A third -
generation artist linked to the Wyeth dynasty, Jamie Wyeth, son of Andrew Wyeth, has made his own mark by depicting compelling Maine landscapes, dignified wildlife, and even portraits of famed figures, all in his unique style of contemporary realism.
Not exact matches
At the beginning of 2013 Tate Britain commissioned Adam Chodzko to create a new work in response to its Kurt Schwitters retrospective - a
link between one
generation of
artists and another that, by chance,
links the legacy of Marlborough to its future.
The three «informalisms» in Bill by Bill are in part an attempt to create what
artist Christopher K. Ho has termed «modest Bushwick abstraction» and
linked to a kind of Clintonian political neutrality of privilege that our
generation experienced outside of New York in the mid - to late - nineties.
Internationally recognized, Pipilotti Rist (b. 1962) is often
linked to the first
generation of visual
artists who established the critical benchmarks for the inclusion of time - based media as a collection category within museums and galleries in the United States and Europe.
His work can be seen in the files of Museo del Barrio, N.Y.; Drawing Center, N.Y.; the flat files at Pierogi 2000, Brooklyn N.Y.; and Heskin Contemporary, N.Y. Currently he co-manages «Rumpelstiltskin,» an exhibition art space for aesthetic research in south west Guadalajara, Mexico, where he has curated Paranormal Bureu, a multimedia show with three
artists from Brooklyn N.Y. My unorthodox practice
links me to a
generation of
artists with a very wide range of approaches to art, that question the interest of the establishment particularly in museums and commercial venues.
Published to accompany the Hammer Museum's Summer 2007 exhibition, Eden's Edge, this exploration of art made in Los Angeles during the past decade crosses
generations, mediums, and materials to
link 15
artists of singular personal vision, whether internationally established or not - yet - discovered.
In order to define a broader milieu for her group of
artists, curator Jessica Cochran will pair each one to a non-resident
artist with whom they share a strong
link in the form of a shared thematic orientation or conceptual framework; in some cases the
artists may be from different
generations or geographic areas and often they utilize entirely divergent artistic mediums.
The jurors noted that the
artist's practice explores the enduring effects of colonialism, and they stated: «Attia's passionate engagement with current affairs and with the shared fate of humanity has close
links to Joan Miró's involvement in the critical episodes that marked his
generation, while Attia's unique take on complex, often traumatic, human relationships across cultures resonates with Miró's universal aspirations.»
Their list of represented
artists incorporates a wide range of ages and career levels, enabling Upstream to create
links and show artistic context across
generations through their carefully curated exhibitions.
He belongs to a
generation of
artists whose pictorial language brings together motifs
linked to popular culture and the formal qualities of traditional Japanese art, such as flatness, pattern and lavish ornamentation.
Created over 450 years apart, the two works share formal connections and reveal a devotion to drawing by both
artists,
linking their lasting influence on future
generations.
The exhibition explores «The Presence of Form» — an aesthetic idea that
links the teaching philosophies of distinct individuals who have had a presence over the School and influenced
generations of
artists.
The works on view highlight the invisible
link that exists between the mind of the 21st century
artist and the minds of
artists of prior
generations.
Catalogue produced to accompany this major touring exhibition which sought to examine the
links between «abstract» art and a younger
generation of Black
artists in England, by looking at the work of Sylbert Bolton, Anthony Daley and David Somerville.
Having lived, studied and worked in the city of Bilbao for most of her life, the
artist is part of the region's sculptural tradition, known for its horizontal collaborative dynamic
linking different
generations.
CAC Málaga - Centro de Arte Contemporáneo de Málaga Curated by Fernando Francés The CAC Málaga is presenting the exhibition Respect, a selection of four works by three
artists of two different
generations which aims to create a connecting
link between the exhibitions on Shepard Fairey and D * Face also on display.
Embraced by the first
generation of Abstract Expressionist painters on the East End of Long Island, she represents one of the last living
links to central figures in the avant - garde of 20th century American art, including such
artists as Willem De Kooning, Philip Pavia, Ibram Lassaw, John Little and Balcomb Greene.
Among t a whole
generation of
artists who were grouped in numerous exhibitions under the heading of «Arte Povera», Fabro is perhaps the one who has most emphatically
linked the urgency of the new with the expression of chronological time, fully conscious of the possibilities that the ruins of the past have always provided for
artists in an Italy that has never ceased to inspire new creative perspectives through the revelation of the treasures of its culture.
Still, while some would superficially fall under Downes's
link to the landscape tradition of painting, it is clearly grounded in a
generation of
artists born in the late 1970s and early 1980s.
Take the four as a unit, and they prophesy the career, particularly the jockeying with Minimalism and Conceptualism that
links Hirst to so many disparate
artists of his
generation and the one preceding it.
The gallery's Survey presentation will focus on the work of Alfredo Volpi, one of the most influential Brazilian painters from the mid-20th century,
linking the second
generation of Modernist painters from the 1940s and the concrete Brazilian
artists of the 1950s.
Rosen functions as an important
link between such
artist as Peter Voulkos, Jun Kaneko, Mary Heilman, Lynda Benglis and a new
generation of
artists working in the medium.
Indeed all but Hofmann objected to the term «abstract expressionism,» which, they felt,
linked them to the expressionist and abstract
artists of preceding
generations; by contrast they saw their work as arising out of unique acts of individual introspection.
The Beat
Generation was closely
linked with
artists of Abstract Expressionism who also broke with tradition and social norms in an exaltation of unfettered personal expression.
Kudo has been
linked to a young
generation of Japanese
artists in a movement termed «Micropop», an after - burn of its forbearer, «Superflat».
He was the last artistically active
link to the Abstract Expressionist
generation of
artists who emerged in the 1940s, and an extraordinary person.