Sentences with phrase «generation of affinity»

This is accomplished by combining high - throughput generation of affinity - purified antibodies with protein profiling in a multitude of tissues and cells assembled in tissue microarrays.

Not exact matches

«They're also the first generation of digital natives, and their affinity for technology helps shape how they shop,» according to the Goldman study.

Their non-bank and commercial status confines their activities to narrow forms of lending, affinity partnerships, and lead generation.

Like you, I find more of an affinity with our millennial generation than with my fellow Builders or with «The Silent Generation» as somgeneration than with my fellow Builders or with «The Silent Generation» as somGeneration» as some call us.

Aluna Coconut gives a new discerning generation the delicious flavour affinity of rum and coconut.

A new and expanded survey on the organic attitude of U.S. families released September 14 by the Organic Trade Association shows that Millennials are big buyers of organic, and that becoming a parent will only deepen the strong affinity for organic shared by this powerful generation.

A generation of young adults raised on electronic devices has a high affinity for the gadgets and engages in less face - to - face contact than was once the norm, he says.

Genetically engineered mice now act as robust engines for the generation of diverse repertoires of affinity - matured, fully - human variable regions with intrinsic drug - like properties necessary for successful development including high potency, specificity, manufacturability, solubility and low risk of immunogenicity.

Belonging to a generation of digital natives, our pupils already have an affinity with technology, so I see a school's role being more to do with showing pupils how they can use IT to get more out of their studies, and equipping them with skills for their next steps in education and the workplace.

Building Material: Process and Form in Brazilian Art, features works by three generations of artists, emphasizing affinities between the materials, processes, and forms they have embraced since the Concrete and Neo-Concrete movements of the 1950s and 1960s.

The encounter between these artists from distinct practices and generations becomes a means of unearthing unknown affinities and historical entwinements.

These canvases disclose affinities — Miró does not in the least attempt to deny this — with the researches of a new generation of painters.

1, no. 8, November 1970; (introduction) John Hoyland (catalogue), Beaux Arts, London, 2003 Maloon, Terence, «Hoyland Retrospectively» in John Hoyland, Paintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, London, 1990

The group exhibition Speak, running concurrently at the Serpentine Sackler Gallery, proposes Latham as an «open toolbox» for younger generations of artists whose diverse practices share affinities with Latham's ideas and world view, revealing how they continue to resonate today.

The show reflects on a number of interesting notions: the ways in which postwar black artists have constructed their identity through their reliance on abstraction; the formal affinities between artists of different generations; and the role of non-figurative art as both personal expression and political impetus.

De Kooning / Dubuffet: The Women (1991) was the first full - scale exhibition to pair both artists» series of women, painted almost simultaneously on each side of the Atlantic; De Kooning / Dubuffet: The Late Works (1993) explored affinities in the final works of the artists, and Willem de Kooning and John Chamberlain: Influence and Transformation (2001) examined two Abstract Expressionists working across generations and mediums.

In the spirit of Latham's belief in art as a continuous practice, while the main gallery will show a selection of Latham's one - second drawings (he discovered spray painting in 1954), scarified book sculptures, installations, public art projects and filmed performances, the Sackler will be given over to a generation of younger artists whose work was made with an affinity for Latham's philosophy and practice.

One can see all sorts of affinities in her work to a younger generation of British artists, including Heather Phillipson, Helen Marten and Ed Atkins, as well as to figures such as Kurt Schwitters and Pipilotti Rist.

In this next installment of the Bienal, titled Affective Affinities, chief curator Gabriel Pérez - Barreiro has elected to distribute curatorial decision - making in a more horizontal manner, selecting seven artists from different backgrounds, generations and art practices to each conceive a group show in which their work dialogues with that of their peers.

Combining his affinity for constructing streamlined, intuitive business procedures with his extensive experience in successfully implementing such processes, Mor has spearheaded the bulk of PracticePanther's revenue generation with tremendous results.

By providing this entry point, NAR is building a new, diverse generation of leaders, strengthening members» affinity for the REALTOR ® brand early in their career, and gaining a valuable perspective on generational shifts.

Generation Y buyers are entering the home buyer's market armed with spreadsheets (digital, of course), instant communication, and an affinity for technologically friendly spaces.

Generation Y's affinity with smart growth flows at least partially from being the first generation born with an awareness of the pressure that development as usual — i.e. auto - dependent suburban sprawl — puts on the enGeneration Y's affinity with smart growth flows at least partially from being the first generation born with an awareness of the pressure that development as usual — i.e. auto - dependent suburban sprawl — puts on the engeneration born with an awareness of the pressure that development as usual — i.e. auto - dependent suburban sprawl — puts on the environment.