Allison Somers, Ijen series, 2011, photographs taken in a sulfur mine, unique solarized silver
gelatin prints in custom welded angle - iron frames, 8 1/2 x 6 1/2 inches each.
Eleanor Antin, detail of «CARVING: A Traditional Sculpture» (1972, 148 silver
gelatin prints in complete piece)
Lisa Oppenheim, Landscape Portraits (Cherry)(Version III), 2016, Set of two silver
gelatin prints in Cherry frames, Two parts, each 61 x 61 cm
Set of four silver
gelatin prints in Sassafras frames, Quadriptych: each part: 61 x 61 cm.
In 2013, he reproduced this wholly abstract and striking black - and - white work — the black diamond - shaped titles seemingly flutter down from above — as a silver
gelatin print in an edition of 50, exclusively for Light Work.
Special edition of the book «The Secret Agent» and suite of two silver
gelatin prints in a box.
Not exact matches
CAGED
IN Colonies of bacteria (green) nestle inside 3 - D printed gelatin shells (red) in this computer - assisted 3 - D microscopy imag
IN Colonies of bacteria (green) nestle inside 3 - D
printed gelatin shells (red)
in this computer - assisted 3 - D microscopy imag
in this computer - assisted 3 - D microscopy image.
In addition, while Gotthoffer's book is out of print and therefore expensive to obtain, a variety of findings from the book — about gelatin's role in health — are quoted in Sally Fallon's Nourishing Tradition
In addition, while Gotthoffer's book is out of
print and therefore expensive to obtain, a variety of findings from the book — about
gelatin's role
in health — are quoted in Sally Fallon's Nourishing Tradition
in health — are quoted
in Sally Fallon's Nourishing Tradition
in Sally Fallon's Nourishing Traditions.
EB: Yes, there is a connection to my work (the black and white
gelatin silver
prints in the catalog are mine).
Provenance: Collection of the Artist Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 49 signed, titled, numbered and dated «Cindy Sherman 5/10 1979 49» (on the reverse)
gelatin silver
print 8 x 10
in.
Provenance: Metro Pictures, New York Private collection, Switzerland Private collection, New York Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 6 signed, numbered and dated «Cindy Sherman 9/10 1977» (on the reverse)
gelatin silver
print 10 x 8
in.
Francesca Woodman, space ², Providence, Rhode Island, 1975 — 78, 2000 — 01;
Gelatin silver
print on barite paper, 10 x 8
in.; © George and Betty Woodman, New York / The SAMMLUNG VERBUND Collection, Vienna
Carrie Mae Weems Untitled (Woman standing
in cemetery), 2003
Gelatin silver
print, edition of 5, 2APs 20 x 20 inches
MALICK SIDEBE, «Self - Portrait,» 1956 (
gelatin silver
print in original frame of reverse - painted glass, tape, cardboard, string).
Provenance: Metro Pictures, New York Private collection, Switzerland Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 44 signed, titled, numbered and dated «Cindy Sherman 8/10 1979 44» (on the reverse)
gelatin silver
print 8 x 10
in.
Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 46 signed, titled, numbered and dated «Cindy Sherman 3/10 1979 46» (on the reverse)
gelatin silver
print 8 x 10
in.
ENDPAPERS (INSIDE FRONT AND BACK COVERS): «Rosa Parks, Dr. and Mrs. Abernathy, Dr. Ralpha Bunche, and Dr. and Mrs. Martin Luther King Jr. leading marchers into Montgomery,» 1965,
printed in 1970 (
Gelatin silver
print) by Moneta Sleet Jr..
Alison Rossiter, «Haloid Platina,» exact expiration date unknown, ca. 1915, processed
in 2010, 2010
Gelatin silver
print; 21.6 x 16.5 cm (8 1/2 x 6 1/2
in.)
All photographs
in the Marking Questions portfolio are selenium - toned silver
gelatin prints from 120 film negatives.
sale; Christie's New York, 15 November 1995, lot 292 Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 56 signed, numbered and dated «Cindy Sherman 9/10 1980» (on the reverse)
gelatin silver
print 8 x 10
in.
Provenance: Metro Pictures, New York Private collection, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 17 signed, numbered and dated «Cindy Sherman 8/10 1978» (on the reverse)
gelatin silver
print 8 x 10
in.
Mapplethorpe's
gelatin silver
print — with its slick, luminous surface and intricate gradations of black and white — gives Lyon's form the appearance of a classical sculpture, frozen
in mid-motion.
Marking,
in terms of leaving a trace, is evident
in Baum's
gelatin silver
prints of blackboards with partially erased words, still bearing their meanings through smeared yet legible letters, while elsewhere allowing the marks to blend into smudges of chalk to lose their consistency.
«James Baldwin
in Setting Sun over Harlem, New York,» 1991, Ming Smith,
gelatin silver
print.
Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 35 signed, numbered and dated «Cindy Sherman 10/10 1979» (on the reverse)
gelatin silver
print 10 x 8
in.
