This is exemplified by the Marianne Boesky Gallery's solo booth of stunning work from the Syrian artist Diana al - Hadid, as well as by the return of established older
generation artists such as the Lebanese - American Etel Adnan and Sudanese painter Ibrahim El - Salahi.
Since then it has organized 16 exhibitions ranging from works by leading 20th - century artists like George Grosz and Martin Kippenberger, to younger
generation artists such as the painters Oliver Clegg and Adrian Ghenie.
Hers is a simple idea, yet one that is elucidated with quiet force and rivals the concepts of many great Pictures
Generation artists such as Louise Lawler and Laurie Simmons.
Levinthal's work became an important influence on Pictures
Generation artists such as Cindy Sherman, Laurie Simmons and Richard Prince, who came onto the art scene in the late 1970s and whose work incorporated popular imagery and mass media.
Indeed, her use of cinematic imagery would anticipate the work of Pictures
Generation artists such as Sarah Charlesworth and Robert Longo.
Nowadays, Alex is still very active as an author [8] and plays the role of a conceptual guiding star to many younger
generation artists such as Elizabeth Peyton and Julian Opie.
My photographic influences are diverse: they include Pictures
Generation artists such as Jack Goldstein and Jim Welling, who was very supportive when I lived in Los Angeles about 12 years ago.
Not exact matches
The problem with
such genealogies of artistic ascent is that they turn
artists into precursors of unborn
generations.
Artists such as Michelangelo and Leonardo DaVinci inspired
generations with their perfection and style of art and this is no different to Alessandro Nesta whose legacy in the world of football and his ability to make defending an art form has left its mark on this
generation and the world of football.
In a similar spirit, Thorn also posted an article celebrating the first
generation of postwar shojo manga
artists, the men and women whose work profoundly influenced
such Magnificent 49ers as Keiko Takemiya and Moto Hagio.
She placed younger
artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older
generation,
such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.
If the political despair of post-Second World War and McCarthy - era
artists,
such as de Kooning, Passloff, and Resnick, generated an inward looking, psychologically inflected humanist vision, the post-Vietnam
generation had seen the groundbreaking gains and political optimism of the civil rights, feminist, indigenous, and gay rights movements.
Gorvy is recognized as an expert and passionate advocate of the work of Francis Bacon, Jean - Michel Basquiat, Lucian Freud, Alberto Giacometti, Willem de Kooning, Pablo Picasso, Mark Rothko, Cy Twombly, and Andy Warhol, as well as a younger
generation of
artists such as Martin Kippenberger, Jeff Koons and Richard Prince.
This will include those from older
generations of
artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary
artists,
such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's
generation or younger, and may in turn find inspiration in Thomas's own practice.
Younger than this
generation, all of whom were born in the early 1930s, and were undoubtedly affected by the horrors of World War II, Farrell shares something with the reductive impulses that are central to Minimalist
artists such as Robert Ryman, Brice Marden and, to a lesser degree the Radical Painting of Marcia Hafif.
Rail: My first question is how did you get to show with Willard Gallery which was mostly associated with
artists of older
generations such as Lyonel Feininger, Morris Graves, Mark Tobey, Charles Seliger, and so on?
The use and depiction of everyday items allowed Pop
artists to challenge the nature of marketing, explore identity representation and counter the heavy - handed emotional intensity of previous
generations,
such as the Abstract Expressionists.
The addition of a large - scale sculpture from this period by Nancy Graves, one of the leading
artists of her
generation, introduces an important woman
artist to the ICA / Boston's collection and marks a major contribution to the museum's holdings of sculptures by
such artists as Louise Bourgeois, Tara Donovan, Rachel Harrison, and Keith Sonnier.
German
artist Sigmar Polke's stylistic heterogeneity and experimentation were highly influential for a
generation of innovative
artists such as Martin Kippenberger, Richard Prince, and Fischli & Weiss.
It was the exploitation of
such unexpected moments that this
generation of
artists that came into prominence in the 1940s and 50s were open to, and these
artists, composers and writers became associated with the New York School.
While early practitioners
such as Robert Mangold embraced a minimal sensibility, the next
generation of
artists such as Elizabeth Murray and Ralph Humphrey further evolved the practice; Murray's canvases are explosive and energetic, and Humphrey's paintings are tactile, with thick and textured surfaces.
The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful
artist as a brand; the ascendancy of a post-Thatcher
generation of Young British
Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers
such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.
The gallery's roster includes established and highly influential
artists,
such as Paul Chan, Günther Förg, Guyton \ Walker, Rachel Harrison, Richard Hawkins, Jacqueline Humphries, Michael Krebber, Allen Ruppersberg, and Gedi Sibony, as well as a younger
generation, including Trisha Baga, Bernadette Corporation, Helen Marten, and Haegue Yang.
She has collaborated with numerous
artists of her
generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a pioneer of the artistic reflection on new and emerging technical advancements
such as virtual reality, artificial intelligence, and computer games.
The activities of that era provided a path for the increasingly influential voices and innovative practices of new
generations of contemporary
artists working today, figures
such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best of 2017.
It will start with the great American
artists of the first
generation such as Richard Estes, John Baeder, Robert Bechtle, Tom Blackwell, Chuck Close and Robert Cottingham, then move on to Hyperrealism in Europe and to
artists of subsequent
generations.
