Sentences with phrase «gelatin silver print photographs»

New Film Stills present a series of gelatin silver print photographs made in 2013 ranging in scale from 40 - by - 30 inch to 8 - by - 10 inch.

The impressive gelatin silver print photograph of Yale University's men's outdoor track and field team from circa 1903 shows 44 varsity and junior varsity team members all dressed in black tanks and white shorts, standing and seated in four rows.

[3] Another 1941 gelatin silver print photograph of Bate Tichenor by Man Ray was auctioned by Sotheby's New York in 1997.

White Sands, New Mexico, 1941 Gelatin silver print Photograph by Edward Weston The Huntington Library, Art Collections, and Botanical Gardens © 1981 Center for Creative Photography, Arizona Board of Regents

The Brooklyn Bridge, 1941 Gelatin silver print Photograph by Edward Weston The Huntington Library, Art Collections, and Botanical Gardens © 1981 Center for Creative Photography, Arizona Board of Regents

Gulf Oil, Port Arthur, Texas, 1941 Gelatin silver print Photograph by Edward Weston The Huntington Library, Art Collections, and Botanical Gardens © 1981 Center for Creative Photography, Arizona Board of Regents

Mr. Brown Jones, Athens, Georgia, 1941 Gelatin silver print Photograph by Edward Weston The Huntington Library, Art Collections, and Botanical Gardens © 1981 Center for Creative Photography, Arizona Board of Regents

Woodlawn Plantation House, Louisiana, 1941 Gelatin silver print Photograph by Edward Weston The Huntington Library, Art Collections, and Botanical Gardens © 1981 Center for Creative Photography, Arizona Board of Regents

Not exact matches

Unidentified photographer Bill Cunningham Photographing Five Models, ca. 1968 − 76 Gelatin silver print New - York Historical Society Library, Gift of Bill Cunningham

She is represented here by three photographs: two iconic platinum palladium prints of tabletop still lifes and a mysterious gelatin silver print of a hand grasping at a silvery, conical form.

All photographs in the Marking Questions portfolio are selenium - toned silver gelatin prints from 120 film negatives.

Ernest James Bellocq, Lee Friedlander, [Untitled], 1 of 10 Photographs of Storyville Subjects, c. 1911 - 1913, Gelatin silver print, Gift of Lee Friedlander, 86.111.3

Walker Evans, Erosion, Mississippi, 1936, Silver gelatin print, 25 x 20 cm, Library of Congress press photograph, Collection David Campany, Handful of Dust Whitechapel Gallery 2017

Two large gelatin silver prints of the teams mostly in uniform, celebrating wins over Yale in both years, the 1898 photograph by More...

Here's what did work: Glenn Kaino's glittering mass of arrows in flight at Honor Fraser's booth, a demure suite of gelatin silver prints showing Carrie Mae Weems dancing in a nearly transparent white nightgown, Galerie Brandstrup's laser - focus on young painters (including Michael Kvium and Christer Glein), and Chris Wiley's quirky photographs mimicking and framed with quotidian substances (never has Astro - Turf served a better purpose than a picture frame) as part of Nicelle Beauchene Gallery's entry into Armory Presents.

Stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 14 x 18 in.

John Divola, Photographs from The Vandalism Portfolio (1974 - 5) Printed 1993, Silver gelatin prints on 50x40cm paper, © John Divola, Courtesy of Gallery Luisotti

Credit: Horseshoe Falls, Ontario Canada, 1992, silver gelatin print, 45 x 45 in., framed, Collection of the Artist, © Lynn Davis, Photograph Courtesy Artist.

I.S. Kobozev (photographer) photographing the first October Celebration, 1918, gelatin silver print, 6.8 x 4.10» • Georgi Zelma (Russian, 1906 — 1984): ° Tractor Driver, Birobizhan, mid — 1930s, vintage gelatin silver print; 2.3 x 3.1» ° Krasnaya Ploschad», Kolonna «Elektrozavoda».

It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver gelatin print photographs taken from

BOB ADELMAN (1930 - 2016) Andy Warhol empties his boots after being pushed into the pool by Edie Sedgwick, Al Roon's Gym, New York photograph 1965 (printed later) unique vintage gelatin silver print signed and stamped on verso image size > 6 x 8.5 inches / paper size > 11 x 14 inches

Eight photographs by Hullihen Williams Moore (American, born 1942): «Appalachian Trail and Mist,» 1994, pigment print, image: 30 x 23 1/2 inches; «Falling Spring,» 1996, pigment print, Image: 30 x 24 1/2 inches; «Rhododendron and Tall Trees,» 2007, pigment print, image: 30 x 22 3/4 inches; «Baldface Mountain Overlook,» 1981, pigment print, image: 20 x 26 inches; «Baldface Mountain Overlook», 1988, pigment print, image: 20 x 24 3/4 inches; «New Ferns,» 1992, gelatin silver, image: 19-7/8 x 19 1/4 inches; «Big Meadows Pine, Fog and Ice,» 1991, pigment print, image: 14 x 11 1/4 inches; «Ice Orb and Lace,» 1992, gelatin silver print, image: 10-3/8 x 13 1/4 inches

BOB ADELMAN (1930 - 2016) Marisol Escobar looks at Bob Adelman through a glass, in Robert Rauschenberg's studio photograph 1966 unique vintage gelatin silver print signed and annotated in pencil, photographer's credit stamp, and photographer's copyright stamp on verso image size > 8.25 x 5.75 inches / paper size > 11 x 14 inches

He also made an important series of photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.

