Sentences with phrase «gelatin prints of»

Yet, Welling's early abstract photographs also conjured emotion as in the 1981 series called Drapes, silver gelatin prints of dark fabric with flakes of snowy white piled in the folds, is an early example of a constructed setting conveying romance from artifice.

Instead, highlights from 1963 to 2005 are arranged rhythmically, bestowing the exhibition with a forceful dynamic that determinately carries the viewer from September 11 - inspired sequences to new editions and first time gelatin prints of early performance pieces before breaking, not unlike a wave, in all its force in the back room, where the video «Viet - Flakes» (1965) shows the most horrific aftermath of war imaginable.

In addition, the exhibition includes nine new silver gelatin prints of domestic items — a lighbulb, a comb, a clock, a telephone, etc. «Partially obscuring the image are... out - of - focus [lines and shapes]... which have been superimposed not via digital editing, but physically: Kahn drew simple geometric designs on a clear lens filter and shot the image through its intervening composition.»

A series of silver gelatin prints of microscopic images of conifer seed are exhibited in the Gallery and selected loaned glass and bronze sculpture is placed in the main reception rooms at Mount Stuart.

In counterpoint, Erwin Kneihsl's silver gelatin prints of the disappearing churches in Berlin look like documents from another era.

The documentation of her process through physical objects continues upstairs in the vault gallery with silver gelatin prints of various worked fabrics, each a testament and witness to the invisible but powerful reality of creative energy.

The New York - based artist is best known for his hand - colored gelatin prints of boldface names — Tracey Emin, Marina Abramović, Catherine Deneuve and Alicia Keys included among them.

Estimated to sell for up to $ 8,000, Muniz's 1998 silver gelatin print of a tree, from an edition of five, sold for $ 23,750, leaving the ex-Lehman banker outbid.

Silver gelatin print of model Dana Jenney, Rawlings studio stamp on More...

[4] A silver gelatin print of fashion photographer Irving Penn's 1949 photograph of Bate Tichenor and model Jean Patchett, titled The Tarot Reader, resides in the permanent collection of the Smithsonian American Art Museum.

Both influences run through the exhibition's «Figure in Six Sections» (1965) a rare «exquisite corpse» stacked sculpture in which a silver gelatin print of the back of a standing nude has been adhered to each of the four sides of an 8 1/2» tall wooden cube cut into six layers, similar in structure to a rubix cube.

Not exact matches

The main focus of the project was not 3 - D modeling or how to operate the prints, but to explore ways to produce healthy, natural foods with this technique.The basket shapes would be printed using a gelatin - like, vegan - friendly protein known as agar.

The group printed the organs by overlapping pieces of biocompatible gelatin — think of stacking Lincoln Logs.

CAGED IN Colonies of bacteria (green) nestle inside 3 - D printed gelatin shells (red) in this computer - assisted 3 - D microscopy image.

The scientists built the ovaries by printing various patterns of overlapping gelatin filaments on glass slides — like building with Lincoln Logs, but on a miniature scale: Each scaffold measured just 15 by 15 millimeters.

In addition, while Gotthoffer's book is out of print and therefore expensive to obtain, a variety of findings from the book — about gelatin's role in health — are quoted in Sally Fallon's Nourishing Traditions.

Joseph Nicéphore Niépce — The inventor of photography Louis Daguerre — Invented the popular and practical daguerreotype process Robert Cornelius — First selfie Henry Fox Talbot — Inventor of the photographic negative, allowing multiple prints Sir John Herschel — Coined the term «photography» Richard Leach Maddox — Invented practical gelatin dry plate negatives Eadweard Muybridge — World's first photo sequence George Eastman — Popularized roll film, created the first hand - held camera Oskar Barnack — Invented the portable Leica I Steven Sasson — Invented the first digital camera

Yet a devoted band of film fans still adhere to the traditional method of gelatin silver printing.

Within a week of MoMA's reinstall, the Metropolitan Museum of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.

Below is a video of her teaching her gelatin screen printing technique.

Provenance: Collection of the Artist Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 49 signed, titled, numbered and dated «Cindy Sherman 5/10 1979 49» (on the reverse) gelatin silver print 8 x 10 in.

Unidentified photographer Bill Cunningham Photographing Five Models, ca. 1968 − 76 Gelatin silver print New - York Historical Society Library, Gift of Bill Cunningham

She is represented here by three photographs: two iconic platinum palladium prints of tabletop still lifes and a mysterious gelatin silver print of a hand grasping at a silvery, conical form.

