Sentences with phrase «gelatin prints made»

All works in the exhibition at MMX Gallery are vintage silver gelatin prints made by the photographer at the time there were taken.

They are Polaroids, silver gelatin prints made with experimental methods: light make them frail.

Not exact matches

The exhibition will encompass the entirety of Stephen Shore's work, from the gelatin silver prints he made as a teenager to his current experimentations with social media.

Elizabeth Hayley's silver gelatin prints on steel and brass, seek to trace a record and likeness of the experience of life lived on and surrounded by water, making references to the past and impermanence.

Not all has been jettisoned — the silver gelatin print seems to be making a comeback — and those portraits set against Photoshopped backgrounds are real people.

In this show, we have juxtaposed images made in many different ways: handmade colour C - type prints and big pigment prints made on cotton paper, and a whole series of smaller, gelatin silver prints, in The Interior and the Exterior — Noah Purifoy (2014).

Up to 80 inches wide, they are among the largest gelatin silver contact prints ever made.

He also made an important series of photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.

Berenice Abbott (American, b. 1898 d. 1991), [portrait of an unknown woman, New York City], 1942 — 04 — 04, four gelatin silver prints mounted to board, made with Supersight camera.

A 45» wide processing sink is available for making large - scale gelatin silver prints.

Carrie Mae Weems (American) May Flowers, 2002 Chromogenic print Untitled (Woman and Daughter with Make - up) from the Kitchen Table series, 1990 - 2010 Hand - printed silver gelatin print

STEPHEN SHAMES, «Kathleen Cleaver, communications secretary and the first female member of the Party's decision - making Central Committee, talks with Black Panthers from Los Angeles, in West Oakland, California, USA,» July 28, 1968, printed 2016 (gelatin silver print).

The exhibition is the first U.S. survey to encompass the career of American photographer Stephen Shore (b. 1947, New York), from the gelatin silver prints he made as a teenager to his current engagement with digital platforms.

The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

Richard Avedon: Performancefeatures approximately sixty gelatin silver prints made over the course of more than five decades.

Laura Gilpin, Maria Martinez Making Pottery, 1959; Gelatin silver print, 10 3/4 x 14 1/2 in.; Eugene B. Adkins Collection at Philbrook Museum of Art, Tulsa, and Fred Jones Jr..

Kathleen Cleaver, communications secretary and the first female member of the Party's decision - making Central Committee, talks with Black Panthers from Los Angeles, in West Oakland, California, USA, July 28, 1968 Gelatin silver print, printed 2016 16 x 20 in

Left to right: Laura Gilpin, Maria Martinez Making Pottery, 1959; Gelatin silver print, 10 3/4 x 14 1/2 in.; Eugene B. Adkins Collection at Philbrook Museum of Art, Tulsa, and Fred Jones Jr..

László Moholy - Nagy, Untitled (Self and Lucia), modern silver gelatin copy print of a lost photogram of 1926, made from a vintage glass copy negative (Hattula Moholy - Nagy).

Bruce Davidson Brooklyn Gang, (girl standing in door of phone booth, boy making fist), 1959 Gelatin silver print; printed later 11 x 14 inches

Stephen Shore encompasses the entirety of the artist's work of the last five decades, during which he has conducted a continual, restless interrogation of image making, from the gelatin silver prints he made as a teenager to his current engagement with digital platforms.

The exhibition tracks the artist's work chronologically, from the gelatin silver prints he made as a teenager to his current work with digital platforms.

SEYMOUR, David «Chim» Boy with hand - made toy in Ruins, Vienna, 1948 9 x 7 3/8 inches Gelatin silver print; printed c. 1948

She makes about $ 300 a night when she is working hard, 1972 11 1/2 X 7 5/8 inches Gelatin silver print, printed c. 1972

She makes $ 200 a night, even during one of the periodic police crackdowns, 1972 10 3/4 X 7 1/8 inches Gelatin silver print, printed c. 1972

Both chromogenic, as well as silver gelatin prints were made, showcasing Adele in a rare colourful light, as well as in stark Avedonesque grey - tones.

«Light Now,» her 2011 exhibition at Galerie Lelong in New York, where she has shown for 12 years, included a number of surrealistic gelatin silver prints all made that year by digitally collaging elements from as many as 31 old photographs.

Gelatin silver print made from the original negative.

