Sentences with phrase «gelatin prints which»

The exhibition includes twenty vintage silver gelatin prints which capture a wide range of social circles in early downtown New York.

Not exact matches

Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.
He also made an important series of photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.
In this gelatin silver print, Man and Woman, Davidson captures an anonymous couple on the street — the declaration of their genders calling into question the ambiguity of their features, which are ultimately just human.
Shown here chronologically, alongside an informative textual timeline, the gelatin silver prints set the sociopolitical backdrop against which Dix's dramas, across the hall, play out.
The exhibition includes 82 platinum prints, 29 gelatin silver prints, 5 dye transfer prints and 17 internegatives, which are exhibited for the first time.
Rice being transferred from the combine to a truck in which it will be hauled to the drier - Howard Stagg farm near Beaumont, TX, 1945 Gelatin silver print; printed 1945 10 1/2 X 13 3/8 inches
Stephen Shore encompasses the entirety of the artist's work of the last five decades, during which he has conducted a continual, restless interrogation of image making, from the gelatin silver prints he made as a teenager to his current engagement with digital platforms.
Available Light, a new book on Zoe Leonard, highlights two of her recent bodies of work: a series of installations employing the camera obscura — the most recent of which is on view in the 2014 Biennial — as well as photographs of the sun realized as gelatin - silver prints.
His exhibition features a series of silver - gelatin contact prints culled from the computer game «The Elder Scrolls V: Skyrim,» which leads players on an exploration charting one's own path through an unforgiving landscape.
ROTHSTEIN, Arthur Home of Family Which is to be Moved to Shenendoah National Park Homesteads, VA, c. 1935 10 1/4 x 13 1/2 inches Gelatin silver print; printed c. 1935
Each appropriated piece offers it's own course in which to channel history, precipitating new stories through a range of alternative processes including wet plate collodion, silver gelatin prints, image transfers on film, collage, and 3 - D mixed media objects.
The exhibition is comprised of gelatin silver prints of Busse's photographs taken in his native rural northern Germany which are then altered via darkroom processes and photographic inks, haunting hybrids that document the seen and unseen.
These figurative forms find echoes in an untitled 1976 collage, which reimagines the jagged, winglike shape but in a marbled gelatin silver print of amorphous black and white fields, where cavernous and fibrous tunnels resemble ventricles.
Clearly Stieglitz also obsessed over the printing process for this image, as a photogravure, carbon print, and gelatin silver print are all on view, in which he tweaked the texture of the snow and the scale of the shadowy coachman within the image.
Although her project has a far less clear relationship with digital technology (the photographs are mostly gelatin silver prints and the wood carvings are physical objects), it mimics the mediating process of memory, examining the way in which sites and the events that they symbolise become distorted and gain and relinquish meaning through the act of representation and re-representation.
This gelatin image layer is only one of the four layers found in a typical gelatin silver print, which generally include the overcoat, image layer, baryta, and paper support.
The auction, which boasts a variety of prints, including etchings, lithographs and gelatin silver prints, offers a wide range of artis...
Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.
Women with children and Bedouin camel cavalrymen walking on street of desert village in which garrison, Post Veillotte, is located, Syria, 1940 9 3/4 x 13 3/8 inches Gelatin silver print; printed c. 1940
Included here are the twelve gelatin silver prints that comprise Roysdon's earliest body of work, Untitled (David Wojnarowicz project)(2001 — 07), in which she recasts Wojnarowicz's series Rimbaud in New York (1978 — 79), bridging a historical and contemporary dialogue of gender and identity.
Other significant additions include a suite of 25 photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann from 1976; Laurie Simmons» 1987 gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych of gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.
Stephen Shames Tito's Brother Shows Off His M - 16, Which was Stolen from an Army Base, 1985 Vintage gelatin silver, printed ca. 1985 7 x 10 in
David «Chim» Seymour A little Viennese boy with his worn boot which has been brought for repair, Austria, c. 1950 Vintage gelatin silver print 7 1/2 X 9 1/4 inches
Both influences run through the exhibition's «Figure in Six Sections» (1965) a rare «exquisite corpse» stacked sculpture in which a silver gelatin print of the back of a standing nude has been adhered to each of the four sides of an 8 1/2» tall wooden cube cut into six layers, similar in structure to a rubix cube.
The students were able to choose from two types of photographic techniques, gelatin silver printing, a film photographic technique, and archival pigment print, which involves digital photography.
A tried - and - true method developed in 1871, silver gelatin (or gelatin silver) printing is an example of «latent» printing, in which an image is activated by light, but is not revealed until submerged in a developer solution.
In addition, the exhibition includes nine new silver gelatin prints of domestic items — a lighbulb, a comb, a clock, a telephone, etc. «Partially obscuring the image are... out - of - focus [lines and shapes]... which have been superimposed not via digital editing, but physically: Kahn drew simple geometric designs on a clear lens filter and shot the image through its intervening composition.»
The motif of black activism is communicated in the silver gelatin print, The New Negro Escapist Social and Athletic Club (Kiss), though the theme of black identity and notions of African «otherness» underlies most works in the exhibition, which provides a unified result.
The photographic images published in her first book are processed from gelatin silver prints, in a square format, which without a surprise is ideal for fine art photography because elements in this space frame become stronger.
Similarly, a few black and white silver gelatin prints by Matthew Barney standing in for «Cremaster 2» (1999) misrepresent his epic multi-film project, which relied on vivid color and surrealist excess.
Sills shows various sized silver gelatin prints, the largest of which, Dappled (2018), provided the backdrop for Tomkins» performance.
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