Sentences with phrase «general production art»

Athey has worked professionally as a 3D production artist for more than 8 years, contributing character art for Syphon Filter Logan's Shadow, level art for Syphon Filter Dark Mirror, and Resistance Retribution, and general production art and character rigging for Uncharted Golden Abyss for the PSVita.

Not exact matches

the program would afford an unparalleled opportunity to dramatize the interest of the Christian Church in the creative process in the arts, would encourage the production of films and programs of the highest standards, would give public support to those individuals in the film and broadcast industries who are striving to lift the general level of production, would present the Church in a positive rather than a negative stance in relation to these media, and would provide the opportunity for the Church in general and the B.F.C. and its members in particular to enter into significant conversations with the entertainment industry on standards, values, and goals.

A top - notch actress who managed to remain a complete unknown as far as the general moviegoing public was concerned (spending over a decade starring in numerous art - house flicks for ex-husband Nicolas Roeg probably had a lot to do with that), Theresa Russell enjoyed a soupçon of mainstream success when she co-starred in Twentieth Century Fox's production of Black Widow, an ever - so - modest box office hit ($ 25 million) back at the start of» 87.

Proving their commitment to the time tested belief that racing is the ultimate proving ground for the most innovative technology in automobile production, the General Motors Corporation has begun construction on their new state - of - the - art Performance and Racing Center in Pontiac, Michigan.

• Follow the level design pipeline from «pen & paper» game designs to implement spectacular character based levels and ultra-fun gameplay mechanics • Work closely with level layout artists to identify level assets and gameplay direction to ensure visual and technical quality for the levels • Follow direction of Lead Level Designer to maintain gameplay vision consistency • Contribute to level concept, layout, implementation (camera, entity, etc.), prototype modeling, scenario creation, event scripting, game balancing, pacing, and gameplay tuning • Contribute to general game design, as well as cooperate with all other facets of game production (programming, environment / world art and animation) • Place and trigger entities (such as enemies, movers, and objects) to create fun, absorbing gameplay • Master internal tools for modeling environments and integrating game play • Rough out world geometry, camera paths, and lighting using 3D world - building tools • Assist with the scripting of gameplay entities and events • Creatively resolve gameplay and production issues • Meet production schedules and deadlines • Collaborate with Design team to define and refine gameplay mechanics • Multitask effectively, prioritize competing demands, and follow through on details

Going back and forth in history, and specifically revisiting modernist avant - garde movements, has been a general concern in the art production of the last years.

Art in General currently supports the production of new work by local and international artists through its New Commissions Program and its International Collaborations program with numerous arts organizations around the world.

Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.

NEW COMMISSIONS PROGRAM Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Based on the intersection of visual phenomena, critical studies, and creative production, the program combines aspects of a studio - based program and theoretical study, and can include art history, criticism, the general liberal arts, and studio practice.

Founded in 1981, Art in General is a leading nonprofit New York City arts organization that assists artists with the production and presentation of new work.

Presented by Bryant Park, Art Production Fund, Fridman Gallery, and The Franklin Furnace Fund supported by Jerome Foundation, The SHS Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and general operating support from the New York State Council on the Arts, and with support from Lower Manhattan Cultural Council

In addition to an ongoing program of concerts and theatrical production open to the general public, the Walter Phillips Gallery offers an extensive yearly cycle of stimulating world - class art exhibits and installations.

Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Art in General was founded in 1981 and supports the production of new work by local and international artists primarily through its New Commissions Program and its International Collaborations program.

About Art in General Founded in 1981 in Lower Manhattan, Art in General is a nonprofit organization that assists artists with the production and presentation of new work.

This is still the case, but in recent years there has been an increasing desire among private collectors to build and establish their own museums that can rival not only other private collections but also public museums in terms of acquisitions, exhibition making and the knowledge production around contemporary art in general.

Artist travel and production support is provided by the Embassy of Colombia, Washington D.C., Consulate General of Brazil in New York, the Danish Arts Council, the Mexican Cultural Institute of New York, and the Office of Cultural Affairs, Consulate General of Israel in NY.

Art in General was founded in Lower Manhattan in 1981 and supports the production of new work by local and international artists primarily through its New Commissions Program and its International Collaborations program.

Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American painters and sculptors, than anything that has occurred since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.

Formed in Toronto in 1969 by AA Bronson, Felix Partz and Jorge Zontal, the artist collective General Idea built its body of work on a strikingly diverse array of themes, constantly revisiting both the field of contemporary art production and the identity politics of the era that ultimately underscores so much of the artist's act of world - making, critique and expression.