«Mom Making Up» a 1969 gelatin silver print from Marilyn Minter's «Coral Ridge Towers» series, is among works on view in «Marilyn Minter: Pretty / Dirty» at the Contemporary Arts Museum, Houston.

The artist questions the image making, from the gelatin silver prints he made as a teenager to his...

Untitled (Mlle Bourgeoise Noire Beats Herself with the Whip - That - Made - Plantations - Move)(1980-83/2009) Silver gelatin print; Edition of 20 with 2 AP

, Gelatin silver print on paper, Purchase made possible through a gift from the Rembrandt Club and the N.E.A.

Afterwards, he would spend hours reviewing his contact sheets and hired master printer Tom Baril to make finely crafted gelatin silver prints.

Made within the past year, the roughly fifteen photographs exhibited in The Outside World are large - format, black - and - white gelatin silver contact prints, made using the negative / positive process invented roughly 170 years ago by Englishman W. H. Fox TalMade within the past year, the roughly fifteen photographs exhibited in The Outside World are large - format, black - and - white gelatin silver contact prints, made using the negative / positive process invented roughly 170 years ago by Englishman W. H. Fox Talmade using the negative / positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot.

Untitled (Mlle Bourgeoise Noire Beats Herself with the Whip - That - Made - Plantations - Move)(1980-83/2009) Silver gelatin print; Edition of 8 with 1 AP 50h x 40w in (127h x 101.6 w cm)

It becomes interesting when the newer form of presentation, with Sintra - mounted inkjet prints, is also applied for the earlier acquired «Proto - Investigations» that were initially made manifest with gelatin silver prints on fiber - based paper that were push - pinned to the wall.

Among more than 1,640 platinum, palladium, carbon, photogravure, and gelatin silver prints is an extraordinary group of over 300 of Stieglitz's evocative studies of clouds, called Equivalents, made from 1922 to 1937, and over 170 portraits of his friends and colleagues throughout his career.

Based on the wildly imaginative illustrations of plants and vegetation in the Voynich manuscript, Miljohn Ruperto — a Californian artist of Philippine origin — together with the Danish artist Ulrik Heltoft, have made textural photographic works by creating 3D models then making negatives from these and finally printing them in traditional gelatin silver format.

Gelatin silver print, made 1984 Image Dimensions: 24,4 x 19,4 cm (9,625 x 7,625 in) © The Irving Penn Foundation.

Through her photography — stark black - and - white, gelatin silver prints — the artist has made a record of the people who inhabit these post-industrial landscapes: herself, her mother, her grandmother, her mother's boyfriend, her extended social network, people who have survived decades of grueling work, as well as globalization, de-industrialization and a drug war.

The group of 1,702 gelatin silver printing out paper prints was acquired by the AGO as the work of Émile Fréchon (1848 - 1921) but recent research has revealed the work to be by Abel Boulineau (1839 — 1934), a painter and teacher at the Association polytechnique in Paris, not known until now to have made photographs.

The work is from Sherman's «Untitled Film Stills,» a groundbreaking group of 69 gelatin - silver prints made between 1977 and 1980.

Featuring more than thirty gelatin silver prints made between 1968 and 2014, the exhibition is the first to examine this principal subject in the artist's work.

The artist questions the image making, from the gelatin silver prints he made as a teenager to his current engagement with digital platforms.

Two stunning portraits by masters of the form also bear significant mention: Yousuf Karsh's doleful and revealing 1948 gelatin silver print of Albert Einstein is estimated to bring between $ 7,000 - $ 9,000, while Annie Leibovitz's Robert Redford, Malibu, California 1980, captures the famed movie star in a brilliantly blue - framed moment of repose in Los Angeles while at the same time showing the touch that has made Leibovitz the most famous photographer of contemporary America.

Rachel and Sophie Warsulkar Making Flour, Rocking the Baby; A Good - luck Handprint for the Harvest, at the Fast of Gedalia, Sideshwar, Pali, Maharashtra, India, 1986 20 x 16 inches Gelatin silver print; printed later

Sullivan Goss makes a rare offering of photography with a fine selection of vintage silver gelatin prints by WPA photographer, Joe Schwartz.

Garry Winogrand, John F. Kennedy, Democratic National Convention, Los Angeles, 1960, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Los Angeles, 1980 — 1983, gelatin silver print, posthumous print (made for 1988 MoMA exhibition), The Garry Winogrand Archive, Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

The majority of photographs in the exhibition are vintage Silver Gelatin prints, made by Cala at the time they were taken.