Sentences with phrase «general art museum»

About the High's Folk and Self - Taught Art Department The High is dedicated to supporting and collecting works by Southern artists and is distinguished as the first general art museum in North America to have a full - time curator devoted to folk and self - taught art.

Not exact matches

With the help of its own multi-year grant, the Dallas Museum of Art eliminated its $ 10 general admission — while still charging for special exhibitions — and saw annual attendance jump to 668,000 from 498,000.

The most recent to change in course was the Indianapolis Museum of Art, which on April 7 added an $ 18 general admission and aims to increase revenue by 17 percent this year, Matthew Gutwein, the museum board's vice chair said lastMuseum of Art, which on April 7 added an $ 18 general admission and aims to increase revenue by 17 percent this year, Matthew Gutwein, the museum board's vice chair said lastmuseum board's vice chair said last week.

General Admission to the following: Chicago History Museum, Peggy Notebaert Nature Museum, Adler Planetarium, National Museum of Mexican Art

This program, sponsored by the 15 Museums Work for Chicago institutions, allows individuals with a Chicago Public Library card to check out a pass for free general admission to the Art Institute.

The grants are going to: Ravinia Festival, $ 300,000 over three years for arts education and programming at Lawndale community organizations; Chicago Children's Museum, $ 80,000 for general operations; Steppenwolf Theatre Company, $ 80,000 for general operations; Association House, $ 75,000 for its integrated arts program; Hubbard Street Dance Chicago, $ 75,000 for general operations; Northwestern University Settlement Association, $ 75,000 for arts programming in the West Town and Humboldt Park neighborhoods; and WTTW - Ch. 11, $ 75,000 for the Artbeat Chicago program series.

The cash - strapped Berkshire Museum will be allowed to sell up to 40 works of art under an agreement between the institution and Massachusetts Attorney General Maura Healey's office.

Festivals generally bring together temporary exhibits, museum - type activities, scientists, art organizations, students, and members of the general public — attracting thousands of visitors (Jensen & Buckley, 2014).

I love the arts in general, including symphony concerts, art museums, Broadway musicals,...

In addition to the general knowledge these experiences convey, the research I've done with others at the University of Arkansas on the effects of field trips to art museums and to see live theater suggests that these culturally enriching experiences change student values to promote greater tolerance and empathy.

Earlier this month we brought you pictures of the Arctic White Corvette Stingray that was painted by three young members of the General Motors design team as part of a fundraiser for the Museum of Contemporary Art Detroit (MOCAD).

Tags: Acer, Perilla, Philbrook Gardens, Philbrook Museum of Art Posted in All Past Articles, General Interest No Comments»

«Top attractions such as the Mark Twain House and Museum and Wadsworth Atheneum Museum of Art contribute to the region's vibrancy and help attract visitors to the Hartford - Manchester area,» said Ilir Bici, general manager.

Known for its art and music scene, hip vibes, and being a general city for freelancers and creative types, the capital is also home to world - class museums, a great cafe culture, cheap food and a fantastic nightlife!

Like Gian Giacomo Poldi Pezzoli did with his Museum that, already open to the general public in Milan in 1881, is one of the most important museum houses in Europe, a good example of one of the finest 19th century collections: from the fifteenth - century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura through to eighteenth - century paintings (Guardi and Canaletto) and exceptional collections of decorativeMuseum that, already open to the general public in Milan in 1881, is one of the most important museum houses in Europe, a good example of one of the finest 19th century collections: from the fifteenth - century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura through to eighteenth - century paintings (Guardi and Canaletto) and exceptional collections of decorativemuseum houses in Europe, a good example of one of the finest 19th century collections: from the fifteenth - century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura through to eighteenth - century paintings (Guardi and Canaletto) and exceptional collections of decorative arts.

cruise also includes two days in St Petersburg and there's a chance to join an exclusive evening visit to the Hermitage to enjoy the beautiful art collections while the museum is closed to the general public.

As a state museum, the North Carolina Museum of Art offers free general admission, but it will charge an $ 18 special - exhibition fee for «Porsche By Design.&museum, the North Carolina Museum of Art offers free general admission, but it will charge an $ 18 special - exhibition fee for «Porsche By Design.&Museum of Art offers free general admission, but it will charge an $ 18 special - exhibition fee for «Porsche By Design.»

The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.

at the Hammer Museum (Through May 6, 2018) Reviewed by Emily Nimptsch Let's be honest — contemporary art, especially anything of the minimalist or conceptual variety, can be elusive and sometimes even downright mystifying to the general public.

Brennan's work is included in collections, such as the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation.

The Virginia Museum of Fine Arts is the only art museum in the United States open 365 days a year with free general admiMuseum of Fine Arts is the only art museum in the United States open 365 days a year with free general admimuseum in the United States open 365 days a year with free general admission.

As Alter wrote in 2010, «My hope was to find a museum emphasizing inclusion and diversity, one working toward greater representation of art by women and artists of color in its permanent collection, exhibitions and outreach programs; where the art by women would be fully accessible to students, teachers, scholars and the general public; and where my collection would be enthusiastically welcomed because it embodied the institution's vision.»

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

Sall is the recipient of an Art in Architecture commission from the General Services Administration, a Joan Mitchell Foundation Grant, a Virginia Museum of Fine Art Fellowship, and a Charlotte Street Fund Award.

Brennan's work is included in the collections of the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation.

