Not exact matches
Unidentified photographer Bill Cunningham
Photographing Five Models, ca. 1968 − 76
Gelatin silver
print New - York Historical Society Library, Gift of Bill Cunningham
She is represented here by three
photographs: two iconic platinum palladium
prints of tabletop still lifes and a mysterious
gelatin silver
print of a hand grasping at a silvery, conical form.
All
photographs in the Marking Questions portfolio are selenium - toned silver
gelatin prints from 120 film negatives.
Ernest James Bellocq, Lee Friedlander, [Untitled], 1 of 10
Photographs of Storyville Subjects, c. 1911 - 1913,
Gelatin silver
print, Gift of Lee Friedlander, 86.111.3
Walker Evans, Erosion, Mississippi, 1936, Silver
gelatin print, 25 x 20 cm, Library of Congress press
photograph, Collection David Campany, Handful of Dust Whitechapel Gallery 2017
Two large
gelatin silver
prints of the teams mostly in uniform, celebrating wins over Yale in both years, the 1898
photograph by More...
Here's what did work: Glenn Kaino's glittering mass of arrows in flight at Honor Fraser's booth, a demure suite of
gelatin silver
prints showing Carrie Mae Weems dancing in a nearly transparent white nightgown, Galerie Brandstrup's laser - focus on young painters (including Michael Kvium and Christer Glein), and Chris Wiley's quirky
photographs mimicking and framed with quotidian substances (never has Astro - Turf served a better purpose than a picture frame) as part of Nicelle Beauchene Gallery's entry into Armory Presents.
Stamped «ARTHUR ROTHSTEIN /
PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l.
Gelatin silver
print, image size 14 x 18 in.
John Divola,
Photographs from The Vandalism Portfolio (1974 - 5)
Printed 1993, Silver
gelatin prints on 50x40cm paper, © John Divola, Courtesy of Gallery Luisotti
Credit: Horseshoe Falls, Ontario Canada, 1992, silver
gelatin print, 45 x 45 in., framed, Collection of the Artist, © Lynn Davis,
Photograph Courtesy Artist.
I.S. Kobozev (photographer)
photographing the first October Celebration, 1918,
gelatin silver
print, 6.8 x 4.10» • Georgi Zelma (Russian, 1906 — 1984): ° Tractor Driver, Birobizhan, mid — 1930s, vintage
gelatin silver
print; 2.3 x 3.1» ° Krasnaya Ploschad», Kolonna «Elektrozavoda».
It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver
gelatin print photographs taken from
BOB ADELMAN (1930 - 2016) Andy Warhol empties his boots after being pushed into the pool by Edie Sedgwick, Al Roon's Gym, New York
photograph 1965 (
printed later) unique vintage
gelatin silver
print signed and stamped on verso image size > 6 x 8.5 inches / paper size > 11 x 14 inches
Eight
photographs by Hullihen Williams Moore (American, born 1942): «Appalachian Trail and Mist,» 1994, pigment
print, image: 30 x 23 1/2 inches; «Falling Spring,» 1996, pigment
print, Image: 30 x 24 1/2 inches; «Rhododendron and Tall Trees,» 2007, pigment
print, image: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment
print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment
print, image: 20 x 24 3/4 inches; «New Ferns,» 1992,
gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment
print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992,
gelatin silver
print, image: 10-3/8 x 13 1/4 inches
BOB ADELMAN (1930 - 2016) Marisol Escobar looks at Bob Adelman through a glass, in Robert Rauschenberg's studio
photograph 1966 unique vintage
gelatin silver
print signed and annotated in pencil, photographer's credit stamp, and photographer's copyright stamp on verso image size > 8.25 x 5.75 inches / paper size > 11 x 14 inches
He also made an important series of
photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver
gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.
BOB ADELMAN (1930 - 2016) Andy Warhol on the fire escape of the Factory on 47th Street
photograph 1965 (
printed later) unique vintage
gelatin silver
print signed in ink, photographer's copyright stamps on verso image size > 9.375 x 6.375 inches / paper size > 14 x 11 inches
Hamish Fulton, UNTITLED, 1970 - 1971 (ENGLAND - SCOTLAND), 1970 - 1971, Silver
gelatin print, acid - free cardboard with text, wood frame, vintage
photographs, unique, 4
photographs: 3 x 4.5 inches each, 12.25 x 16 inches framed
Stairway, St. Martin, Ellsworth Kelly, 1977: Marking the first
photograph by Kelly to enter the BMA's collection, this
gelatin silver
print strengthens the BMA's substantial collection of works by Kelly.
The
photographs on view, all
gelatin silver
prints, include twenty - five prominent artists at work in their studios or taking a break — among them Nevelson, Calder, Chuck Close, Willem de Kooning, Roy Lichtenstein, Andy Warhol, Louise Bourgeois, Robert Rauschenberg, Jasper Johns, Frank Stella, Joan Mitchell, Romare Bearden, Isamu Noguchi, Saul Steinberg, and Laurie Anderson.
The exhibition features some of the artist's most celebrated
photographs from the 1920s and 1930s, including large - scale
gelatin silver
prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.
Photographed in 1980 and
printed in 1980, this work is number three from an edition of fifteen plus three artist's proofs Other
gelatin silver
prints from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.
Image provided by Weinstein Gallery Gordon Parks, Invisible Man Retreat, Harlem, New York, 1952
Gelatin silver
print,
PHOTOGRAPH BY GORDON PARKS COPYRIGHT: COURTESY OF AND COPYRIGHT THE GORDON PARKS FOUNDATION.
Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage's 26ʹ1.1499 ʺ for a String Player (Human Cello section), Café au Go Go, New York City, October 4, 1965,
Gelatin silver
print,
printed by Laure Leber, 1999, Courtesy Barbara Moore and the Paula Cooper Gallery, New York
Photograph © Barbara Moore / Licensed by VAGA, NY
Designed to give a broad public greater access to Warhol's
photographs, the program donated over 28,500 of Warhol's original Polaroids and
gelatin silver
prints to more than 180 college and university museums and galleries across the country.
Thus Don McCullin, quoted on the information board of a new display at Tate Britain of around 50 black - and - white silver
gelatin photographs, chosen and
printed by the artist himself.
Desegregation of Central High School by «Little Rock Nine,» Arkansas, 1957
Gelatin silver
print (
photograph),
printed 1996 Museum purchase, in memory of Alice R. and Sol B. Frank
Jack Delano In the New Home of a Group of Florida Migrants Just Arrived at Onley, Virginia
Gelatin silver
print (
photograph) Taken July 1940
Printed 1984
Yucca Plant (c. 1928) Vintage
gelatin silver
print (on Dassonville paper stock) 7-3/16 x 9-3/8 inches (
print size) 17 x 21 inches (mount size) Signed Ansel E. Adams in pencil on mount, lower right; with photographer's
PHOTOGRAPH BY ANSEL EASTON ADAMS / SAN FRANCISCO label, affixed to mount verso
Photograph,
gelatin silver
print on paper, 302 x 401 mm.
(c. 1950) Vintage
gelatin silver
print 9-1/2 x 7-11/16 inches With the photographer's
Photograph by Consuela Kanaga ink stamp and titled Rothko / 1955 [sic] and notated Return to Lerner - Heller Gallery... N.Y. in pencil, on
print verso
They Came to Norfolk, Virginia so Husband and Older Sons Could Get Employment in Defense Industries
Gelatin silver
print (
photograph) Taken March 1941
Printed 1984
Signed «BERENICE ABBOTT» in pencil on the mount l.r., stamped «
PHOTOGRAPH / BERENICE ABBOTT / ABBOTT, MAINE 04406» and signed «Berenice Abbott» in pencil on the reverse of the mount l.c.
Gelatin silver
print, image / sheet size 13 1/8 x 10 3/8 in.
Framed Cabinet Card
Photograph of Chief «Red Bead» by the Huffman Studio,
gelatin silver
print, frame size 12 1/2 x 10 1/4 in.
Another almost square fashion
photograph, Providence, Rhode Island, 1975 - 1978
Gelatin silver estate
print
Her personal work includes
gelatin silver
prints, hand - colored silver
prints, digital
photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes).
Seventeen
Photographs of Martha Graham: Barbara Morgan (American, 1900 - 1992), Frontier, No. 3, c. 1935, unsigned,
gelatin silver
print; Carl Van Vechten (American, 1880 - 1964), Martha Graham as More...
Double Split, 1978 Black and white
photograph,
gelatin silver
print, triptych 30 1/8 x 37 1/4 inches 76.4 x 94.6 cm each Edition of 3
DIANE ARBUS (1923 - 1971) Woman with a veil on Fifth Avenue, New York City, 1968 stamped «A Diane Arbus
photograph», signed, titled, numbered and dated» 27/75» by Doon Arbus, Administrator, and stamped Estate copyright credits (on the reverse)
gelatin silver
print,
printed later by Neil Selkirk image: 14 3/4 x 14 ⅝ in.
Available Light, a new book on Zoe Leonard, highlights two of her recent bodies of work: a series of installations employing the camera obscura — the most recent of which is on view in the 2014 Biennial — as well as
photographs of the sun realized as
gelatin - silver
prints.
Still life with Lichtenstein, 1977 Black and white
photograph, vintage
gelatin silver
print 38 5/8 x 26 3/4 inches 98 x 68 cm AP
At Galerie nächst St. Stephan, I presented a room of these
photographs, each in a highly reflective Plexiglas frame along with one of Jim Welling's early
gelatin silver
prints of a Wyoming landscape.
There are also
photographs by Felix Gonzalez - Torres, including a group of five framed
gelatin silver
prints (from an edition of two) showing birds that seem to disappear into the sky, the artist's comment on the fleeting nature of life.
This exhibition of Andy Warhol's
photographs is culled from over 100 Polaroids and black and white silver
gelatin prints granted to the University Museum of Contemporary Art by the Andy Warhol Photographic Legacy Program.
Photograph,
gelatin silver
prints on paper, 356 x 279 mm.
Untitled (diptych), c. 1958 Each
print: 8 x 10 inches Gouache and watercolor over two
gelatin silver
photographs;
printed c. 1958 and painted 1980 \'s
Allison Somers, Ijen series, 2011,
photographs taken in a sulfur mine, unique solarized silver
gelatin prints in custom welded angle - iron frames, 8 1/2 x 6 1/2 inches each.
Untitled, c. 1958 10 1/4 x 10 1/4 inches Gouache and watercolor over
gelatin silver
photograph;
printed c. 1958 and painted 1980's
Titled in red ink on the mount verso l.l., stamped «
PHOTOGRAPH BY PETER FINK» in red ink on the mount verso l.r.
Gelatin silver
print mounted to board, image / sheet size 17 5/8 x 10 in.
Edward Jean Steichen Greta Garbo, Hollywood, 1928 from the portfolio Steichen: Twenty Five
Photographs printed posthumously by George A. Tice, 1982
gelatin silver
print