Legacy Program.
Edward Jean Steichen Greta Garbo, Hollywood, 1928
from the portfolio Steichen: Twenty Five
Photographs printed posthumously by George A. Tice, 1982
gelatin silver print
«Light Now,» her 2011 exhibition at Galerie Lelong in New York, where she has shown for 12 years, included a number of surrealistic
gelatin silver prints all made that year by digitally collaging elements
from as many as 31 old
photographs.
The impressive
gelatin silver print
photograph of Yale University's men's outdoor track and field team
from circa 1903 shows 44 varsity and junior varsity team members all dressed in black tanks and white shorts, standing and seated in four rows.
Highlighted masterworks at Throckmorton include Mario Algaze's 1999 - 2000 El Malecon, Habana, Cuba; Graciela Iturbide's 2008 Untitled
photograph Chalma, Mexico; Colette Urbajtel's 1988 Juego de Piedras; Christina Kahlo's 2011 vintage print titled Carnival de Huejotzingo; Mariana Yampolsky's 1987 Esperando al Padreciti; Lola Alvarez Bravo's 1954 Computer 1; Flor Garduno's 2014 vintage print Ciclope, Mexico; Ruven Afanador's 2012 selenium toned
gelatin silver print
from Angel Gitano series, Eduardo Guerrero Gonzales; and The Threshold, Manuel Alvarez Bravo's 1947
gelatin silver print.
All 25
photographs in this series are
gelatin silver prints
from the National Gallery of Art, Corcoran Collection (Gifts of Sharon Keim) 2015.19.5078.1 — 25.
A manuscript leaf by Muir
from Chapter 4 of The Mountains of California is mounted to front preliminary flyleaf of Volume 1 and Volumes 1 - 8 also contain an original
gelatin silver
photograph.
1964
Gelatin silver print
from Fifteen
Photographs, printed 1974.
Henryk Ross (born Poland, 1910; died Israel, 1991) Henryk Ross
photographing for identification cards, Jewish Administration, Department of Statistics, Lodz ghetto, 1940
Gelatin silver print Art Gallery of Ontario, Gift
from Archive of Modern Conflict, 2007 © 2014 Art Gallery of Ontario
Portrait of the artist as a shadow of his former self Artist: Keith Arnatt 1930 - 2008 Date: 1969 - 72 Classification: on paper, print Medium:
Photograph,
gelatin silver print on paper Dimensions: image: 605 x 665 mm Transferred
from Tate Archive 2010 © Keith Arnatt Estate
For this exhibition Ezawa will present a series of paintings and silver
gelatin prints derived
from historical
photographs and paintings that underscores a keen understanding of how images shape our experience and memory of events.
Roosevelt, Franklin Delano (1882 - 1945) Signed
photograph, circa April 5, 1933, silver
gelatin print, with note
from the White House secretary detailing the enclosure, image 7 3/4 by 7 More...
As a participant in the Andy Warhol Photographic Legacy Program since 2008, Hofstra's museum has received donations of 153
photographs, including Polaroids and
gelatin silver prints, and nine screenprints
from the Andy Warhol Foundation for the Visual Arts, Inc..
This elegant and beautifully designed spiralbound volume presents 50 of the artist's most famous and endearing
photographs, drawn
from an archive of more than 200
gelatin silver prints in the collection of the Fundación Cultural Televisa in Mexico City.
Since then, the Museum has become a major repository of his
photographs, including one of the world's largest holdings of
gelatin silver prints
from his seminal book The Americans.
(Various Studios, 1950 - 1963) Collection of (65 +) vintage original
gelatin silver single - weight glossy
photographs (7 - color glos) ranging in size
from 4 x 5 in.
LUCIO FONTANA (1899 - 1968) A Silver and Lacquer Bracelet, 1969 executed by GEM, Milan, model LF / 3, number 1
from an edition of 150, together with a
gelatin silver print of a promotional
photograph by Ugo Mulas 6 in.
Robert Rauschenberg Artist: Robert Mapplethorpe 1946 - 1989 Date: 1983 Classification: on paper, print Medium:
Photograph,
gelatin silver print on paper Dimensions: support: 477 x 377 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance
from the National Heritage Memorial Fund and the Art Fund 2008 © Robert Mapplethorpe Foundation
The exhibition opens January 12, 2013, with a reception
from 5 to 8 p.m.. All
photographs are vintage
gelatin silver.
In Urbanities, a group show at James Fuentes Gallery, black and white
gelatin silver prints taken at the painter Dan Colen's farm in upstate New York depict what could be a
photograph from the distant agrarian past.
Other significant additions include a suite of 25
photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann
from 1976; Laurie Simmons» 1987
gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych of
gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both
from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.
Bill Brandt
photographs from top Jean Dubuffet, 1960
Gelatin silver print The Museum of Modern Art John Parkinson III Fund
Orto Botanico # 1 (2014), a large - scale silver
gelatin print, presents a sculptural form emerging
from a base of incongruous materials; the hint of surrealist photography projects an atmosphere of ambiguity over the relative ordinariness of the colour
photographs that appear alongside it in the exhibition.
Untitled
from the series Daily
Photographs, 1969 — 1970;
gelatin silver print; 16 1/2 x 23 1/2 in.
A deconstruction of such a grand framework would benefit the curation, as a regional focus somewhat excuses visitors
from contemplating the conceptual quagmire that lies beneath the alluring surface of each
photograph, which the photographer executed using tintype,
gelatin silver, or wet - plate collodion techniques.
She carried these objects
from one medium to another, inking over
photographs and using charcoal and acrylic to echo some of her
gelatin silver prints.
Yet, Welling's early abstract
photographs also conjured emotion as in the 1981 series called Drapes, silver
gelatin prints of dark fabric with flakes of snowy white piled in the folds, is an early example of a constructed setting conveying romance
from artifice.
While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it
from its origin, the Looking for Langston
photographs are presented both in their original form as silver
gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.
Working with cyanotype and silver
gelatin prints, Russian artist Nikolai Ishchuk transforms
photographs from representations into objects in their own right.
All
photographs in the Marking Questions portfolio are selenium - toned silver
gelatin prints, rendered by a master printer
from 120 film negatives.
New Film Stills present a series of
gelatin silver print
photographs made in 2013 ranging in scale
from 40 - by - 30 inch to 8 - by - 10 inch.
Today, Alan Ross makes each Special Edition
Photograph by hand
from Adams «original negative on
gelatin silver fiber paper.
Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968
Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage
gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage
gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage
gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage
gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage
gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage
gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage
gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print
from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr
Unsigned, stamped «ARTHUR ROTHSTEIN /
PHOTOGRAPH /
from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l.
Gelatin silver print, image size 8 7/8 x 12 in.