BOB ADELMAN (1930 - 2016) Andy Warhol on the fire escape of the Factory on 47th Street photograph 1965 (printed later) unique vintage gelatin silver print signed in ink, photographer's copyright stamps on verso image size > 9.375 x 6.375 inches / paper size > 14 x 11 inches

Hamish Fulton, UNTITLED, 1970 - 1971 (ENGLAND - SCOTLAND), 1970 - 1971, Silver gelatin print, acid - free cardboard with text, wood frame, vintage photographs, unique, 4 photographs: 3 x 4.5 inches each, 12.25 x 16 inches framed

Stairway, St. Martin, Ellsworth Kelly, 1977: Marking the first photograph by Kelly to enter the BMA's collection, this gelatin silver print strengthens the BMA's substantial collection of works by Kelly.

The photographs on view, all gelatin silver prints, include twenty - five prominent artists at work in their studios or taking a break — among them Nevelson, Calder, Chuck Close, Willem de Kooning, Roy Lichtenstein, Andy Warhol, Louise Bourgeois, Robert Rauschenberg, Jasper Johns, Frank Stella, Joan Mitchell, Romare Bearden, Isamu Noguchi, Saul Steinberg, and Laurie Anderson.

The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

Photographed in 1980 and printed in 1980, this work is number three from an edition of fifteen plus three artist's proofs Other gelatin silver prints from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.

Image provided by Weinstein Gallery Gordon Parks, Invisible Man Retreat, Harlem, New York, 1952 Gelatin silver print, PHOTOGRAPH BY GORDON PARKS COPYRIGHT: COURTESY OF AND COPYRIGHT THE GORDON PARKS FOUNDATION.

Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage's 26ʹ1.1499 ʺ for a String Player (Human Cello section), Café au Go Go, New York City, October 4, 1965, Gelatin silver print, printed by Laure Leber, 1999, Courtesy Barbara Moore and the Paula Cooper Gallery, New York Photograph © Barbara Moore / Licensed by VAGA, NY

Designed to give a broad public greater access to Warhol's photographs, the program donated over 28,500 of Warhol's original Polaroids and gelatin silver prints to more than 180 college and university museums and galleries across the country.

Thus Don McCullin, quoted on the information board of a new display at Tate Britain of around 50 black - and - white silver gelatin photographs, chosen and printed by the artist himself.

Desegregation of Central High School by «Little Rock Nine,» Arkansas, 1957 Gelatin silver print (photograph), printed 1996 Museum purchase, in memory of Alice R. and Sol B. Frank

Jack Delano In the New Home of a Group of Florida Migrants Just Arrived at Onley, Virginia Gelatin silver print (photograph) Taken July 1940 Printed 1984

Yucca Plant (c. 1928) Vintage gelatin silver print (on Dassonville paper stock) 7-3/16 x 9-3/8 inches (print size) 17 x 21 inches (mount size) Signed Ansel E. Adams in pencil on mount, lower right; with photographer's PHOTOGRAPH BY ANSEL EASTON ADAMS / SAN FRANCISCO label, affixed to mount verso

Photograph, gelatin silver print on paper, 302 x 401 mm.

(c. 1950) Vintage gelatin silver print 9-1/2 x 7-11/16 inches With the photographer's Photograph by Consuela Kanaga ink stamp and titled Rothko / 1955 [sic] and notated Return to Lerner - Heller Gallery... N.Y. in pencil, on print verso

They Came to Norfolk, Virginia so Husband and Older Sons Could Get Employment in Defense Industries Gelatin silver print (photograph) Taken March 1941 Printed 1984

Signed «BERENICE ABBOTT» in pencil on the mount l.r., stamped «PHOTOGRAPH / BERENICE ABBOTT / ABBOTT, MAINE 04406» and signed «Berenice Abbott» in pencil on the reverse of the mount l.c. Gelatin silver print, image / sheet size 13 1/8 x 10 3/8 in.

Framed Cabinet Card Photograph of Chief «Red Bead» by the Huffman Studio, gelatin silver print, frame size 12 1/2 x 10 1/4 in.

Another almost square fashion photograph, Providence, Rhode Island, 1975 - 1978 Gelatin silver estate print

Her personal work includes gelatin silver prints, hand - colored silver prints, digital photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes).

Seventeen Photographs of Martha Graham: Barbara Morgan (American, 1900 - 1992), Frontier, No. 3, c. 1935, unsigned, gelatin silver print; Carl Van Vechten (American, 1880 - 1964), Martha Graham as More...

Double Split, 1978 Black and white photograph, gelatin silver print, triptych 30 1/8 x 37 1/4 inches 76.4 x 94.6 cm each Edition of 3

DIANE ARBUS (1923 - 1971) Woman with a veil on Fifth Avenue, New York City, 1968 stamped «A Diane Arbus photograph», signed, titled, numbered and dated» 27/75» by Doon Arbus, Administrator, and stamped Estate copyright credits (on the reverse) gelatin silver print, printed later by Neil Selkirk image: 14 3/4 x 14 ⅝ in.

Available Light, a new book on Zoe Leonard, highlights two of her recent bodies of work: a series of installations employing the camera obscura — the most recent of which is on view in the 2014 Biennial — as well as photographs of the sun realized as gelatin - silver prints.

Still life with Lichtenstein, 1977 Black and white photograph, vintage gelatin silver print 38 5/8 x 26 3/4 inches 98 x 68 cm AP

At Galerie nächst St. Stephan, I presented a room of these photographs, each in a highly reflective Plexiglas frame along with one of Jim Welling's early gelatin silver prints of a Wyoming landscape.