Sentences with phrase «gelatin silver prints by»

F (1959), and a collage of gelatin silver prints by the artist dating from 1962.

Charlie Parker, 1949 Dinah Washington, 1955 Duke Ellington, 1958 / All gelatin silver prints by Herman Leonard / National Portrait Gallery, Smithsonian Institution / © Herman Leonard Photography, LLC.

New - York Historical Society: «Bill Cunningham: Facades» (through June 15) This exhibition of 80 gelatin silver prints by Bill Cunningham, who has chronicled fashion and society in pictures for The New York Times for years, was completed 37 years ago, but the photographs appear as a breath of fresh air.

Presentation House Gallery is pleased to present an exhibition of gelatin silver prints by Kohei Yoshiyuki.

Presentation House Gallery is pleased to present an exhibition of vintage gelatin silver prints by photographer Larry Clark.

The Gallery's gift includes 143 gelatin silver prints by Dorothea Lange, with 10 additional photographs by Lange promised.

The meditative process of photographing the landscape continues in the darkroom, where van der Molen prints her gelatin silver prints by hand.

In addition to Sonnier's work, another great from this standout feature of Basel were the vintage gelatin silver prints by Roy DeCarava (1919 - 2009) at the Jenkins Johnson Gallery.

Vintage gelatin silver prints by Roy DeCarava (b. 1919, United States), an African - American photographer who was an integral figure within 20th - century American art, will be the focus at Jenkins Johnson Gallery, exhibiting with Art Basel for the first time.

Dark Paintings and Seascapes pairs eight acrylic paintings by Rothko and eight gelatin silver prints by Sugimoto, revealing two different artistic approaches that arrive at similar conclusions.

The collection has grown to represent the full historical range of the medium, including early daguerreotypes, anonymous stereoviews, and cartes de visite; gelatin silver prints by Walker Evans, Robert Frank, and Ansel Adams; Kenneth Snelson's expansive panorama; landscapes by Carleton Watkins; photograms by Man Ray and Lotte Jacobi; and works by a range of contemporary American photographers, such as Robert Mapplethorpe, Cindy Sherman, and Andy Warhol (Polaroids).

Two gelatin silver prints by South African artist Zanele Muholi explore issues of gender, race, and identity.

Nine gelatin silver prints by Louis Draper (American, 1935 - 2002).

Russian Photography after the Revolution will feature rare, large - format gelatin silver prints by Boris Ignatovich (1899 - 1976), a master of the Soviet avant - garde; Arkady Shaikhet (1898 - 1959), widely considered to be the founder of Soviet photojournalism; and Aleksandr Rodchenko (1891 - 1956), perhaps the most acclaimed figure in early twentieth - century Russian art and design; as well as Abram Shterenberg (1900 - 1979), Georgy Petrussov (1903 - 1971), Semyon Fridlyand (1905 - 1964), Sergey Shimansky (1898 - 1972), Solomon Telingater (1903 - 1969), Emmanuil Evzerikhin (1911 - 1984), Yakov Khalip (1908 - 1980), and Georgy Zelma (1906 - 1984).

On the other hand, in context, the gelatin silver prints by veteran photographer Sam Contis (b1982, US), do read as a departure.

Highlighting the exhibition will be a rare Shaker «spirit» drawing from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1928.

So when the Metropolitan Museum of Art invited Frazier to participate in The Artist Project and asked her to choose a work from the institution's vast collection that inspires her, she selected «Red Jackson,» a 1948 gelatin silver print by Parks.

«Untitled Film Still # 56» (1980) gelatin silver print by Cindy Sherman collection of the Museum of Modern Art, New York

Not exact matches

Within a week of MoMA's reinstall, the Metropolitan Museum of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.

February 15, 1972, 10:20 a.m., 1972, gelatin silver print mounted by the artist onto board.

Provenance: Collection of the Artist Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 49 signed, titled, numbered and dated «Cindy Sherman 5/10 1979 49» (on the reverse) gelatin silver print 8 x 10 in.

She is represented here by three photographs: two iconic platinum palladium prints of tabletop still lifes and a mysterious gelatin silver print of a hand grasping at a silvery, conical form.

Gelatin silver print (printed later by Joan Munkácsi).

Provenance: Metro Pictures, New York Private collection, Switzerland Private collection, New York Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 6 signed, numbered and dated «Cindy Sherman 9/10 1977» (on the reverse) gelatin silver print 10 x 8 in.

