Sentences with phrase «generation of artists engaged»

Her challenging approach to art is rooted in critical and feminist theory and the legacy of the first generation of artists engaged in feminism and institutional critique.

Responding to «the generalization of the political» at the 1993 Whitney Biennial, Meyer gathered together an emerging generation of artists engaged in critical practices around institutions, including, but not limited to, museums.

Not exact matches

Columbia is committed to building partnerships in schools and communities across the region in order to build a new generation of engaged artists.

They also helped the next generation of artists — college students who served as instructors and mentors to young people — develop skills in teaching and in engaging audiences.

Their work has emboldened a new generation of artists to engage with painting, many of whom don't use any paint whatsoever.

A pioneer of the Korean avant - garde and part of the first generation of experimental artists to embrace innovation and modernist influences after the end of the Korean War in 1953, Seung - taek Lee has continuously engaged political and cultural themes over the course of his six - decade career.

Our primary goal is to develop the next generation of artists through exciting and engaging exhibitions, events and exclusive publications from a breadth of talent.

Nalini Malani is one of the most prominent artists of India's postpartition generation who is engaged with the reexamination of tradition, cultural nationalism, and globalization.

Features over 40 artists from across generations, including Ian Cheng, Heman Chong, Andrea Fraser, Jonas Mekas, Rachel Rose, and Amalia Ulman, this latest iteration applies the same ethos where visitors are encouraged to engage with and take ownership of the artworks, curating their own collections and directly impacting the exhibition landscape.

In presenting their work alongside other contemporaries and artists of later generations, we can trace a fascinating and ongoing dialogue that engages a variety of issues, including materiality, repetition, nature, and subjectivity.

Particularly important to the new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.

«Rebecca Warren is one of Britain's most vital contemporary artists, whose work invites us to engage with the aesthetic conventions of an earlier generation of male sculptors through a freshly feminist sensibility,» said Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art, DMA.

After the news of his death went viral, Sir Nicholas Serota, the director of the Tate gallery, stated the following in an attempt to dull the pain of the loss: Angus Fairhurst was always deprecating about his own talent, but he made some of the most engaging, witty and perceptive works of his generation and was an enormously influential friend of other British artists who came to prominence in the early nineties.

«As one of the first American museums to acquire Pollock's work, it only is fitting that the DMA should present this definitive exhibition of the black paintings, engaging a new generation of audiences with this important and under - examined aspect of the artist's practice,» Delahunty concluded.

Recently, a new generation of artists has built on these breakthroughs — critically engaging the romance of the artist's hand.

Opening on 23 August, Mapping the Contemporary II explores how a generation of multi-media artists has artistically engaged with the cities where they either live or work.

Daniel Buren has punctuated the past 50 years of art with unforgettable interventions, controversial critical texts, thought - provoking public art projects and engaging collaborations with artists from different generations.

Phenomenal: California Light, Space, Surface, companion book to the exhibition of the same name, explores and documents the unique traits of the phenomenologically engaged work produced in Southern California during those decades and traces its ongoing influence on current generations of international artists.

The mingling of a diverse alternative comedy scene in New York and beyond with a bitingly hilarious generation of politically - engaged artists has fostered a fantastic crisis in disciplinary determinism.

What sets Voigt apart from the legacy left by this generation of artists is her ability to present moments during which her inner world (experiences, emotions, memories) engages with the outside world, rendered as complex pictorial spaces that come together in a marvelous symphony of forms and ideas.

The text art produced by the third generation of artists is characterized by a shared structure within linguistic practices; is dependent on linguistic forms; and is mediated by linguistic exchange that engages with the processes of nomination, documentation, and rule - following.

Featuring work from Kapwani Kiwanga, François - Xavier Gbré and Dan Halter, the fair authentically engaged with themes throughout African art and culture that are often overlooked and showed awareness of a new generation of African artists.

A major exhibition on the 40 - year career of the Pictures Generation pioneer, whose work engages conceptualism and institutional critique Published in conjunction with the exhibition Louise Lawler: WHY PICTURES NOW, at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture - making and institutional critique.

Highly engaged with international art movements such as cubism, abstract expressionism, arte povera, and conceptual art — but also having studied and lived in Europe and the United States — an older generation of the artists on view pioneered modern art in Cyprus, through a dialogue within local traditions.

Distinguished faculty members are internationally recognized in their respective fields, contribute significantly to the stature of VCU, and are committed to mentoring the next generation of artists, entrepreneurs, scientists, scholars, and engaged citizens of diverse communities around the world.

These artists used familiar scenes to engage a wide range of audiences with fine art, in contrast to the popularity of European trends in abstract painting among other American painters of their generation.

