Sentences with phrase «generation of american»

The exhibition also focuses on Chase's role as a highly influential and devoted teacher, who trained and inspired the next generation of American artists, from Georgia O'Keeffe and Marsden Hartley to Edward Hopper and Joseph Stella.

Although many of the works were not completed during Chase's lifetime, they provide a glimpse into the impact of his pedagogy on the next generation of American artists in the early 20th century.

While Klee himself never joined his peers across the Atlantic, his works traveled there in great numbers, stimulating an enthusiastic reception by a young generation of American artists who, after the horrors of World War II, were searching for an art form removed from the external world.

Faces Since the 50's: A Generation of American Portraiture 11th March 1983 - 17th April 1983 Lewisburg, Pennsylvania

Mark Rothko (1903 — 1970) was part of a generation of American painters whose style became known as Abstract Expressionism.

Faces Since the 50's: A Generation of American Portraiture.

«The Klee room» served as an abiding source of inspiration for the generation of American abstract painters working at midcentury, especially for Washington, DC - based artists Gene Davis and Kenneth Noland.

Trisha Brown, the choreographer and exemplar of the founding generation of American postmodern dance, died on Saturday in San Antonio.

A generation of American artists took his teaching to heart.

It was a dynamic crossroads for refugees from Europe and an emerging generation of American artists.

Spearheaded by a generation of American artists - strongly influenced by European expatriates - who had grown up during the Depression and were influenced both by World War II and its Cold War aftermath, abstract expressionist painting was neither wholly abstract nor expressionist and encompassed several quite different styles.

Mitchell is recognized as a principal figure — and one of the few female artists — in the second generation of American Abstract Expressionists.

In the 1950s, Guston joined his high school classmate Jackson Pollock as members of the first generation of American Abstract Expressionists.

During the gallery's function, Jean Bernier and Marina Eliades have introduced to the Greek public numerous artistic currents, such as Arte Povera, Minimalism, Land and Conceptual Art and the younger generation of American and European artists.

She later moved on to a younger generation of American artists, including Agnes Martin, Jasper Johns, Jack Youngerman, Richard Pousette - Dart, Jeanne Reynal, [14] Walter Tandy Murch, Leon Polk Smith, Richard Tuttle, Mino Argento, [15] José Bernal, and Oliver Steindecker (who was Mark Rothko's last assistant)[16] among others.

In the early 1930s he moved the school to New York and taught summer classes in Provincetown, Massachusetts, where his teaching would influence a generation of American artists.

In the 1970s, fashion designer and art collector, Larry Aldrich, noticed that the new generation of American painters were repeating themes that were unlike the bold Pop and Minimalist works that had come before.

He also gave the first one - man shows to the early generation of American modernists, including Alfred Maurer, John Marin, Marsden Hartley, Arthur Dove, Arthur B. Carles, Oscar Bluemner, Elie Nadelman, Georgia O'Keeffe, and Stanton Macdonald - Wright.

Together with Kenneth Noland (b. 1924) and Frank Stella (b. 1936), he is considered to be one of the leaders of the generation of American painters that succeeded the New York School of Abstract Expressionism, except that his development differs markedly from the others because, from the beginning, he rejected the influence of US abstract expressionist painting and turned directly to a personal re-examination of European, and especially French, sources of postmodernist art.

His ability to achieve complex effects with parently simple means made him a principal influence on the following generation of American artists, the so - called «Minimalists».

Martin Kline and Melissa Kretschmer represent a relatively younger generation of American process / image painters whose hybrid sculpture / painting work embodies the inheritance of such a turn.

The exhibition is an articulation of the artist's immense influence on the first generation of American Minimalists and will include historically significant works by Carl Andre, Dan Flavin, Donald Judd, Ellsworth Kelly, Robert Ryman and Frank Stella, installed in proximity to Brancusi's groundbreaking works Le Coq and Jeune Fille Sophistique, generously loaned from the Brancusi Estate collection.

Taking its title from a 1966 sculpture by Alighiero e Boetti, the show spotlights the activities of a generation of American and European artists whose work reflects a similar rejection of traditional aesthetics in favor of new forms and procedures.

«Faces Since the Fifties: A Generation of American Portraiture,» Center Gallery, Bucknell University, Lewisburg, PA, 1983.