Joe, N.Y.C., 1978 (from The X Portfolio); selenium toned
gelatin silver
print mounted on black board; 7 11/16 × 7 11/16
in.
Gelatin silver
prints in bound albums.
Lisa Lyon, 1981;
gelatin silver
print; 17 3/4 x 13 3/4
in.
Gelatin silver
print flush - mounted on paperboard and ink and correction fluid on paper,
in three parts
ARBUS, Diane Boy with a straw hat waiting to march
in a pro-war parade, NYC, 1967 15 X 14 5/8 inches
Gelatin silver
print,
printed c. 1970 by Neil Selkirk
Hand
in Fire, 1985
gelatin silver
print image: 10 x 10 inches (25.4 x 25.4 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1577 Selected by Illinois participant
Blindstamped with the artist's signature and chop mark on the mount l.r., identified on an Imogen Cunningham Trust label on the reverse of the mount l.c.
Gelatin silver
print, image / sheet size 10 1/8 x 12 7/8
in.
Signed «Harry Callahan»
in pencil below the image l.r., numbered «II / 27»
in pencil below the image l.l.
Gelatin silver
print, image size 5 x 4 1/2
in.
In this show, we have juxtaposed images made in many different ways: handmade colour C - type prints and big pigment prints made on cotton paper, and a whole series of smaller, gelatin silver prints, in The Interior and the Exterior — Noah Purifoy (2014
In this show, we have juxtaposed images made
in many different ways: handmade colour C - type prints and big pigment prints made on cotton paper, and a whole series of smaller, gelatin silver prints, in The Interior and the Exterior — Noah Purifoy (2014
in many different ways: handmade colour C - type
prints and big pigment
prints made on cotton paper, and a whole series of smaller,
gelatin silver
prints,
in The Interior and the Exterior — Noah Purifoy (2014
in The Interior and the Exterior — Noah Purifoy (2014).
Gelatin silver
print with pigment embellishments for reproductive purposes, image / sheet size 9 x 7 3/4
in.
Stamped «MAN RAY PARIS»
in black ink on the reverse of the mount u.c.
Gelatin silver
print, image / sheet size 7 7/8 x 4 7/8
in.
Pretend You're Actually Alive, 2000 — 08, Mom Fucking
in Mirror, 2002, silver
gelatin print, 13 × 9 inches.
BIRNS, Jack Teenagers
in the first position for howelzing, a ritualistic greeting signifying that they have eaten the mammoth sundae known as «Moron's Ecstasy» at Punch»N Judy's Ice Cream Parlor and are now members of the Royal Order of Morons., 1947 13 1/8 X 10 5/8 inches
Gelatin silver
print;
printed c. 1947
Gelatin silver
print on Agfa paper, image size 7 x 9 3/4
in.
Gelatin silver
print on single weight paper, image / sheet size 14 5/8 x 11
in.
On the other hand,
in context, the
gelatin silver
prints by veteran photographer Sam Contis (b1982, US), do read as a departure.
Signed «Ansel Adams»
in ballpoint pen on the mount l.r.
Gelatin silver
print mounted on Crescent illustration More...
Titled, dated, and signed»... McBride»
in pencil on the verso l.c.
Gelatin silver
print, image size 16 3/8 x 11 1/4
in.
Signed «Daniell»
in pencil on the mat l.r.
Gelatin silver
print, sight size 8 3/4 x 8
in., matted, unframed.
Signed «Brett Weston»
in pencil on the mount l.r., numbered «20/25»
in pencil on the mount l.l.
Gelatin silver
print More...
Two large
gelatin silver
prints of the teams mostly
in uniform, celebrating wins over Yale
in both years, the 1898 photograph by More...
Here's what did work: Glenn Kaino's glittering mass of arrows
in flight at Honor Fraser's booth, a demure suite of
gelatin silver
prints showing Carrie Mae Weems dancing
in a nearly transparent white nightgown, Galerie Brandstrup's laser - focus on young painters (including Michael Kvium and Christer Glein), and Chris Wiley's quirky photographs mimicking and framed with quotidian substances (never has Astro - Turf served a better purpose than a picture frame) as part of Nicelle Beauchene Gallery's entry into Armory Presents.
Aerial View of Mt. St. Helens, Crater and Lava Dome, Airplane
in the Center, Mt. Hood and Mt. Jefferson
in the Distance, 1982
Gelatin silver
print;
printed later 30 X 40 inches
DEAN, Loomis Private Elvis Presley
in Army cap and battle fatiques playing guitar for his buddies
in barracks during seven weeks of maneuvers with his tank battalion., 1958 13 1/2 X 9 inches
Gelatin silver
print,
printed c. 1958
Framed
gelatin silver
prints of Frazier, her mother, grandmother, grandfather, and family friends, taken
in Braddock at various points between 2002 and 2011, line the two white walls of the installation space along with carefully selected cityscapes.