Taking as its starting point three seminal exhibitions curated by Lubaina in London from 1983 to 1985, the Tate Britain display charted the coming to voice of a radical generation of British artists who challenged their collective invisibility in the art world and engaged in their art with the wider social and political issues of 1980s Britain and the world.

At the time of his death in 1998, his artistic career had spanned two decades and had produced some of the most engaging and innovative work by a British artist of his generation.

During the 1960s and 1970s, a generation of artists emerged with a self - described critical task: to engage with and reveal the power structures and ideological imperatives implicit in any given cultural situation in the belief that doing so could create viable alternatives for living and art - making alike.

This exhibition faces critical issues of race head - on, exploring and engaging issues of identity for black Americans as explored by an emerging generation of innovative artists,» said Amy Sadao, Director of ICA.

From the perspective of socially - engaged practice, the pressing question assumes an ethical cast: how can their stories and art instruct a new generation of artists and their supporters?

In this issue we take a look at artists of all generations from Japan, USA, Ireland and UK who choose paint as the means for their specific creative ends; all engaged and engaging.

Considered one of the foremost postwar abstract painters in the Southern California scene, working alongside a generation of artists known as the «cool school,» Ed Moses has been engaged in what he sees as a continual process of discovery for more than half a century.

The exhibition» Hybrid Layers «focuses attention on a generation of artists who are engaging with the growing presence of the digital sphere and its effects on society.

However, Bearden was also engaging with the assemblage and found imagery techniques that he shared with many artists of his generation, including Robert Rauschenberg, Jasper Johns and Andy Warhol.

Working in a variety of media and deeply engaged with philosophy, literature and science, Martínez Celaya has created an expansive body of work that has led him to become one of his generation's most influential artists.

Since earning her M.F.A. from Yale University in 2000, Wangechi Mutu has come to be regarded as one of the most inventive and critically - engaged artists of her generation.

That exhibition and its accompanying essay heralded a new generation of artists deeply engaged with popular culture and the appropriation of mass media images.

It highlights the different approach in the generation of artists living through the Cultural Revolution, who find their subject in researching the past while dealing with the present, and the new generation, who engage in an uprooted society, moving forward into a new social - cultural future.

By exhibiting significant artworks in its storefront location at the edge of Taksim Square in Istanbul, collectorspace seeks to engage the general public on issues that motivate contemporary artists while creating reference points for next generations of collectors regarding their role in supporting knowledge production.

Beginning on the 2nd of June, one of the most important living contemporary artists, Georg Baselitz — who almost singlehandedly showed a generation of German artists how to engage with national identity and issues of art after the Second World War — has a new exhibition at Dachau Castle entitled «Mit Richard unterwegs» (On the way with Richard).

Nearly thirty years later, «Fiber» features many of the artists represented in the breakout ’86 show (including Hicks, Wilson, and Zeisler) but expands its purview to include a broad range of generations, nationalities, and conceptual approaches, as represented by thirty - four artists who engage in the material processes of the craft.

The coffee table volume is described as «the first major survey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.»

As an artist and professor now teaching a generation of digital natives, she keeps on using her films, installations, performance, lectures, and writing to engage with the complexities of the total cognitive, psychic, and aesthetic shift in our understanding, perception, and uses of the recorded image.

Co-edited by Okwui Enwezor and Chika Okeke - Agulu, «Contemporary African Art Since 1980» is described as «the first major survey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.»

The museum largely thinks of itself as a museum dedicated to living artists, so one of things that is, I feel, important — and that the institution takes on too — is to engage with future generations of living artists.

Lowe's pioneering «social sculptures» have inspired a generation of artists to explore more socially engaged forms of art - making in communities across the country.

The much anticipated reopening of the main building at the Royal Hospital Kilmainham in October, coinciding with the opening of five exhibitions including a major retrospective of the work of Eileen Gray, one of the most celebrated and influential designers and architects of the 20th - century; the presentation of two pioneering exhibitions This Situation by the acclaimed British - German artist Tino Sehgal and an exhibition by a new generation of young European artists I knOw yoU; the launch of IMMA's Collection online and an extensive programme of public talks and events which have been devised to engage with the themes of IMMA's exhibitons are some of the exciting developments taking place throughout 2013 by the Irish Museum of Modern Art and announced today (Thursday 18 April) by IMMA's Director Sarah Glennie.

She studied with the German - born guru of painterly abstraction Hans Hofmann, but she shunned the modes of fervent expressiveness — promoted as Action painting by Greenberg's agonistic rival critic Harold Rosenberg — that engaged most artists of the so - called second generation of Abstract Expressionism.