Sentences with phrase «gelatin silver prints from»

The exhibition of nearly sixty 20 ″ × 24 ″ gelatin silver prints from the artist's most recent body of work will open on Thursday, July 16, and close on Friday, August 28 with a reception for the artist on Thursday, July 16, 5:00 — 8:00 pm.

Since then, the Museum has become a major repository of his photographs, including one of the world's largest holdings of gelatin silver prints from his seminal book The Americans.

In the late - «60s, shortly before he died, I remember my father's excitement at finding and buying three gelatin silver prints from Margaret Bourke - White's series of images on the construction of Fort Peck Dam, near Billings, Montana.

All 25 photographs in this series are gelatin silver prints from the National Gallery of Art, Corcoran Collection (Gifts of Sharon Keim) 2015.19.5078.1 — 25.

The paper, the printing quality and the contrast in the images were adjusted to look like gelatin silver prints from the era.

Among the works will be gelatin silver prints from Leandro Katz's Catherwood Series, created between 1985 and 1995.

All 77 gelatin silver prints from the Ruth and Jake Bloom Collection of The Americans are currently on view at Sotheby's before they headed to auction on Dec. 17, 2015.

The acquisitions include: Benny Andrews (1930 2006), Mississippi River Bank (Trail of Tears Series), 2005; McArthur Binion (b. 1946), DNA: Black Painting: IV, 2015; Jeffrey Gibson (b. 1972), Sharecropper, 2015; Titus Kaphar (b. 1976), Darker Than Cotton, 2018; Glenn Ligon (b. 1960) Condition Report, 2000; Deborah Luster (b. 1951), six gelatin silver prints from the series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese, 2012.

Photographed in 1980 and printed in 1980, this work is number three from an edition of fifteen plus three artist's proofs Other gelatin silver prints from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.

As Barbara Kruger famously stated on one of her notorious gelatin silver prints from the 1980's, «You Are Not Yourself».

For example, I'm imagining Meiko Smiling amongst a google image search for «beauty» or one of your gelatin silver prints from Angola to Vietnam turning up in a search for 1 -800-flowers.

It is a selection of vintage gelatin silver prints from three projects: Faces of the Rainforest,...

It is a selection of vintage gelatin silver prints from three projects: Faces of the Rainforest, The Water's Way (O caminho das águas), and Roots (Raízes).

All images are gelatin silver prints from the collection of the Ackland Art Museum, The University of North Carolina at Chapel Hill, © Burk Uzzle, American, born 1938.

In another, a gelatin silver print from 1920 — 22 titled Georgia O'Keeffe, the artist, pictured in front of an expanse of sky, pulls the garment around herself.

It restores more detail than a gelatin silver print from the same negative, providing minutiae and depth to the image.

Lisa Elmaleh «Paurotis Palms,» from the series Everglades 16» x 20» Gelatin Silver Print from Collodion on Glass Negative

«Mom Making Up» a 1969 gelatin silver print from Marilyn Minter's «Coral Ridge Towers» series, is among works on view in «Marilyn Minter: Pretty / Dirty» at the Contemporary Arts Museum, Houston.

Highlighted masterworks at Throckmorton include Mario Algaze's 1999 - 2000 El Malecon, Habana, Cuba; Graciela Iturbide's 2008 Untitled photograph Chalma, Mexico; Colette Urbajtel's 1988 Juego de Piedras; Christina Kahlo's 2011 vintage print titled Carnival de Huejotzingo; Mariana Yampolsky's 1987 Esperando al Padreciti; Lola Alvarez Bravo's 1954 Computer 1; Flor Garduno's 2014 vintage print Ciclope, Mexico; Ruven Afanador's 2012 selenium toned gelatin silver print from Angel Gitano series, Eduardo Guerrero Gonzales; and The Threshold, Manuel Alvarez Bravo's 1947 gelatin silver print.