PAGES 44 - 45: From left, «Untitled, Harlem, New York,» 1963 (Gelatin silver print) by Gordon Parks and «Urban Wall Suit,» circa 1969 (dyed and printed silk with paint) by Jae Jarrell.

Provenance: Metro Pictures, New York Private collection, Switzerland Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 44 signed, titled, numbered and dated «Cindy Sherman 8/10 1979 44» (on the reverse) gelatin silver print 8 x 10 in.

Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 46 signed, titled, numbered and dated «Cindy Sherman 3/10 1979 46» (on the reverse) gelatin silver print 8 x 10 in.

DAVID HAMMONS, «Hair and Wire, Venice Beach,» 1977 (gelatin silver print) by Bruce W. Talamon Courtesy Bruce W. Talamon

ENDPAPERS (INSIDE FRONT AND BACK COVERS): «Rosa Parks, Dr. and Mrs. Abernathy, Dr. Ralpha Bunche, and Dr. and Mrs. Martin Luther King Jr. leading marchers into Montgomery,» 1965, printed in 1970 (Gelatin silver print) by Moneta Sleet Jr..

Elizabeth Hayley's silver gelatin prints on steel and brass, seek to trace a record and likeness of the experience of life lived on and surrounded by water, making references to the past and impermanence.

sale; Christie's New York, 15 November 1995, lot 292 Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 56 signed, numbered and dated «Cindy Sherman 9/10 1980» (on the reverse) gelatin silver print 8 x 10 in.

Provenance: Metro Pictures, New York Private collection, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 17 signed, numbered and dated «Cindy Sherman 8/10 1978» (on the reverse) gelatin silver print 8 x 10 in.

Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner twenty one gelatin silver prints

Barbara Kruger: Untitled (You Are Not Yourself), 1981, gelatin silver print, 72 by 48 inches.

Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 35 signed, numbered and dated «Cindy Sherman 10/10 1979» (on the reverse) gelatin silver print 10 x 8 in.

Ken Moody, 1983 gelatin silver print image: 19 1/8 x 15 1/4 inches (48.6 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1293 Selected by Washington participant

ARBUS, Diane Boy with a straw hat waiting to march in a pro-war parade, NYC, 1967 15 X 14 5/8 inches Gelatin silver print, printed c. 1970 by Neil Selkirk

Lindsay Key, 1985 gelatin silver print image: 19 x 15 1/4 inches (48.3 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1888 Selected by Nebraska participant

Hand in Fire, 1985 gelatin silver print image: 10 x 10 inches (25.4 x 25.4 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1577 Selected by Illinois participant

Winter Landscape, 1979 gelatin silver print image: 13 7/8 x 13 7/8 inches (35 x 35 cm) paper: 20 x 16 inches (51x 41 cm) edition of 10 with 2 APs MAP - 287 Selected by Indiana participant

Susan Sarandon and Eva Amurri, 1988 gelatin silver print image: 22 7/8 x 19 1/4 inches (48.9 x 48.9 cm) paper: 24 x 20 inches (61 x 50.8 cm) edition of 10 with 2 APs MAP - 1954 Selected by South Dakota participant

Danger Pericolo, 1983 gelatin silver print image: 15 1/4 x 15 1/4 inches (38.7 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1169 Selected by Oregon participant

Nick Marden, 1980 gelatin silver print image: 14 x 13 7/8 inches (35.6 x 35.2 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 15 with 3 APs MAP - 386 Selected by Tennessee participant

Lisa Lyon, 1981 gelatin silver print image: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1009 Selected by Iowa participant

Chest, 1983 gelatin silver print image: 15 1/4 x 15 inches (38.7 x 38.1 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1203 Selected by Minnesota participant

Lisa Lyon, 1980 gelatin silver print image: 15 1/8 x 15 1/4 inches (38.4 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 833 Selected by Kansas participant

Phillip Prioleau, 1984 gelatin silver print image: 19 1/4 x 14 inches (48.9 x 35.6 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1325.1 Selected by New York participant

Children, Puerto Rico, 1981 gelatin silver print Image: 15 1/4 x 15 5/8 inches (38.7 x 39.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 595 Selected by Mississippi participant

Two large gelatin silver prints of the teams mostly in uniform, celebrating wins over Yale in both years, the 1898 photograph by More...

Image: Weegee (Arthur H. Fellig) Their First Murder 1941 gelatin silver print 267 x 346 mm International Center of Photography, Purchase, with funds provided by the bequest of Wilma Wilcox, 1997 (13.1997) © Weegee / International Center of Photography / Getty Images