Sentences with phrase «gender performances at»

Not exact matches

Iceland's law stands out in a key way: Companies and organizations with at least 25 full - time employees must actually obtain government certification proving their pay policies are based on factors such as education, skills and performance, not gender.

That's their loss, because there's substantial evidence that gender diversity at the management level enhances a company's performance.

These were the findings of a large - scale study by a research team at the University of Basel that focused on determining the gender - dependent relationship between emotions, memory performance and brain activity.

They also looked at additional factors that are known to affect cognitive performance, including age, gender, education level, participation in cognitively stimulating activities, physical activity, smoking and genetics.

In August 2012 a team of researchers at the Credit Suisse Research Institute issued a report in which they examined 2,360 companies globally from 2005 to 2011, looking for a relationship between gender diversity on corporate management boards and financial performance.

As has come to be expected from Miscast, MCC's annual gala featuring gender - bending and otherwise against - type performances, surprises ran aplenty at the 2018 installment on March 26.

Schumer has made a career out of blending confessional comedy, gender politics and uproarious observations from brutally honest performances at awards shows and comedy clubs to her hit TV series, «Inside Amy Schumer.»

It's truly exquisite, at times unnerving, work, and I can't imagine another performance (of either gender) besting it this year.

At Bickley Park, we are constantly responding to research into how to bridge the gender gap: school development over the summer was fuelled by how to optimise boys» performance, resulting in the introduction of a new food technology classroom — providing hands on learning — and an outdoor timber trail to let pupils burn off energy at break times.&raquAt Bickley Park, we are constantly responding to research into how to bridge the gender gap: school development over the summer was fuelled by how to optimise boys» performance, resulting in the introduction of a new food technology classroom — providing hands on learning — and an outdoor timber trail to let pupils burn off energy at break times.&raquat break times.»

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Various companies produce estimates of a child's GCSE performance in a subject by looking at the past results of pupils with the exact same KS2 results, month of birth and gender in high performing schools (the top 20 per cent for value - added).

The National Union of Teachers» general secretary Christine Blower said gender was a significant factor, but not the only one at play in determining performance in and attitudes to reading.

KIPP Academy Boston Charter Public School and KIPP Academy Lynn Charter Public School do not discriminate on the basis of race, sex, color, religion, gender identity, ethnicity, national origin, sexual orientation, mental or physical disability, homelessness, age, athletic performance, special need, proficiency in the English language or a foreign language, shall have equal access to the general education program and the full range of any and all education programs offered at our schools.

At grade 12, the gender performance gap was 14 points.

Freshman year course performance — more than background characteristics such as race, gender, socioeconomic status, or prior achievement — predict which students with disabilities are most at risk for dropping out of high school, according to a new report from the National High School Center at AIR and the Consortium on Chicago School Research at the University of Chicago.

Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the street.

In the catalogue for «Radical Presence: Black Performance in Contemporary Art,» currently at NYU's Grey Art Gallery, curator Naomi Beckwith describes Mythic Being as «a seminal work of self - fashioning that both posited and critiqued models of gender and racial subjectivity.»

Art and craft, image and music, painting and illustration, expression and performance, form and installation, sexuality and gender — themes like these are bubbling up everywhere except at the Whitney.

In 2014 Rebecca was appointed Programmer for the Attic Gallery at One Thoresby Street, curating and programming a series of group shows, talks programme, social events, performances and residencies in order to further develop and explore her current concerns in: gender politics, capital, commodity, sexuality, display, experience, and interaction.

Wednesday night, dyke icon K8 Hardy opens a mysterious solo show at Stap - On Projects while Thursday offers a one - night - only performance / installation from Scottish duo Ruby Pester and Nadia Rossi, who will be tackling sexuality, gender, and more at Bannerette.

She received her PhD in Performance Studies at New York University's Tisch School of the Arts and writes between the disciplines of performance, media, gender studies, and critical ethnPerformance Studies at New York University's Tisch School of the Arts and writes between the disciplines of performance, media, gender studies, and critical ethnperformance, media, gender studies, and critical ethnic studies.

FAENA ART presents two distinct but related exhibitions, opening to the public on May 31, 2015 at Faena Art Center Buenos Aires (FAC), which demonstrate the power of performing bodies, in both physical and digital forms, to explore temporality and the role of gender in contemporary art and performance.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Her work was included in notable exhibitions throughout the 1990s, including: The American Century (Whitney Museum of American Art, New York, 1999); Sunshine & Noir: Art in L.A. 1960 - 1997 (The Lousiana Museum, Denmark, 1997); Rrose is a Rrose is a Rrose: Gender Performance in Photograpghy (Guggenheim Museum, New York, 1997); Persona (Renaissance Society, Chicago, 1996); In a Different Light (University Art Museum at Berkeley, 1995); among others.

She was a guest speaker for the Distinguished Visiting Artist Program, University of British Columbia, Indigenous Feminist Activism & Performance event at Yale, Native American Cultural Center and Women's Gender and Sexuality Studies, and the Indigenous Rights / Indigenous Oppression symposium with Tanya Tagaq at the School of Public Policy, University of Maryland, MD..

Performance: Psychic TV at Pioneer Works If you like gender - bending Industrial music, then you're in luck: Psychic TV is the band Throbbing Gristle's former lead singer Genesis P - Orridge.