In the catalog for his 1989 - 90 Frankenthaler retrospective at the Modern Art Museum of Fort Worth, he cited the color washes, the dialogue between drawing and painting, the seemingly raw, unfinished look, and the «general theme of place» as characteristic of her work.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

On Friday, May 18, the Penn Museum offers a day of free Museum general admission as part of the Association of Art Museum Directors» (AAMD) Art Museum Day.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Birmingham Museum of Art, Museum purchase with funds provided by Elizabeth (Bibby) Smith, the Collectors Circle for Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds, 2012.57, image © Kerry James Marshall

While Anne Pasternak, director of the Brooklyn Museum, who was not involved with the award, acknowledged «a growing cynicism about prizes» in general, she said that «having major artists come talk about their work and all the things connected with a prize is very inspiring to a local arts scene.»

This year, the result includes about 20 solo exhibitions (nearly half showing the work of female artists); first - time appearances by Galerie Perrotin, Freedman Fitzpatrick, Triple Canopy magazine, and The New Museum; and a general trend of art from or referencing the»80s.

Birmingham Museum of Art, Museum purchase with funds provided by Elizabeth (Bibby) Smith, the Collectors Circle for Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds.

The collective has been exhibited nationally and internationally, including: Contour the 5th Biennial of the Moving Image in Mechelen, BE; Nuit Blanche, Toronto, CA; 18th Biennale of Sydney in Sydney, AUS; Scottsdale Museum of Contemporary Art in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SArt in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SArt in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, Sart installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SON.

Her work has been featured in solo exhibitions at NICC, Brussels (2017), the Palais de Tokyo, Paris (2016), Yerba Buena Center for the Arts, San Francisco (2015), The Wexner Center for the Arts, Columbus (2010), and Art in General, New York (2009), and in group exhibitions at Göteborg Konsthall, Sweden (2017), White Cube Bermondsey, London (2017), The Hammer Museum, Los Angeles (2014), ICA London (2012), Guangdong Times Museum, Guangzhou, China (2011), P.S. 1, New York (2010), and Oakville Galleries, Toronto (2010), among many others.

He has exhibited his work at CUE Art Foundation, Feature, Inc., Massimo Audiello, Art in General, Lombard - Freid Projects, Momenta Art and The Aldrich Contemporary Art Museum.

Widely revered and remembered in Miami, and in general by collectors and scholars of contemporary Latin American art, Alfonzo's painting can once again be seen at the Whitney Museum of American Art, in the current show, described here, «Fast Forward: Painting from the 1980s.&raqart, Alfonzo's painting can once again be seen at the Whitney Museum of American Art, in the current show, described here, «Fast Forward: Painting from the 1980s.&raqArt, in the current show, described here, «Fast Forward: Painting from the 1980s.»

The DMA has actually integrated some of its Texas holdings into the general American galleries — treating it almost like real art — almost as though the museum is proud of it.

She has had solo exhibitions at the New Museum, SFMOMA, MoMA P.S. 1, Performa 2009, The Kitchen, Electronic Arts Intermix, Art in General, The Andy Warhol Museum, Palais De Tokyo, The Migros Museum and Times Museum Guangzhou.

Their passion and mission for T&H was that its books should reveal the world of art to the general public, to create a «museum without walls» and to make accessible to a broad, non-specialist reading public, at prices it could afford, the research and the findings of top scholars and academics.

LaVerdiere has exhibited his art publicly in galleries and museums including; Andrew Kreps Gallery, Deitch Projects, Lehmann Maupin Gallery, PS1 / MOMA, The MOCA - Miami, MOCA - Cleveland, The Tang Museum, The Queens Museum of Art, The U.S. Library of Congress, and The United Nations General Assembly Haart publicly in galleries and museums including; Andrew Kreps Gallery, Deitch Projects, Lehmann Maupin Gallery, PS1 / MOMA, The MOCA - Miami, MOCA - Cleveland, The Tang Museum, The Queens Museum of Art, The U.S. Library of Congress, and The United Nations General Assembly HaArt, The U.S. Library of Congress, and The United Nations General Assembly Hall.

With the help of its own multi-year grant, the Dallas Museum of Art eliminated its $ 10 general admission — while still charging for special exhibitions — and saw annual attendance jump to 668,000 from 498,000.

In addition to the CCS Bard Galleries and the newly inaugurated Hessel Museum of Art, CCS Bard houses the Marieluise Hessel Collection of more than 2,000 contemporary works, as well as an extensive library and curatorial archive that are accessible to the general public.

E.S.P. TV has worked with various venues and institutions including: The Whitney Museum of American Art, New Museum, Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX), Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).

In addition to the CCS Bard Galleries and the Hessel Museum of Art, CCS Bard houses the Marieluise Hessel Collection of more than 2,000 contemporary works, as well as an extensive library and archive that are accessible to the general public.

Tibbits is complaining that they don't show enough work by Houston artists from the juried shows of yesteryear and / or the Fresh Paint era, and that's a proposition that needs to be evaluated in the context of how those museums present historical and modern American art in general.

Since its opening in 1931, the Whitney Museum of American Art has always made practitioners central to its activities, reflecting founder Gertrude Vanderbilt Whitney's desire to support artists as part of her more general mission to promote American aArt has always made practitioners central to its activities, reflecting founder Gertrude Vanderbilt Whitney's desire to support artists as part of her more general mission to promote American artart.

Also, while the general audience of color that Cassel Oliver appears to address is present at the Studio Museum in Harlem, which is located in a walking and shopping district in a majority - minority neighborhood, it is less in evidence at Grey Art Gallery, a downtown university gallery that draws students, tourists, and art patroArt Gallery, a downtown university gallery that draws students, tourists, and art patroart patrons.

In 1974 they founded Art Metropole, Toronto, a distribution center and archive for artists» books, audio, video, and multiples, which they conceived as the shop and archive for their Gesamtkunstwerk: The 1984 Miss General Idea Pavillion, a kind of meta - museum.

Currently the General Manager of Collections Information Services at the Metropolitan Museum of Art, Oberoi brings extensive experience in IT, software development, digital imaging and online collections.