Sentences with phrase «generation artists including»

Untitled, Monuments, 2017, will include works by established and next generation artists including Ann Iren Buan, Parker Ito, Goshka Macuga, Jared Madere, Amba Sayal - Bennett and Leo Villareal.

Not exact matches

Media coverage includes «Minneapolis Artist Sews New Somali History that Crosses Generations» by the Star Tribune, «Ifrah Mansour Explores War from a Child's Perspective» by City Pages, «Performance and Prevention» by Minnesota Daily and «Ten Somali Artists & Entertainers to Watch in 2015» by Okayafrica.

Dan Jurgens is both an artist and writer who has taken on Superman numerous times, including the famous death, and wraps up his current run with the character in this week's momentous Action Comics # 1000 passing the torch to the next generation of creators in a way.

The historic hotel showcases original paintings of nationally recognized artists, including three generations of Wyeths.

Now, Russell says, the core tech team is a multi-disciplinary one and includes programmers, artists and designers that have extensive games experience across multiple console generations.

It includes works by artists like Tom of Finland, Albert Oehlen, Jeff Koons, and Martin Kippenberger — most of whom are of Taschen's own generation and count as personal friends.

She placed younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.

Little also fell in with a group of SoHo artists, white for the most part and also a generation ahead of him, including Thornton Willis, Peter Pinchbeck, Stewart Hitch, Richard Mock, and Tom Evans.

Responding to «the generalization of the political» at the 1993 Whitney Biennial, Meyer gathered together an emerging generation of artists engaged in critical practices around institutions, including, but not limited to, museums.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

This will include those from older generations of artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own practice.

His groundbreaking images of black figures influenced a new generation, including artists Amy Sherald, Rashid Johnson, and Kehinde Wiley.

As mentioned by gallery owner and curator, Elizabeth Denny, including an artist whose work is cross-generational is important to the exhibition because it reveals diverse generations tackling similar ideas.

This will include those from older generations of artists, to those by more contemporary artists who are part of her generation or younger, and may in turn find inspiration in Thomas's own practice.

After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and selected as one of Robertson's New Generation artists at the Whitechapel Gallery in 1964.

By chance, I was afforded a ringside seat on this burgeoning scene when I went to work as a cook for Mickey Ruskin, founder of Max's Kansas City in the 1960s, the favorite watering hole of both the denizens of Warhol's Factory and the generation of Minimalists and older artists that included John Chamberlain, Carl Andre, Richard Serra and Brice Marden.

Ironically (from an Owens perspective), the roster of figures Foster discusses — Cindy Sherman, Sherrie Levine, Richard Prince, Gretchen Bender and, working as a team, Jenny Holzer and Peter Nadin — includes two (Sherman and Prince) who are among the most celebrated artists of their generation, another who recently enjoyed a retrospective at the Whitney (Levine), and a fourth whose work has long been ubiquitous in museums and public spaces (Holzer).

About The Artists German artist Sigmar Polke's stylistic heterogeneity and experimentation were highly influential for a generation of artists including Martin Kippenberger, Richard Prince and Fischli &Artists German artist Sigmar Polke's stylistic heterogeneity and experimentation were highly influential for a generation of artists including Martin Kippenberger, Richard Prince and Fischli &artists including Martin Kippenberger, Richard Prince and Fischli & Weiss.

Sidibe influenced his contemporaries and inspired a new generation of artists including British painter Chris Ofili, who is based in Trinidad.

Noland's provocative exploration of the more nefarious aspects of American culture paved the way for a generation of artists who also use methods of appropriation in their critique of culture, including Anne Collier, Leslie Hewitt, and Lorna Simpson.

That last statement would seem, for anyone familiar with the artist's work, surprising to say the least, since Sandback (1943 — 2003) could be considered, and not without reason, as the purest and most unsparingly geometric member of a rigorously formalist generation, a cohort that included Donald Judd, Dan Flavin, Richard Serra, and Sol LeWitt.

The Hewitt Collection of African - American Art consists of works by renowned artists including Romare Bearden, regarded as one of the greatest American artists of his generation; Henry Ossawa Tanner, one of the first African - American artists to achieve acclaim in both America and Europe; Elizabeth Catlett; Jonathan Green; Jacob Lawrence; Ann Tanksley; and Hale Woodruff.

Group exhibitions include: «GENERATION: 25 Years of Contemporary Art in Scotland», Scottish National Gallery of Modern Art, Edinburgh (2014); «A Picture Show», Gallery of Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII», Mackintosh Museum, The Glasgow School of Art (2012); «Edge of the Real», The Whitechapel Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of Modern Art, San Francisco (2003).

