Sentences with phrase «gelatin silver print courtesy»

Joe Conzo American, born in Bronx, NY in 1963 Actor Paul Newman on set filming Fort Apache, The Bronx, 1980 Gelatin silver print Courtesy the Artist

LaToya Ruby Frazier Students and Residents outside North Western High School (est. 1964) awaiting the arrival of President Barack Obama, May 4th 2016, I 2016 / 2017 Gelatin silver print Courtesy of the artist and Gavin Brown's enterprise

LaToya Ruby Frazier Shea and Zion at the Badawest Restaurant on Corruna Rd. 2016 / 2017 Gelatin silver print Courtesy of the artist and Gavin Brown's enterprise

LaToya Ruby Frazier Momme 2018 Gelatin silver print Courtesy of the artist and Gavin Brown's enterprise

Not exact matches

DAVID HAMMONS, «Hair and Wire, Venice Beach,» 1977 (gelatin silver print) by Bruce W. Talamon Courtesy Bruce W. Talamon

Vintage gelatin silver print © Georgy Petrussov, courtesy of Nailya Alexander Gallery

Mike Disfarmer, Louie and Alma Ramer with their daughters Lucille, Avonell, and Faye Vintage gelatin silver print, ca. 1945 All prints courtesy of the Edwynn Houk Gallery or the private collection of Michael Mattis and Judith Hochberg

Sally Mann, Virginia # 6, 2004, gelatin silver print, Courtesy of Edwynn Houk Gallery, New York.

Image: Kohei Yoshiyuki Untitled, from the series The Park 1971 Gelatin Silver Print © Kohei Yoshiyuki, Courtesy Yossi Milo Gallery, New York

Alison Rossiter From the series Landscapes Defender Argo, (# 5) expired September 1911, processed 2014 Gelatin Silver Print Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

Alison Rossiter Nepera Chemical Company Carbon Velox, (# 1) shipped from works November 8, 1897, processed 2014 Gelatin Silver Print 8 ″ × 5 ″ each element Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

John Divola, Photographs from The Vandalism Portfolio (1974 - 5) Printed 1993, Silver gelatin prints on 50x40cm paper, © John Divola, Courtesy of Gallery Luisotti

Alison Rossiter From the series Fours Haloid Military, (# 11) expired October 1957, processed 2015 Four Gelatin Silver Prints Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

Credit: Horseshoe Falls, Ontario Canada, 1992, silver gelatin print, 45 x 45 in., framed, Collection of the Artist, © Lynn Davis, Photograph Courtesy Artist.

Left: A visitor studies The Sessions; Right: Bettina von Zwehl, The Sessions (detail), 2016; 50 gelatin silver prints, Dimensions variable; Courtesy of the artist and Purdy Hicks Gallery; © Bettina von Zwehl

Garry Winogrand, New York, c. 1962 gelatin silver print The Garry Winogrand Archive, Center for Creative Photography, The University of Arizona © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Malick Sidibé, Nuit de Noël (Christmas Night), 1963, silver gelatin print, 1 x 1 m. Courtesy: Collection Fondation Cartier pour l'art contemporain, Paris © Malick Sidibé

Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GaPrint, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GaPrint Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GaPrint Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GaPrint Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gsilver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GaPrint, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GaPrint, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gaprint from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery

Image provided by Weinstein Gallery Gordon Parks, Invisible Man Retreat, Harlem, New York, 1952 Gelatin silver print, PHOTOGRAPH BY GORDON PARKS COPYRIGHT: COURTESY OF AND COPYRIGHT THE GORDON PARKS FOUNDATION.

Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage's 26ʹ1.1499 ʺ for a String Player (Human Cello section), Café au Go Go, New York City, October 4, 1965, Gelatin silver print, printed by Laure Leber, 1999, Courtesy Barbara Moore and the Paula Cooper Gallery, New York Photograph © Barbara Moore / Licensed by VAGA, NY

Gordon Parks: Untitled, Harlem, New York, 1948; gelatin silver print; 13 1/4 x 10 3/8 in.; courtesy of and copyright The Gordon Parks Foundation.

Sophie Calle: The Sleepers (Les Dormeurs), 1979; gelatin silver prints with ink and black metal frames; 6» x 8» one photo and text unit; courtesy of the artist and Fred Hoffman Gallery, Santa Monica.

Recalling David Hammons's «Hair and Wire, Venice Beach,» 1977 (gelatin silver print) by Bruce W. Talamon Courtesy Bruce W. Talamon

Cai Dongdong The Mountain Cutters, 2017 Gelatin silver print, stones, wood20 1/2 x 21 7/8 x 22 1/4 inches (52 × 55.5 × 56.5 cm) © Cai Dongdong, courtesy Klein Sun Gallery

«David Hammons, Slauson Studio,» 1974 (gelatin silver print) by Bruce W. Talamon Courtesy Bruce W. Talamon

Cai Dongdong Showers, 2016 Gelatin silver print in artist's frame20 11/16 x 20 11/16 inches (52.5 × 52.5 cm) © Cai Dongdong, courtesy Klein Sun Gallery

Gordon Parks American, 1912 — 2006 Ella Watson, American Gothic, Washington, D.C., 1942 Gelatin silver print High Museum of Art, Atlanta, Gift of Gloria and Paul Sternberg, 1999.154.1 Courtesy of and copyright The Gordon Parks Foundation