All images are gelatin silver prints from the collection of the Ackland Art Museum, The University of North Carolina at Chapel Hill, © Burk Uzzle, American, born 1938.

Carrie Mae Weems Untitled (Woman standing in cemetery), 2003 Gelatin silver print, edition of 5, 2APs 20 x 20 inches

MALICK SIDEBE, «Self - Portrait,» 1956 (gelatin silver print in original frame of reverse - painted glass, tape, cardboard, string).

Untitled # 278, 1950 - 55 Silver Gelatin print Edition 2 of 10 Purchased with funds from the Friends of the Collections Committee, 2004.2

Highlighting the exhibition will be a rare Shaker «spirit» drawing from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1928.

A coinciding special installation of the award - winning film at Photo London (May 18 - 21) is presented alongside large - scale works and silver gelatin prints.

HIROSHI SUGIMOTO, Sea of Buddha 001, 002, 003,1995, gelatin silver prints, three prints: 119.4 × 149.2 cm each.

Sally Mann, Deep South, Untitled (Scarred Tree), 1998, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund.

The exhibition will encompass the entirety of Stephen Shore's work, from the gelatin silver prints he made as a teenager to his current experimentations with social media.

Elizabeth Hayley's silver gelatin prints on steel and brass, seek to trace a record and likeness of the experience of life lived on and surrounded by water, making references to the past and impermanence.

Ernest James Bellocq, Lee Friedlander, [Untitled], 1 of 10 Photographs of Storyville Subjects, c. 1911 - 1913, Gelatin silver print, Gift of Lee Friedlander, 86.111.3

Vintage gelatin silver print © Georgy Petrussov, courtesy of Nailya Alexander Gallery

Upon the next wall hangs the black - and - white gelatin silver prints of smaller groups from the photo shoots at Stout Projects, representing the present Bushwick artists, gallerists, organizers and journalists.

Portrait of Girl with Fancy Dress, 1938 vintage gelatin silver print 7» x 6» sheet size / 6.25» x 4.25» sight size, signed and dated

Sally Mann, Ponder Heart, 2009, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund.

Mapplethorpe's gelatin silver print — with its slick, luminous surface and intricate gradations of black and white — gives Lyon's form the appearance of a classical sculpture, frozen in mid-motion.

Sally Mann, Battlefields, Cold Harbor (Battle), 2003, gelatin silver print, National Gallery of Art, Washington, Gift of the Collectors Committee and the Sarah and William L Walton Fund.

MALICK SIDIBE, Detail of «Vues de dos,» 2003/2004 (vintage silver gelatin print, glass, paint, cardboard, tape, and string).

Marking, in terms of leaving a trace, is evident in Baum's gelatin silver prints of blackboards with partially erased words, still bearing their meanings through smeared yet legible letters, while elsewhere allowing the marks to blend into smudges of chalk to lose their consistency.

Sally Mann, The Ditch, 1987, gelatin silver print, The Art Institute of Chicago, Gift of Sally Mann and Edwynn Houk Gallery.

Mike Disfarmer, Louie and Alma Ramer with their daughters Lucille, Avonell, and Faye Vintage gelatin silver print, ca. 1945 All prints courtesy of the Edwynn Houk Gallery or the private collection of Michael Mattis and Judith Hochberg

At just over seven feet long, Vera Lutter's gelatin silver print of the Venetian skyline, Campo San Moise, Venice, VIII: March 4 (2006), produced using a camera obscura, dominates the room.

Sally Mann, Virginia # 6, 2004, gelatin silver print, Courtesy of Edwynn Houk Gallery, New York.

Ken Moody, 1983 gelatin silver print image: 19 1/8 x 15 1/4 inches (48.6 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1293 Selected by Washington participant

Lindsay Key, 1985 gelatin silver print image: 19 x 15 1/4 inches (48.3 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1888 Selected by Nebraska participant

Hand in Fire, 1985 gelatin silver print image: 10 x 10 inches (25.4 x 25.4 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1577 Selected by Illinois participant

Winter Landscape, 1979 gelatin silver print image: 13 7/8 x 13 7/8 inches (35 x 35 cm) paper: 20 x 16 inches (51x 41 cm) edition of 10 with 2 APs MAP - 287 Selected by Indiana participant