The gallery's roster includes established and highly influential artists, such as Paul Chan, Günther Förg, Guyton \ Walker, Rachel Harrison, Richard Hawkins, Jacqueline Humphries, Michael Krebber, Allen Ruppersberg, and Gedi Sibony, as well as a younger generation, including Trisha Baga, Bernadette Corporation, Helen Marten, and Haegue Yang.

It was there that she found her artistic home, associating with a group of artists — including Cindy Sherman, Barbara Kruger, and Sherrie Levine — who became known as «the Pictures Generation» for their habit of appropriating images from advertising and popular media and questioning their embedded assumptions about desire and happiness.

She has collaborated with numerous artists of her generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a pioneer of the artistic reflection on new and emerging technical advancements such as virtual reality, artificial intelligence, and computer games.

He also promoted and collected the work of a younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.

MOMA PS1 HAS ASSEMBLED a sprawling exhibition featuring 157 New York artists and collectives that span generations and mediums, and includes more than 400 works, as well as performances and films.

«Untitled» by Lee Kun - yong (Herald Artday) The collection also includes the country's first - generation performance and conceptual artist Lee Kun - yong's «Untitled.»

Yoshitomo Nara and the Tokyo Pop art movement reflect the experiences of a generation of artists who grew up during the post-World War II economic boom in Japan that was characterized by, among other things, an influx of popular culture from the West, including the animation of Warner Bros and Walt Disney.

This cross-generational group of artists includes pioneers of the technique as well as a vibrant new generation of painters.

Skin Fruit includes over 100 works by 50 international artists spanning several generations.

They are joined by established and internationally - recognized artists, including Guillermo Kuitca, Richard Long, Malcolm Morley, Evan Penny, William Wegman and Not Vital, as well as a younger generation of artists like Bertozzi & Casoni, Wim Delvoye, Kim Dingle, Charles LeDray, Tom Sachs, Jan Worst and Liu Ye.

Features over 40 artists from across generations, including Ian Cheng, Heman Chong, Andrea Fraser, Jonas Mekas, Rachel Rose, and Amalia Ulman, this latest iteration applies the same ethos where visitors are encouraged to engage with and take ownership of the artworks, curating their own collections and directly impacting the exhibition landscape.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

It features key examples of the technique by artists from various periods and regions, from historical figures like the Czech surrealists Jindřich Štýrský and Toyen, to post — World War II artists such as Alighiero Boetti and Roy Lichtenstein, to contemporary artists of different generations, including Anna Barriball, Jennifer Bornstein, Morgan Fisher, Simryn Gill, Matt Mullican, Ruben Ochoa, Gabriel Orozco, and Jack Whitten.

They will be presented alongside artists of earlier generations including Ida Applebroog, Mary Beth Edelson, Robert Gober, Paul McCarthy, and Cindy Sherman who produced some of their most powerful works in 1993.

Jonas» works were first performed in the 1960s and»70s for some of the most influential artists of her generation, including Richard Serra, Robert Smithson, Dan Graham and Laurie Anderson.

At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.

In the 1970s, Williams studied at the California Institute of the Arts under the first wave of West Coast conceptual artists, including John Baldessari and Douglas Huebler, only to become one of his generation's leading conceptualists.

Included in the exhibition are works in a range of media from beat - generation artists Bruce Conner and Wallace Berman including mixed - media collages, ink works and assemblages.

In 2015 the gallery embarked on a new direction to facilitate dialogues between Mexican and international artists from different generations including: Eduardo Terrazas, Fred Sandback, Martín Soto Climent, Josephine Meckseper, Tercerunquinto, Helen Escobedo and Chantal Peñalosa among others.

Zhiying was included in a group exhibition entitled, My Generation: Young Chinese Artists at the Tampa Museum of Art in 2014.

In a brief life that included only eight years of full - time painting, Thompson created a complex body of work that has proven to be of great significance and influence to successive generations of artists and art historians.

Neel, the grand dame of 20th - century portraiture, has influenced generations of artists, including Dumas, who wrote an essay for the catalogue.

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

In presenting their work alongside other contemporaries and artists of later generations, we can trace a fascinating and ongoing dialogue that engages a variety of issues, including materiality, repetition, nature, and subjectivity.

The selling exhibition features 26 works by three generations of critically recognized contemporary artists, including Jean Michel - Basquiat (1960 - 1988), Nina Chanel Abney, Derrick Adams, Sanford Biggers, Leonardo Drew, Theaster Gates, David Hammons, Rashid Johnson, Adam Pendleton, Kara Walker, Carrie Mae Weems, Jack Whitten, and Fred Wilson, among others.

Not only does Nebulous join these important works, but it also significantly complements the holdings of major sculptures by generations of women artists, including Louise Bourgeois and Cornelia Parker.

In a brief life that included only eight years of painting, Thompson left a complex body of work that has proved to be of great significance and influence to successive generations of artists.