Sentences with phrase «gelatin photographs from»

The exhibition begins with a series of geometric abstractions rendered in Formica by de Barros, along with silver gelatin photographs from both the beginning and end of his career.
This Thursday at Ryan Lee Gallery, the noble and light - footed nephew of the late Helen Frankenthaler will showcase two series of silver gelatin photographs from the late»90s in «The Abstract Edge,» beginning with his «Grain Series,» perhaps the most abstract and spare photographic works in Ross» expansive but underappreciated catalogue.

Not exact matches

All photographs in the Marking Questions portfolio are selenium - toned silver gelatin prints from 120 film negatives.
Stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 14 x 18 in.
John Divola, Photographs from The Vandalism Portfolio (1974 - 5) Printed 1993, Silver gelatin prints on 50x40cm paper, © John Divola, Courtesy of Gallery Luisotti
It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver gelatin print photographs taken from
He also made an important series of photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.
The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.
Photographed in 1980 and printed in 1980, this work is number three from an edition of fifteen plus three artist's proofs Other gelatin silver prints from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.
Here, gelatin silver photographs and photograms — taken from the artist's personal archive made over the years and used both altered or unmodified — are layered into compositions, along with pieces of sheer black or tan fabric that allude to women's hosiery.
There are also photographs by Felix Gonzalez - Torres, including a group of five framed gelatin silver prints (from an edition of two) showing birds that seem to disappear into the sky, the artist's comment on the fleeting nature of life.
This exhibition of Andy Warhol's photographs is culled from over 100 Polaroids and black and white silver gelatin prints granted to the University Museum of Contemporary Art by the Andy Warhol Photographic Legacy Program.
Edward Jean Steichen Greta Garbo, Hollywood, 1928 from the portfolio Steichen: Twenty Five Photographs printed posthumously by George A. Tice, 1982 gelatin silver print
«Light Now,» her 2011 exhibition at Galerie Lelong in New York, where she has shown for 12 years, included a number of surrealistic gelatin silver prints all made that year by digitally collaging elements from as many as 31 old photographs.
The impressive gelatin silver print photograph of Yale University's men's outdoor track and field team from circa 1903 shows 44 varsity and junior varsity team members all dressed in black tanks and white shorts, standing and seated in four rows.
Highlighted masterworks at Throckmorton include Mario Algaze's 1999 - 2000 El Malecon, Habana, Cuba; Graciela Iturbide's 2008 Untitled photograph Chalma, Mexico; Colette Urbajtel's 1988 Juego de Piedras; Christina Kahlo's 2011 vintage print titled Carnival de Huejotzingo; Mariana Yampolsky's 1987 Esperando al Padreciti; Lola Alvarez Bravo's 1954 Computer 1; Flor Garduno's 2014 vintage print Ciclope, Mexico; Ruven Afanador's 2012 selenium toned gelatin silver print from Angel Gitano series, Eduardo Guerrero Gonzales; and The Threshold, Manuel Alvarez Bravo's 1947 gelatin silver print.
All 25 photographs in this series are gelatin silver prints from the National Gallery of Art, Corcoran Collection (Gifts of Sharon Keim) 2015.19.5078.1 — 25.
A manuscript leaf by Muir from Chapter 4 of The Mountains of California is mounted to front preliminary flyleaf of Volume 1 and Volumes 1 - 8 also contain an original gelatin silver photograph.
1964 Gelatin silver print from Fifteen Photographs, printed 1974.
Henryk Ross (born Poland, 1910; died Israel, 1991) Henryk Ross photographing for identification cards, Jewish Administration, Department of Statistics, Lodz ghetto, 1940 Gelatin silver print Art Gallery of Ontario, Gift from Archive of Modern Conflict, 2007 © 2014 Art Gallery of Ontario
Portrait of the artist as a shadow of his former self Artist: Keith Arnatt 1930 - 2008 Date: 1969 - 72 Classification: on paper, print Medium: Photograph, gelatin silver print on paper Dimensions: image: 605 x 665 mm Transferred from Tate Archive 2010 © Keith Arnatt Estate
