Sentences with phrase «generation of blacks born»

Not exact matches

Brooke was one of the last of a generation of black leaders who personally knew someone who had been born into slavery.

Aimed at keeping the car relevant until the new - generation model arrives stateside, the three new styling packs bear the self - explanatory names of Sport Black Trim Package, Two - Tone Package, and Abarth Roof, Mirror Cap and Body Stripe Package.

The Countess produced parti color pups born from two solid black parents, (both of whom had solid black coloration for 6 generations), and these parti color pups and their progeny were selectively bred and have carried forth the parti color gene to the present day purebred parti colored Miniature Schnauzers, despite the color prejudice encountered all along the way.

This book explores parallels in thought and strategies between Italian Conceptualist Giulio Paolini's (born 1940) work, especially of the 1960s and the «70s, and the work of a younger generation of artists based in New York City today: Sebastian Black, Kerstin Brätsch (with Boško Blagojevic), Seth Price and Antek Walczak.

Like the case is with many black artists of his generation, Marshall's work is rooted in his life experience: «You can't be born in Birmingham, Alabama, in 1955 and grow up in South Central near the Black Panthers headquarters, and not feel like you've got some kind of social responsibility.&rblack artists of his generation, Marshall's work is rooted in his life experience: «You can't be born in Birmingham, Alabama, in 1955 and grow up in South Central near the Black Panthers headquarters, and not feel like you've got some kind of social responsibility.&rBlack Panthers headquarters, and not feel like you've got some kind of social responsibility.»

Howardena Pindell's work has been featured in many landmark museum exhibitions, such as: Contemporary Black Artists in America (1971, Whitney Museum of American Art), Rooms (1976, P.S. 1 Contemporary Art Center), Another Generation (1979, The Studio Museum in Harlem), Afro - American Abstraction (1980, P.S. 1 Contemporary Art Center), The Decade Show: Frameworks of Identity in the 1980s (1990, New Museum of Contemporary Art), and Bearing Witness: Contemporary Works by African - American Women Artists (1996, Spelman College Museum of Fine Art, Atlanta).

Called «Figuring History,» the exhibition unites three black artists of distinct generations (Colescott was born in 1925, Marshall in 1955 and Thomas in 1971).

Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.