Minimalism emerged in the late 1950s when
artists such as Frank Stella, whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous
generation.
For
generations,
artists such as Mark Rothko, Yves Klein and Kazimir Malevich have attempted to locate and convey a certain ethereal quality within a space of visual absence, one that abstract painter Peter Halley defined as a «serenity or radiance».
Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1,
Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new
generation of alternative projects
such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
The city's
artists from the 60s and 70s,
such as Larry Bell, Ed Ruscha, Kenneth Anger, have gained an iconic status in art history, while
artists from the
generation after them,
such as Charles Ray, Paul McCarthy and Henry Taylor, have been receiving great international recognition since the 1980s.
The exhibition considers works by famed Nouveau Réalisme
artists such as Arman and Raymond Hains alongside the likes of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a younger
generation of contemporary
artists who came of age in the wake of Pop Art.
Keeping with its aim of promoting a new
generation of Asian
artists, Galerie Paris - Beijing celebrates the creative energy of the Land of the Calm Morning with works that combine the use of traditional materials
such as wood, metal or charcoal, and the exploration of highly innovative techniques.
Painters
such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects
such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older
generation of
artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.
Never before have we seen a private collection that shows the «before and after» of Arte Povera in
such depth — its roots in Burri and its huge legacy to succeeding
generations of
artists around the world, from Cy Twombly and Anish Kapoor to Thomas Schütte and Olafur Eliasson.
It features key examples of the technique by
artists from various periods and regions, from historical figures like the Czech surrealists Jindřich Štýrský and Toyen, to post — World War II
artists such as Alighiero Boetti and Roy Lichtenstein, to contemporary
artists of different
generations, including Anna Barriball, Jennifer Bornstein, Morgan Fisher, Simryn Gill, Matt Mullican, Ruben Ochoa, Gabriel Orozco, and Jack Whitten.
Alex Gartenfeld, Deputy Director and Chief Curator of ICA Miami, said, «The Everywhere Studio marks the first time ICA Miami has mounted
such a far - reaching historical survey, placing the next
generation of
artists in dialogue with their predecessors and within an art historical framework.
Redolent of everyday devices in certain communities and populations
such as a hut or a wheel, the
artist focuses not just on ideas around personal or interpersonal identity, but he also emphasizes on how memory can be the vehicle for transmitting certain typologies of quotidian practices from
generation to
generation.
A member of the so - called Pictures
Generation of
artists that emerged in the 1980s, known for their appropriation of mass media imagery, the work of Richard Prince has consistently grappled with
such issues as authorship, reproduction, and context.
These are impressively adept paintings with a confident sense of scale, but they do not have a distinctive character compared to contemporary works by
artists such as Helen Frankenthaler, Grace Hartigan, or Joan Mitchell, to reference only the most noted women abstract painters of Schapiro's
generation.
Integrating photography, kitsch, psychoanalysis and critical theory, the influence of the Pictures
Generation on postmodern conceptualism is still seen within the work of many contemporary
artists such as Lorna Simpson, Margaret Lee, and Olaf Breuning.
Gathered in laboratory - like settings of ateliers and arts academies across Europe and the Americas,
such figurative models demonstrate the standards of excellence according to which
generations of
artists learn the classical idioms of beauty and perfection.
Featuring key works by 150
artists, it connects four
generations of street practitioners, incoporating both niche
artists such as Miss Van and noteworthy names as Jean Tinguely, Keith Haring, Barbara Kruger, Jenny Holzer, Gordon Matta - Clark, Billboard Liberation Front, Guerrilla Girls, and Banksy.
Abigail Lane emerged as part of the YBA
generation of
artists when in 1988 she and fellow students
such as Damien Hirst, Gary Hume and Sarah Lucas co-organized the legendary Freeze exhibition showcasing their own work while students at Goldsmiths» College.
Their extravagantly installed exhibitions, the
artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several
generations of their students and on many younger
artists since then, including
such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.
Moreover, the gallery has represented the estates of some of the world's greatest
artists such as Yves Klein, Louise Nevelson, Wifredo Lam and Roberto Matta, in some cases for several
generations.
This is distinctly different from the earlier
generation of women
artists such as Frankenthaler, Grace Hartigan, and Joan Mitchell, who bristled at the idea of being called a feminist.
By presenting the public with
such notions, Abramovic became arguably the most important member of the
generation of pioneering performance
artists that includes the likes of Bruce Nauman, Vito Acconci and Chris Burden.
In Art in America this month Raphael Rubinstein, after reading issues of AiA from thirty years ago, considers the fate of Neo-Expressionism, a movement popular in the 1980s championed by painters
such as Sandro Chia, Enzo Cucchi, Francesco Clemente, Markus Lüpertz, and Julian Schnabel that was ultimately overshadowed by the more cerebral work created by
artists like Jenny Holzer, Sherry Levine, and Richard Prince — what we now call «The Pictures
Generation.»
Culling inspiration from advertisement, film and television, and creating visual spaces for social criticism, the Pictures
Generation artists were deeply influenced by the pedagogy of writers
such as Michel Foucault, Roland Barthes, and Julia Kristeva.
Canadian
artist Kelly Richardson is one of the leading representatives of a new
generation of
artists working with digital technologies to create hyper - real, highly charged landscapes, alongside figures
such as John Gerrard and Saskia Olde Wolbers.