Art in General is a nonprofit organization that assists artists with the production and presentation of new work.

The general criterion for all grants from the Danish Arts Foundation is the quality of the artistic production and the artistic talent compared with the project outlined in the application.

Art in General is a nonprofit contemporary art organization that assists artists with the production and presentation of new woArt in General is a nonprofit contemporary art organization that assists artists with the production and presentation of new woart organization that assists artists with the production and presentation of new work.

Saturday — Contexts explores the general conditions and ideas underlying the profession, the particular influences that shape an individual oeuvre, and the increasingly global framework of art production, discourse and distribution.

In economics, via the growth of the world economy in general and the American economy in particular; in science, via the spread of television; in contemporary music, (which itself became known as «Pop») through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art market.

All proceeds benefit Art in General's crucial mission of supporting emerging artists in the production of risk - taking new works — purchase tickets to the event here.

However, the work is not just bound with gestures of dislocation or iterative displacements of authorship, or the temporalities invoked in (art) production in general, but engages both questions simultaneously.

In this state of relative non-recognition within the discourse and debate around art and culture in general, the subject of the «reductive» as a possible antithesis to the overpowering reintroduction of representational painting and at the same time to the emergence of the focus on new media, technology and photography, has regained considerable strength over the last decade within an international frame of cultural production and commerce, as well as through the firmly held lone positions of artists like Mosset, Charlton, Armleder, Morellet, Palermo and others throughout the 80's and 90's.

The political economy offers a general framework to understand the dominant architecture shaping the cultural field - namely Israel's military occupation and spatial reordering of the oPt and intensified processes of de-culturalization; the effects of neoliberal policies on the public sphere; the agenda - setting of foreign investment agendas; and the impact of globalized arts markets on the production, dissemination and reception of Palestinian culture.

In order to emphasize the fluid borders that characterize cultural production in general and Villar's art practice in particular, an ongoing series of talks organized by Danger Museum called Dialogical Encounters will be given by artists who have recently collaborated with Alex. Already planned are the encounters of artist Valerie Tevere with one of UKS Biennial curators Helga - Marie Nordbye on February 4; and the encounter of artist Maryam Jafri with UKS director Trude Iversen on February 11.

«I wish to question the role of the artist in these societies of control, and to speculate on the possibilities that art or cultural production in general has in developing alternative modes of being.»

Its mission was «to assist young printmakers in the production, exhibition, and marketing of their work,» and the foundation pledged to support «the work of artists whose art is seldom seen by the general public, including [that] of «indians, eskimos, asians, hispanics, and blacks [sic].

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.

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Oversaw all production of limited edition artworks, included giclees, serigraphs and sculpture for the Britto Central Inc.. Aid the Executive Director in overall operations of Bakehouse Art Complex, including general administration, fundraising, and publicity.

Mention some general skills as well as some skills which you have gained in your experience as an advertising manager such as advanced computer skills, deep knowledge in fine arts techniques, indesign principles and production processes.

ACCOMPLISHMENTS • Coordinated efforts of the production department and delivery services by introducing a state of the art synchronization system • Trained 20 new employees as a general worker for deployment in Shoot Springs's new outlet

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Professional Duties & Responsibilities Created and directed graphic design, art, web design, and print production for large, varied client base Implemented design processes and managed production schedules Developed marketing collateral, strategies, and design concept for clients Generated new business including American Public Health Association (APHA), Brand Design, Brochures Inc., Deloitte and Touche, George Mason University, Kael Direct, and Linnie Carter & Associates Provided graphic design support to numerous governmental projects including the Lean Six Sigma Marine Corps Systems Command and Special Inspector General for Iraqi Reconstruction Maintained security clearance for work on sensitive materials Designed magazine art and layout for Naval Reserve Association News, Mariner, Hiker, and Focus magazines Fashioned ads, article layout, and covers for The American Journal of Public Health, The Nation's Health, and American Public Health Association books Produced wide variety of promotional items including signage, overhead graphics, and maps Designed direct mail (OE's, BRE's, Letter / Reply's) for clientele and company use Enhanced and color corrected photos meeting the highest standards of quality Provided excellent customer support guaranteeing client satisfaction and repeat business Performed daily administrative support and accounting duties ensuring effective and organized operations Ordered art and office supplies for office ensuring efficient and cost effective operations