(Trisha Brown; born Patricia Ann Brown, Nov. 25, 1936, Aberdeen, Wash.; moved to New York, 1961; died Saturday [Mar. 18, 2017], San Antonio, aged 80; choreographer and exemplar of the founding generation of American postmodern dance; founded Trisha Brown Dance Company in 1970)

Taking its title from Lawrence Weiner's 1970 text - based piece, the show highlights a generation of American and European artists who rejected traditional aesthetics in favor of new forms and procedures.

An entire generation of American painters has had their work suppressed for decades partially as a reaction against Greenbergian formalism.

I'm good friends with (video - maker) Stan Douglas, and with an older generation of American painters, such as Alex Katz, Chuck Close, Brice Marden, Ellsworth Kelly.

Allen Ruppersberg (b. 1944) is one of the first generation of American conceptual artists with an oeuvre that includes paintings, prints, photography, sculpture, installations and literature.

Famed for his self portraits, which rival Rembrandt and Picasso for intensity of conception and scrutiny, Max Beckmann (1884 - 1950) towers over German painting of the first half of the twentieth century, providing German modernism with one of its most personal visions and also inspiring a subsequent generation of American painters (Philip Guston, Nathan Oliveira).

In the 1950s, a new generation of American artists began to look to Schwitters for inspiration as a model of working with found materials.

Holzer belongs to the influential group of artists known as the Pictures Generation who were part of the first generation of American artists that came of age in the 1960s and 1970s and who grew up inundated by television images and advertisements promoting post-World War II consumer culture.

In the early fifties planar abstractionists, like Newman and Rothko, stuck with their hard or soft geometry formats, working beyond the constructive devices of cubism and setting the agenda for the next generation of American painters, the sixties high modernists.

A photograph of The Irascibles appeared in Life magazine and helped to generate acceptance of Abstract Expressionism and the first generation of American AbEx painters.

This humble approach, at a minimum, comes to us particularly from a new generation of American critics and painters.

He returned to America to create some of his most ambitious works and inspire a new generation of American painters.

It concludes with an examination of Cole's extraordinary legacy in the work of the next generation of American landscape painters whom he personally mentored, notably Asher B. Durand and Frederic E. Church.

The 1940s was a decade of artistic transition; narrative surrealism as exemplified by Salvador Dalí and Renè Magritte was no longer relavent, and a younger generation of American artists searched for a new visual language.

Held in conjunction with the exhibition American Modernism: The Shein Collection, on view at the National Gallery of Art from May 16, 2010, to January 2, 2011, this public symposium provides an analysis of the paintings, sculptures, and drawings created by the first generation of American avant - garde artists.

Cy Twombly is a leading figure in a heterogeneous generation of American artists that also includes Andy Warhol, Robert Rauschenberg and Jasper Johns.

This is a new generation of American art; most of the works are less than two years old and focus on artists views of world events and Americas place in global society.

Jonathan Jones: Roosevelt's New Deal fostered Jackson Pollock and a generation of American artists.

The Meade brothers, along with their contemporaries such as Mathew Brady and Southworth and Hawes, are recognized as leading members of the first generation of American photographers.

During his lifetime he set forth a generation of American artists to the European modernist concepts of the Bauhaus.

And although the next generation of American artists, notably Robert Rauschenberg, reacted against the «nature painters» with work that saw the spectacle of the mediated world itself as a form of second nature, they knew that the stage on which they stood had been created by the abstract expressionist painters.

As the originator of Pop Art, Saul embodied his ideas in an unprecedented style of painting that inspired a generation of American artists to new thinking and new creativity, which became the foundation of modern American culture.

Re-discovered a decade ago and presented as a lost voice from the greatest generation of American painting, he was also the model for Kurt Vonnegut's irresistibly immoral Bluebeard character in the «Autobiography of Rabo Karabekian,» a 1987 novel.

His groundbreaking project Hitler Moves East (1975 — 77), a series of imagined scenes from World War II's Russian front, first established his reputation, becoming a touchstone for the iconoclastic generation of American photographers that includes artists like Cindy Sherman and Richard Prince.

The Impressionists inspired a generation of American artists interested in the play of shadow and light, with varied and innovative results.

Richard Prince belongs to the generation of American artists who grew up in the 1950s at the time of the explosion of mass media (television, cinema, magazines).