Additional essayists include Franklin Sirmans, Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docPerformance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docperformance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docperformance and its documentation.

OMAHA — Brute physicality and fugitive imagery lie within the heart of Phantom Revenant, a solo exhibition at Bemis Center for Contemporary Art that was bookended by two performances by Cassils, a gender - nonconforming artist and 2017 Guggenheim Fellow based in Los Angeles.

Professor of African American Studies and Theater Studies at Yale, Daphne Brooks writes about race, gender, performance and popular music culture.

Traveled to The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY (catalogue) 2000 Double Fantasy, Matthew Marks Gallery, New York Gallery Paule Anglim, San Francisco 1999 Gorge, (performance), Matthew Marks Gallery, New York 1998 Feeder 2 and Corollary, Matthew Marks Gallery, New York 1997 The Black / White Album, Matthew Marks Gallery, New York April Hare, Gallery Paule Anglim, San Francisco 1996 Hare Attitudes, Contemporary Arts Museum, Houston (catalogue) 1995 Video, Matthew Marks Gallery, New York 1993 Stoney End, Matthew Marks Gallery, New York 1989 The Schreber Suite, MATRIX Gallery, University of California, Berkeley Art Museum 1987 Inscription, XS Gallery, Western Nevada Community College, Carson City, NV Selected Group Exhibitions: 2018 Way Bay, Berkeley Art Museum and Pacific Film Archive Tag: Proposals on Queer Play and the Ways Forward, curated by Nayland Blake, Institute of Contemporary Art Philadelphia 2017 Living Apart Together, Hammer Museum, Los Angeles Trigger: Gender as a Tool and a Weapon, New Museum, New York (catalogue) «I hear it everywhere I go», Franklin Street Works, Stamford, CT Let Me Be an Object that Screams, Gallery 400, College of Architecture and the Arts, University of Illinois at Chicago 2016 Black Pulp!

In the spring of 2017 Maheke performed Mbu at Tate Modern's BMW Live events in the tanks, repeating the performance for the Walker Art Gallery's Coming Out: Sexuality, Gender and Identity exhibition in Liverpool.

More theoretically inclined Feminist artists of the late 1980s and 1990s included: the conceptual artist Mary Kelly, now Professor of Art at the University of California, Los Angeles, whose work borrows from both Marxism and psychoanalysis; the contemporary German photographer Katharina Sieverding, who uses make - up and face - painting to explore gender borders; the German multimedia artist Iza Genzken, noted for her assemblages of household objects; the American postmodernist Lynda Benglis, best - known for her wax paintings and poured latex sculptures; and the English conceptual Helen Chadwick (1953 - 96), noted for her feminist performances and installations, but perhaps best - known for photocopying her body next to dead animals.

Wednesday night, dyke icon K8 Hardy opens a mysterious solo show at Strap - On Projects while Thursday offers a one - night - only performance / installation from Scottish duo Ruby Pester and Nadia Rossi, who will be tackling sexuality, gender, and more at Bannerette.

This context suggests the open, public - opinion poll mechanics of Justicia y Democracia are a logical extension of Mayer's explicitly feminist 1978 performance El tendedero / the Clothesline (featured at the Hammer) in which hundreds of local women aired frustrations with gender oppression in public, on note cards affixed with clothespins to a laundry line.

Valdez's work at the same time involved performance, photography, and video, which explored Chicano / Chicana identity and politics, the role of women and gender, and the civil rights of Chicanos living and working in East Los Angeles and elsewhere.

Please join us Saturday, October 28th at 4 PM for a collective performance, Gendering Memories of Iraq, featuring Veracity Butcher, Naomi Lorrain, Liz Morgan, Sana Sepehri and Megan Shindler.

BOSTON — At a panel on improving gender equity and performance at the Association of Bar Associations meeting here Saturday, only a handful of people showed up to hear the speakerAt a panel on improving gender equity and performance at the Association of Bar Associations meeting here Saturday, only a handful of people showed up to hear the speakerat the Association of Bar Associations meeting here Saturday, only a handful of people showed up to hear the speakers.

At Hays an individual progresses based on performance and gender has no impact on progression and career opportunities.

Logistic regressions (controlling for age, gender, race / ethnicity, family structure, academic performance, and depressive symptoms) suggest that family connectedness was a stronger predictor than connectedness to peers, school, or adults at school for non-suicidal self - harm, suicidal ideation, suicide plans, and non-fatal suicidal behavior.

The analyses also included age, race / ethnicity (three binary variables for Black, Hispanic and other ethnicity, coded with Whites as the reference group), gender, household income and parental education, media - viewing habits — hours watching television on a school day and how often the participant viewed movies together with his / her parents — and receptivity to alcohol marketing (based on whether or not the adolescent owned alcohol - branded merchandise at waves 2 — 4).31 Family predictors included perceived inhome availability of alcohol, subject - reported parental alcohol use (assessed at the 16 M survey and assumed to be invariant) and perceptions of authoritative parenting (α = 0.80).32 Other covariates included school performance, extracurricular participation, number of friends who used alcohol, weekly spending money, sensation seeking (4 - wave Cronbach's α range = 0.57 — 0.62) 33 and rebelliousness (0.71 — 0.76).34 All survey items are listed in table S1.