Sentences with phrase «generation artist linked»

A third - generation artist linked to the Wyeth dynasty, Jamie Wyeth, son of Andrew Wyeth, has made his own mark by depicting compelling Maine landscapes, dignified wildlife, and even portraits of famed figures, all in his unique style of contemporary realism.

Not exact matches

At the beginning of 2013 Tate Britain commissioned Adam Chodzko to create a new work in response to its Kurt Schwitters retrospective - a link between one generation of artists and another that, by chance, links the legacy of Marlborough to its future.
The three «informalisms» in Bill by Bill are in part an attempt to create what artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind of Clintonian political neutrality of privilege that our generation experienced outside of New York in the mid - to late - nineties.
Internationally recognized, Pipilotti Rist (b. 1962) is often linked to the first generation of visual artists who established the critical benchmarks for the inclusion of time - based media as a collection category within museums and galleries in the United States and Europe.
His work can be seen in the files of Museo del Barrio, N.Y.; Drawing Center, N.Y.; the flat files at Pierogi 2000, Brooklyn N.Y.; and Heskin Contemporary, N.Y. Currently he co-manages «Rumpelstiltskin,» an exhibition art space for aesthetic research in south west Guadalajara, Mexico, where he has curated Paranormal Bureu, a multimedia show with three artists from Brooklyn N.Y. My unorthodox practice links me to a generation of artists with a very wide range of approaches to art, that question the interest of the establishment particularly in museums and commercial venues.
Published to accompany the Hammer Museum's Summer 2007 exhibition, Eden's Edge, this exploration of art made in Los Angeles during the past decade crosses generations, mediums, and materials to link 15 artists of singular personal vision, whether internationally established or not - yet - discovered.
In order to define a broader milieu for her group of artists, curator Jessica Cochran will pair each one to a non-resident artist with whom they share a strong link in the form of a shared thematic orientation or conceptual framework; in some cases the artists may be from different generations or geographic areas and often they utilize entirely divergent artistic mediums.
The jurors noted that the artist's practice explores the enduring effects of colonialism, and they stated: «Attia's passionate engagement with current affairs and with the shared fate of humanity has close links to Joan Miró's involvement in the critical episodes that marked his generation, while Attia's unique take on complex, often traumatic, human relationships across cultures resonates with Miró's universal aspirations.»
Their list of represented artists incorporates a wide range of ages and career levels, enabling Upstream to create links and show artistic context across generations through their carefully curated exhibitions.
He belongs to a generation of artists whose pictorial language brings together motifs linked to popular culture and the formal qualities of traditional Japanese art, such as flatness, pattern and lavish ornamentation.
Created over 450 years apart, the two works share formal connections and reveal a devotion to drawing by both artists, linking their lasting influence on future generations.
The exhibition explores «The Presence of Form» — an aesthetic idea that links the teaching philosophies of distinct individuals who have had a presence over the School and influenced generations of artists.
The works on view highlight the invisible link that exists between the mind of the 21st century artist and the minds of artists of prior generations.
Catalogue produced to accompany this major touring exhibition which sought to examine the links between «abstract» art and a younger generation of Black artists in England, by looking at the work of Sylbert Bolton, Anthony Daley and David Somerville.
Having lived, studied and worked in the city of Bilbao for most of her life, the artist is part of the region's sculptural tradition, known for its horizontal collaborative dynamic linking different generations.
CAC Málaga - Centro de Arte Contemporáneo de Málaga Curated by Fernando Francés The CAC Málaga is presenting the exhibition Respect, a selection of four works by three artists of two different generations which aims to create a connecting link between the exhibitions on Shepard Fairey and D * Face also on display.
Embraced by the first generation of Abstract Expressionist painters on the East End of Long Island, she represents one of the last living links to central figures in the avant - garde of 20th century American art, including such artists as Willem De Kooning, Philip Pavia, Ibram Lassaw, John Little and Balcomb Greene.
Among t a whole generation of artists who were grouped in numerous exhibitions under the heading of «Arte Povera», Fabro is perhaps the one who has most emphatically linked the urgency of the new with the expression of chronological time, fully conscious of the possibilities that the ruins of the past have always provided for artists in an Italy that has never ceased to inspire new creative perspectives through the revelation of the treasures of its culture.
Still, while some would superficially fall under Downes's link to the landscape tradition of painting, it is clearly grounded in a generation of artists born in the late 1970s and early 1980s.
Take the four as a unit, and they prophesy the career, particularly the jockeying with Minimalism and Conceptualism that links Hirst to so many disparate artists of his generation and the one preceding it.
The gallery's Survey presentation will focus on the work of Alfredo Volpi, one of the most influential Brazilian painters from the mid-20th century, linking the second generation of Modernist painters from the 1940s and the concrete Brazilian artists of the 1950s.
Rosen functions as an important link between such artist as Peter Voulkos, Jun Kaneko, Mary Heilman, Lynda Benglis and a new generation of artists working in the medium.
Indeed all but Hofmann objected to the term «abstract expressionism,» which, they felt, linked them to the expressionist and abstract artists of preceding generations; by contrast they saw their work as arising out of unique acts of individual introspection.
The Beat Generation was closely linked with artists of Abstract Expressionism who also broke with tradition and social norms in an exaltation of unfettered personal expression.
Kudo has been linked to a young generation of Japanese artists in a movement termed «Micropop», an after - burn of its forbearer, «Superflat».
He was the last artistically active link to the Abstract Expressionist generation of artists who emerged in the 1940s, and an extraordinary person.
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