Main image: Laura Aguilar, In Sandy's Room (detail), 1989, silver gelatin print, 1.1 x 1.3 m. Courtesy: the artist and the UCLA Chicano Studies Research Center © the artist

Image: Richard Avedon, Boyd Fortin, rattlesnake skinner, Sweetwater, Texas, March 10, 1979, Gelatin silver print mounted on aluminum, 56 1/4 x 45 inches; Richard Avedon, Red Owens, oil field, Velma, Oklahoma, 1980, Gelatin silver print mounted on aluminum, Courtesy of the Richard Avedon Foundation, NY; William - Adolphe Bouguereau (1825 - 1905), Study of the Head of a Woman for «Offering to Eros»; Robert Mapplethorpe, Maryanne, 1988.

Francesca Woodman, Self - portrait talking to Vince, Providence, Rhode Island, 1975 — 78, Gelatin silver print, 13 x 12.9 cm Courtesy George and Betty Woodman

Francesca Woodman, Untitled, Providence, Rhode Island, 1976 Gelatin silver print, 14 x 14.1 cm Courtesy George and Betty Woodman

Geta Brătescu: Mrs. Oliver in her traveling costume, 1985, reprinted 2012; gelatin silver print; 15 ⅜ × 15 1/2 in.; courtesy the artist; Galerie Ivan, Bucharest; and Galerie Barbara Weiss, Berlin.

Francesca Woodman, Untitled, New York, 1979 — 80, Gelatin silver print, 11.4 x 11.4 cm Courtesy George and Betty Woodman

Harry Callahan (American, 1912 — 1999) Eleanor, Indiana, 1948 gelatin silver print 4 1/2 x 4 1/2 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Susan and Peter MacGill, Pace / MacGill Gallery, New York, 1995.91 © The Estate of Harry Callahan, courtesy of Pace / MacGill Gallery, New York.

Francesca Woodman, Untitled (from the Angels series), Rome, 1977 Gelatin silver print, 7.6 x 7.6 cm Courtesy George and Betty Woodman

Francesca Woodman, House # 4, Providence, Rhode Island, 1976, Gelatin silver print, 14.6 x 14.6 cm Courtesy George and Betty Woodman

Francesca Woodman, Polka Dots, Providence, Rhode Island, 1976, Gelatin silver print, 13.3 x 13.3 cm) Courtesy George and Betty Woodman

Fiona Pardington, Christopher, 1993, silver gelatin print, 925 x 760 mm / courtesy of Two Rooms Gallery, Auckland

C - print, Courtesy Steven Kasher Gallery André - Adolphe - Eugène Disdéri, Prince Lobkowitz, 1858 Albumen silver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gaprint, Courtesy Steven Kasher Gallery André - Adolphe - Eugène Disdéri, Prince Lobkowitz, 1858 Albumen silver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gsilver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gaprint from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GSilver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GaPrint, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GSilver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GaPrint, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gaprint, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander gelatin silver print, Courtesy Nailya Alexander Gsilver print, Courtesy Nailya Alexander Gaprint, Courtesy Nailya Alexander Gallery

Detail: Eileen Quinlan, Contact Hour, 2014, silver gelatin print, courtesy the artist and Miguel Abreu Gallery, New York.

Image: Cecil Beaton, The Narcissus of» 67: A Mod at the Waterhole of Reddish, 1968 modern silver gelatin print Courtesy of the Cecil Beaton Studio Archive at Sotheby ’s

Will Rogan, «The Elusive Nature of Time,» 2010, Gelatin Silver Print, 16 x 20 inches; image courtesy of Altman Siegel Gallery, SF

Larry Sultan and Mike Mandel, Untitled, from the series Evidence, 1977, printed 2013; gelatin silver print; © Estate of Larry Sultan and Mike Mandel; photo: courtesy the Estate of Larry Sultan

Tokuko Ushioda «Bibliotheca # 01», Printed in 2017 Gelatin Silver Print 16 x 20 in © Tokuko Ushioda, Courtesy of PGI

Sheree Hovsepian, A Room of One's Own, 2015, Archival dye transfer print, silver gelatin photograms, string, brass nails, acrylic, 40 x 30 in., Image courtesy the artist and Monique Meloche Gallery, Chicago

Tseng Kwong Chi Art After Midnight, New York Vintage gelatin silver print 1985 Courtesy Muna Tseng Dance Projects, Inc., New York

Minor White, Untitled (Dock), ca. 1939, gelatin silver print, Courtesy of the Fine Arts Program, Public Buildings Service, U.S. General Services Administration.

Vik Muniz, Cabinet of Curiosity, 2012 Silver gelatin print; 16 × 20 inches (unframed) Signed and numbered edition of 25 Courtesy of the artist and Sikkema Jenkins & Co..

Caption: Nancy Graves working on Trace at Tallix, c. 1980, gelatin silver print, courtesy Dick Polich © Nancy Graves Foundation, Inc. / Licensed by VAGA, New York

«Tsumari Story No. 11 - 4» (2014) by RongRong & inri (Image courtesy of the artist) Silver gelatin print / 119 cm x 148 cm / 46.9» x 58.3» / Edition 2 of 8