Sentences with phrase «gelatin print collaged»

Not exact matches

Lynn Hershman Leeson, Double Drawing (recto), 1966, ink, colored pencil, transfer type, watercolor, collaged gelatin silver prints, and plastic on paper.

Imagine the ultimate collection of works on paper from the last two centuries: an ink drawing by Brice Marden, a callotype by Muybridge, a Rauschenberg collage, a Degas charcoal, a Friedlander gelatin - silver print and perhaps 65 pieces of comparable quality.

Mary Beth Edelson, «Monday's Prayer: Dinner Party (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE466

Mary Beth Edelson, «Sheela's Secret Weapon (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE474

Mary Beth Edelson, «Write By The Tail / Bite The Tail / I Bite / Belly Snakes (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE460

Mary Beth Edelson, «Hero's Journey», 1975, Oil, ink, and collage on silver gelatin print, Image Dimensions: 7 1/2 x 7 1/2 inches, 19.1 x 19.1 cm, Framed Dimensions: 17 3/4 x 14 3/4 x 1 3/4 inches, 45.1 x 37.5 x 4.4 cm, MBE014

Mary Beth Edelson, «Winter Saga: Viking with Time on Her Hands (Woman Rising series)», 1973, Oil, ink, china marker, paper collage, and glitter on silver gelatin print, 10 x 8 inches, 25.4 x 20.3 cm, MBE491

Mary Beth Edelson, «Many Breasted Great Mother (Lucy Lippard)(Woman Rising Series)», 1973/2016, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE452

Kenneth Sneslon Sixth Avenue, West Side (17th St to 22nd St), 1979 (detail) 4 x 65» Unique collage of 20 mounted vintage gelatin silver prints

Mary Beth Edelson, «Burning Bright (Woman Rising Series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 14 x 1 3/4 inches, 43.2 x 35.6 x 4.4 cm, MBE469

Image: Artforum cover (November 2015): Susan Cianciolo, Four - Page Advert for Dune Magazine # 3 (detail), 1998, C - prints, collage, newsprint, and tape on gelatin silver print, 14 x 11 inches.

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

Jane Hammond's seemingly vintage silver gelatin prints are actually contemporary collages, built narratives that convey the fluidity of an image's meaning.

Untitled [Women in the Woods «Passport» collage], 1977, collage of eight gelatin silver prints on handmade paper

Ink, colored pencil, transfer type, watercolor, collaged gelatin silver prints, and plastic on paper, 8 x 4 in.

Each appropriated piece offers it's own course in which to channel history, precipitating new stories through a range of alternative processes including wet plate collodion, silver gelatin prints, image transfers on film, collage, and 3 - D mixed media objects.

«Light Now,» her 2011 exhibition at Galerie Lelong in New York, where she has shown for 12 years, included a number of surrealistic gelatin silver prints all made that year by digitally collaging elements from as many as 31 old photographs.

Kenneth Sneslon Sixth Avenue, West Side (17th St to 22nd St), 1979 4 x 65» Unique collage of 20 mounted vintage gelatin silver prints

These figurative forms find echoes in an untitled 1976 collage, which reimagines the jagged, winglike shape but in a marbled gelatin silver print of amorphous black and white fields, where cavernous and fibrous tunnels resemble ventricles.

Gelatin silver print; inscribed with ink and drawings with collage and Acrylic; Signed on recto; Signed, stamped and titled on verso Provenance: Fahey / Klein Gallery, Los Angeles, CA tag on verso Image: 18.5 x 23.75 inches; Framed: 27 x 31 inches; Estimate: $ 30,000 / $ 35,000

Signed and dated «Witkin...» in pencil l.r., titled in pencil l.l. Diptych of gelatin silver prints, collaged elements, More...

Collage of 3 - M Color - in - Color photocopy transferred to buff - colored manila paper, gold star, multicolored thread, gelatin silver print, and rayon braid and tassels, hand and machine stitched to green plain weave cotton with gold rayon faille backing.

Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.

This sewn collage of gelatin silver prints was created by American photographer Christopher Makos.

«The gift includes the last examples of many silver gelatin prints and early works like collages that we were really reluctant to sell.

Collage with cut gelatin silver print, torn paper, and paint on gelatin silver print photogram, 10 × 8 in.

F (1959), and a collage of gelatin silver prints by the artist dating from 1962.

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr