Sentences with phrase «gelatin silver prints of»

Peter Prusinowski is a master of the dark room, the gelatin silver prints of Fishtown are evocative of the neighborhood's long established quirkiness and history.

Between 1895 and 1910 Jones experimented with photography and produced a series of stunning gold - toned gelatin silver prints of vegetables, fruits, and flowers.

JOAN is pleased to present an exhibition of Aura Rosenberg's Head Shots (1991 — 1996), a series of sixty - one gelatin silver prints of men seemingly caught at the moment of orgasm.

Four gelatin silver prints of the hand and palm of Miles Davis taken for Warner Bros..

«High Yella Girl» from the «Colored People Series» by Carrie Mae Weems is one of just three toned gelatin silver prints of this image developed in 1989 — a second edition of five «High Yella Girl» prints followed in 1997.

In Untitled (Dingo 4), 1980, four identical gelatin silver prints of a dog appeared side by side, each overlain with a small photocopy that was partially obscured, in turn, by a different - colored paint chip — a frame - by - frame dissolve from color to color that recalled O'Neill's movies.

The exhibition is comprised of gelatin silver prints of Busse's photographs taken in his native rural northern Germany which are then altered via darkroom processes and photographic inks, haunting hybrids that document the seen and unseen.

At Galerie nächst St. Stephan, I presented a room of these photographs, each in a highly reflective Plexiglas frame along with one of Jim Welling's early gelatin silver prints of a Wyoming landscape.

«Head Shots» (1991 — 1996), at JOAN, Los Angeles, series of sixty - one gelatin silver prints of men seemingly caught at the moment of orgasm.

Robert Mapplethorpe, an exhibition comprising a selection of dye transfer and gelatin silver prints of the artist's key subjects, includes images of classical antiquity, nudes, self - portraiture and flowers.

The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

Framed gelatin silver prints of Frazier, her mother, grandmother, grandfather, and family friends, taken in Braddock at various points between 2002 and 2011, line the two white walls of the installation space along with carefully selected cityscapes.

Two large gelatin silver prints of the teams mostly in uniform, celebrating wins over Yale in both years, the 1898 photograph by More...

Marking, in terms of leaving a trace, is evident in Baum's gelatin silver prints of blackboards with partially erased words, still bearing their meanings through smeared yet legible letters, while elsewhere allowing the marks to blend into smudges of chalk to lose their consistency.

Upon the next wall hangs the black - and - white gelatin silver prints of smaller groups from the photo shoots at Stout Projects, representing the present Bushwick artists, gallerists, organizers and journalists.

Within a week of MoMA's reinstall, the Metropolitan Museum of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.

She is represented here by three photographs: two iconic platinum palladium prints of tabletop still lifes and a mysterious gelatin silver print of a hand grasping at a silvery, conical form.

At just over seven feet long, Vera Lutter's gelatin silver print of the Venetian skyline, Campo San Moise, Venice, VIII: March 4 (2006), produced using a camera obscura, dominates the room.

Bernard Hoffman, «Kurt Seligmann and Enrico Donati in a «Magic Circle»» 1948, gelatin silver print of «Magic Evening» (Soirée Seligmann).

$ 2,500 This special boxed set (above) includes a signed copy of LaToya Ruby Frazier's new book «The Notion of Family» and a 11 x 14 inch gelatin silver print of «Momma (Shadow)» 2008.

Facing the Camera includes a 1931 gelatin silver print of Detail of the Shroud of Turin by Giuseppe Enrie (1886 - 1961).

These figurative forms find echoes in an untitled 1976 collage, which reimagines the jagged, winglike shape but in a marbled gelatin silver print of amorphous black and white fields, where cavernous and fibrous tunnels resemble ventricles.

LUCIO FONTANA (1899 - 1968) A Silver and Lacquer Bracelet, 1969 executed by GEM, Milan, model LF / 3, number 1 from an edition of 150, together with a gelatin silver print of a promotional photograph by Ugo Mulas 6 in.

Two stunning portraits by masters of the form also bear significant mention: Yousuf Karsh's doleful and revealing 1948 gelatin silver print of Albert Einstein is estimated to bring between $ 7,000 - $ 9,000, while Annie Leibovitz's Robert Redford, Malibu, California 1980, captures the famed movie star in a brilliantly blue - framed moment of repose in Los Angeles while at the same time showing the touch that has made Leibovitz the most famous photographer of contemporary America.

There are few American photographs more famous than Alfred Eisenstaedt's V.J. Day, Times Square, New York City, 1945, with the iconic image of a newly - returned sailor kissing a USO nurse, and a gelatin silver print of that celebrated image (estimate: $ 12,000 - $ 15,000) anchors a grouping of six Eisenstaedt photographs in the auction, including the breathtaking Marilyn Monroe, 1953 (estimate: $ 7,000 - $ 10,000), Ice Skating Waiter, St. Moritz, 1932 (Estimate: $ 6,000 - $ 8,000) and Portrait of Marilyn Monroe, 1953 (Estimate: $ 5,000 - $ 7,000).

The landmark 1915 photogravure print The Steerage and an extremely rare gelatin silver print of the same image were also on view.

Not exact matches

Yet a devoted band of film fans still adhere to the traditional method of gelatin silver printing.

Provenance: Collection of the Artist Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 49 signed, titled, numbered and dated «Cindy Sherman 5/10 1979 49» (on the reverse) gelatin silver print 8 x 10 in.

Unidentified photographer Bill Cunningham Photographing Five Models, ca. 1968 − 76 Gelatin silver print New - York Historical Society Library, Gift of Bill Cunningham

All images are gelatin silver prints from the collection of the Ackland Art Museum, The University of North Carolina at Chapel Hill, © Burk Uzzle, American, born 1938.

Carrie Mae Weems Untitled (Woman standing in cemetery), 2003 Gelatin silver print, edition of 5, 2APs 20 x 20 inches

MALICK SIDEBE, «Self - Portrait,» 1956 (gelatin silver print in original frame of reverse - painted glass, tape, cardboard, string).

Untitled # 278, 1950 - 55 Silver Gelatin print Edition 2 of 10 Purchased with funds from the Friends of the Collections Committee, 2004.2

Highlighting the exhibition will be a rare Shaker «spirit» drawing from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1928.

A coinciding special installation of the award - winning film at Photo London (May 18 - 21) is presented alongside large - scale works and silver gelatin prints.

HIROSHI SUGIMOTO, Sea of Buddha 001, 002, 003,1995, gelatin silver prints, three prints: 119.4 × 149.2 cm each.

Sally Mann, Deep South, Untitled (Scarred Tree), 1998, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund.

The exhibition will encompass the entirety of Stephen Shore's work, from the gelatin silver prints he made as a teenager to his current experimentations with social media.

Elizabeth Hayley's silver gelatin prints on steel and brass, seek to trace a record and likeness of the experience of life lived on and surrounded by water, making references to the past and impermanence.

Ernest James Bellocq, Lee Friedlander, [Untitled], 1 of 10 Photographs of Storyville Subjects, c. 1911 - 1913, Gelatin silver print, Gift of Lee Friedlander, 86.111.3

Vintage gelatin silver print © Georgy Petrussov, courtesy of Nailya Alexander Gallery

Portrait of Girl with Fancy Dress, 1938 vintage gelatin silver print 7» x 6» sheet size / 6.25» x 4.25» sight size, signed and dated

Sally Mann, Ponder Heart, 2009, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund.

Mapplethorpe's gelatin silver print — with its slick, luminous surface and intricate gradations of black and white — gives Lyon's form the appearance of a classical sculpture, frozen in mid-motion.

Sally Mann, Battlefields, Cold Harbor (Battle), 2003, gelatin silver print, National Gallery of Art, Washington, Gift of the Collectors Committee and the Sarah and William L Walton Fund.

MALICK SIDIBE, Detail of «Vues de dos,» 2003/2004 (vintage silver gelatin print, glass, paint, cardboard, tape, and string).

Sally Mann, The Ditch, 1987, gelatin silver print, The Art Institute of Chicago, Gift of Sally Mann and Edwynn Houk Gallery.

Mike Disfarmer, Louie and Alma Ramer with their daughters Lucille, Avonell, and Faye Vintage gelatin silver print, ca. 1945 All prints courtesy of the Edwynn Houk Gallery or the private collection of Michael Mattis and Judith Hochberg

Sally Mann, Virginia # 6, 2004, gelatin silver print, Courtesy of Edwynn Houk Gallery, New York.

Ken Moody, 1983 gelatin silver print image: 19 1/8 x 15 1/4 inches (48.6 x 38.7 cm) paper: 20 x 16 inches (50.8 x 40.6 cm) edition of 10 with 2 APs MAP - 1293 Selected by Washington participant