For this exhibition Ezawa will present a series of paintings and silver gelatin prints derived from historical photographs and paintings that underscores a keen understanding of how images shape our experience and memory of events.
Roosevelt, Franklin Delano (1882 - 1945) Signed photograph, circa April 5, 1933, silver gelatin print, with note from the White House secretary detailing the enclosure, image 7 3/4 by 7 More...
As a participant in the Andy Warhol Photographic Legacy Program since 2008, Hofstra's museum has received donations of 153 photographs, including Polaroids and gelatin silver prints, and nine screenprints from the Andy Warhol Foundation for the Visual Arts, Inc..
This elegant and beautifully designed spiralbound volume presents 50 of the artist's most famous and endearing photographs, drawn from an archive of more than 200 gelatin silver prints in the collection of the Fundación Cultural Televisa in Mexico City.
Since then, the Museum has become a major repository of his photographs, including one of the world's largest holdings of gelatin silver prints from his seminal book The Americans.
(Various Studios, 1950 - 1963) Collection of (65 +) vintage original gelatin silver single - weight glossy photographs (7 - color glos) ranging in size from 4 x 5 in.
LUCIO FONTANA (1899 - 1968) A Silver and Lacquer Bracelet, 1969 executed by GEM, Milan, model LF / 3, number 1 from an edition of 150, together with a gelatin silver print of a promotional photograph by Ugo Mulas 6 in.
Robert Rauschenberg Artist: Robert Mapplethorpe 1946 - 1989 Date: 1983 Classification: on paper, print Medium: Photograph, gelatin silver print on paper Dimensions: support: 477 x 377 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © Robert Mapplethorpe Foundation
The exhibition opens January 12, 2013, with a reception from 5 to 8 p.m.. All photographs are vintage gelatin silver.
In Urbanities, a group show at James Fuentes Gallery, black and white gelatin silver prints taken at the painter Dan Colen's farm in upstate New York depict what could be a photograph from the distant agrarian past.
Other significant additions include a suite of 25 photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann from 1976; Laurie Simmons» 1987 gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych of gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.
Bill Brandt photographs from top Jean Dubuffet, 1960 Gelatin silver print The Museum of Modern Art John Parkinson III Fund
Orto Botanico # 1 (2014), a large - scale silver gelatin print, presents a sculptural form emerging from a base of incongruous materials; the hint of surrealist photography projects an atmosphere of ambiguity over the relative ordinariness of the colour photographs that appear alongside it in the exhibition.
Untitled from the series Daily Photographs, 1969 — 1970; gelatin silver print; 16 1/2 x 23 1/2 in.
A deconstruction of such a grand framework would benefit the curation, as a regional focus somewhat excuses visitors from contemplating the conceptual quagmire that lies beneath the alluring surface of each photograph, which the photographer executed using tintype, gelatin silver, or wet - plate collodion techniques.
She carried these objects from one medium to another, inking over photographs and using charcoal and acrylic to echo some of her gelatin silver prints.
Yet, Welling's early abstract photographs also conjured emotion as in the 1981 series called Drapes, silver gelatin prints of dark fabric with flakes of snowy white piled in the folds, is an early example of a constructed setting conveying romance from artifice.
While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.
Working with cyanotype and silver gelatin prints, Russian artist Nikolai Ishchuk transforms photographs from representations into objects in their own right.
All photographs in the Marking Questions portfolio are selenium - toned silver gelatin prints, rendered by a master printer from 120 film negatives.
New Film Stills present a series of gelatin silver print photographs made in 2013 ranging in scale from 40 - by - 30 inch to 8 - by - 10 inch.
Today, Alan Ross makes each Special Edition Photograph by hand from Adams «original negative on gelatin silver fiber paper.
Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr
Unsigned, stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 8 7/8 x 12 in.
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