1964 Gelatin silver print from Fifteen Photographs, printed 1974.

The Bayon, Angkor Wat., 1991 15 5/8 X 19 5/8 inches Gelatin silver print from 3 1/4 x 4 1/4 Polaroid negative

I went in to look and steady my nerves., 1979 15 1/4 x 19 1/4 inches Gelatin silver print from 3 1/4 x 4 1/4 Polaroid negative

Sameer Makarius Untitled (from the series «Temas Biblicos»), c. 1961 Gelatin silver print from a cliché verre 23 3/8 x 17 inches

Nappelbaum's modest gelatin silver print from the early»30s of Stalin in his trademark worker's tunic and boots stands in as the sole representative in the show of the cult of personality that characterized the autocrat's long rule.

Gelatin silver print from altered negative, 20 x 30 inches.

Not exact matches

Within a week of MoMA's reinstall, the Metropolitan Museum of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.

Provenance: Collection of the Artist Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 49 signed, titled, numbered and dated «Cindy Sherman 5/10 1979 49» (on the reverse) gelatin silver print 8 x 10 in.

Provenance: Metro Pictures, New York Private collection, Switzerland Private collection, New York Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 6 signed, numbered and dated «Cindy Sherman 9/10 1977» (on the reverse) gelatin silver print 10 x 8 in.

PAGES 44 - 45: From left, «Untitled, Harlem, New York,» 1963 (Gelatin silver print) by Gordon Parks and «Urban Wall Suit,» circa 1969 (dyed and printed silk with paint) by Jae Jarrell.

Untitled # 278, 1950 - 55 Silver Gelatin print Edition 2 of 10 Purchased with funds from the Friends of the Collections Committee, 2004.2

Provenance: Metro Pictures, New York Private collection, Switzerland Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 44 signed, titled, numbered and dated «Cindy Sherman 8/10 1979 44» (on the reverse) gelatin silver print 8 x 10 in.

Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 46 signed, titled, numbered and dated «Cindy Sherman 3/10 1979 46» (on the reverse) gelatin silver print 8 x 10 in.

Highlighting the exhibition will be a rare Shaker «spirit» drawing from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1from 1928.

The exhibition will encompass the entirety of Stephen Shore's work, from the gelatin silver prints he made as a teenager to his current experimentations with social media.

All photographs in the Marking Questions portfolio are selenium - toned silver gelatin prints from 120 film negatives.

sale; Christie's New York, 15 November 1995, lot 292 Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 56 signed, numbered and dated «Cindy Sherman 9/10 1980» (on the reverse) gelatin silver print 8 x 10 in.

Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.

Provenance: Metro Pictures, New York Private collection, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 17 signed, numbered and dated «Cindy Sherman 8/10 1978» (on the reverse) gelatin silver print 8 x 10 in.

Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner twenty one gelatin silver prints

Upon the next wall hangs the black - and - white gelatin silver prints of smaller groups from the photo shoots at Stout Projects, representing the present Bushwick artists, gallerists, organizers and journalists.

Silver gelatin print from LVT negative, 11.5 × 12.5 inches.

Provenance: Metro Pictures, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 35 signed, numbered and dated «Cindy Sherman 10/10 1979» (on the reverse) gelatin silver print 10 x 8 in.

VAN DER ELSKEN, Ed Claudine and Vali from «Love on the Left Bank», 1951 11 7/8 X 11 5/8 inches Gelatin silver print; printed later

Joe, N.Y.C., 1978 (from The X Portfolio); selenium toned gelatin silver print mounted on black board; 7 11/16 × 7 11/16 in.

Image: Kohei Yoshiyuki Untitled, from the series The Park 1971 Gelatin Silver Print © Kohei Yoshiyuki, Courtesy Yossi Milo Gallery, New York

Alison Rossiter From the series Landscapes Defender Argo, (# 5) expired September 1911, processed 2014 Gelatin Silver Print Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

Alison Rossiter Nepera Chemical Company Carbon Velox, (# 1) shipped from works November 8, 1897, processed 2014 Gelatin Silver Print 8 ″ × 5 ″ each element Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

Stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 14 x 18 in.

Gelatin silver prints, images ranging from 3 x 2 to 27 1/2 x 13 1/2 in., some in presentation folders, one framed.

Looking North at Mount Rainier from Vicinity of Hannaford Lake, 9 miles N of Mount St. Helens, Washington, 1983 16 x 20 inches Gelatin silver print; printed 1984