Sentences with phrase «generation of artists looking»

Leirner emerged on the international art scene in a number of high - profile exhibitions in the early 1990s, at the forefront of a generation of artists looking to the art of the 1960s and 1970s as a point of departure.

This innovative MA is designed for a new generation of artists looking to combine the entrepreneurial acumen to build a sustainable creative practice with a professional life in the arts.

Together, these works tell a powerful story of myriad social ills affecting the US from the Nixon years to the turn of the century, and offer inspiration to a contemporary generation of artists looking to make new lines of inquiry.

Not exact matches

Skoda revealed the first official sketch of the next generation Fabia last week, and the image you see here is an accurate representation of what the production car would look like, rendered by our artist, Shoeb.

If the political despair of post-Second World War and McCarthy - era artists, such as de Kooning, Passloff, and Resnick, generated an inward looking, psychologically inflected humanist vision, the post-Vietnam generation had seen the groundbreaking gains and political optimism of the civil rights, feminist, indigenous, and gay rights movements.

The first U.S. exhibition to focus solely on the new post-Mao generation of Chinese artists offers a look at how China's mega-development has impacted its youth culture and spawned new art trends.

KAARI UPSON At 45, this intrepid Californian is looking more and more like the most psychologically incisive artist of her generation.

Double Take is an exhibition which looks at the theme of appropriation and how it has been explored by different generations of artists using photography.

Bringing together a new generation of artists interested in Thomas Bayrle's legacy, this panel will look at how younger voices take up questions around corporate production, political spectacle, digital...

Technology, feedback and exile in art and politics in Santiago de Chile Stefanie Hessler looks back at the origins and forward to the legacies of Chile's «lost generation» of artists, whose activities were badly curtailed during Pinochet's rule

By the 1960s, masterworks at MoMA like «Les Demoiselles d'Avignon,» «Girl Before a Mirror» and «Guernica» had so permeated American culture that, to the next generation of artists, they looked about as avant - garde as «Whistler's Mother,» «American Gothic» and «Christina's World.»

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3

Art and Culture Center / Hollywood in Hollywood, Florida, features a unique look at four generations of South Florida artists, curated by the Miami - based, internationally exhibited artist and indefatigable independent curator William Cordova, with emphasis on the region's distinctive geography and cultural diversity.

The art world would look very different if successive generations of black artists had not been kept out in the cold, for decade after decade.

Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in - depth portrait of the New York art scene of the 1930s,»40s, and»50s — the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come.

I am looking forward to seeing Ruba bring her wealth of experience and insight to support the vital work of this generation of galleries and artists showing at Frieze London.»

For me, the entire generation of artists that followed Burri looked to him as master — we even see something of Burri in Damien Hirst's works, when he adds butterfly wings to the canvas.»

I actually started to tear up a little bit while I looked at this piece, thinking about that history and how screwed - over this generation of artists in New York is.

In the age of social media, a new generation of artists and critics are looking at Testa's work in a fresh light.

In this sense, they look back to the open - ended experience that characterized Abstract Expressionism and forward to a generation of artists who embraced questions of representation, self - consciousness, and repetition.

When he took over the position of Director of the Centre, Andrea Bellini launched a new version of the Biennale, conceived in light of its history, whilst looking to support a young generation of artists.

More unexpected is the discovery that an artist so closely identified with abstraction and with enlarging the possibilites for her own and future generations - with what her friend Anthony Caro calls «the onward of art» - should have looked not only to her lived visual experience as a starting point for her work but also to the art of the distant and recent past.

A forward - looking acquisition policy was developed that focuses mainly on the youngest generation of artists (those born circa 1980).

Arte de Gema Maputo, Mozambique Élia Gemuce, Director: «For us, it is a huge honour to take part in this important platform because we see it as a window through which people can look and see contemporary Africa expressed in a diversity of media, by different generations, from well - known to emerging artists.

A stunningly illustrated look at how Blake's radical vision influenced artists of the Beat generation and 1960s counterculture

The exhibition then turns to other works from 1960 onwards, including pieces from movements such as Fluxus and the socalled Pictures Generation, as well as an introspective look at the history of America through work by artists such as Romare Bearden, Jeff Wall, and Cady Noland.

A video offers a behind - the - scenes look at a photoshoot for T Magazine featuring 17 of the artists who made up the Pictures Generation.

However, Stezaker is, in fact, an inspiration for many of the exhibitors; like Ballard, the English conceptual artist spent the 1970s and 1980s looking forward to what is our current «now» and made work which almost prepared generations to come for the issues which he expected them to have to deal with in the future.

FRESH BRED is a look at a new generation of artists whose work is referencing art history while also looking forward to the future.

We were just looking at laying out certain works by Julian Opie and Tony Cragg, who are from that sort of «second generation» of gallery artists.

Like many artists of her generation, including Larry Rivers, Nell Blaine and her close friend, Robert De Niro Sr., Ms. Tabachnick was familiar with the gestural techniques of Abstract Expressionism, but, looking to Matisse, preferred to used them in portraits, landscapes and figure paintings.

This exhibition is a singular opportunity for American audiences to experience an in - depth look at the practice of Brazilian artists now recognised as the pioneers of their generation.

Recognized since the 1970s as one of the most provocative artists of his generation, Bruce Nauman's video and sculptural installations look at the underlying meaning found within everyday speech and interaction.

Though more closely identified with the San Francisco Beat artists and poets of the late 1950s and early 1960s, DeFeo also looked to the Surrealists a generation older than she, and drew from artists such as Yves Tanguy, Marcel Duchamp, and Man Ray, whom she once called her «north star.

< MAGAZINE «Platform Africa,» the Summer issue of Aperture magazine explores African photography through a new generation of artists with an «in - depth look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty - five years — the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photography.»

«When people can't buy... what was considered a masterpiece by another generation or another canon of artists, they look elsewhere, and they're willing to pay more for that as well,» says Sabbatino.

Here is a seventy - nine - year - old artist at the top of her game looking back over the themes of her life and work while passing it on to younger generations.

Serious collectors and the curious alike should look for a surge in sculpture, a large selection of contemporary art from China (the dedicated region of the fair's Focus section), a rise in the number of emerging galleries and the increase of single - artist presentations and thematic groupings of work that vary across media and generation.

Taking the name from a conversation between Jeff Wall and Lucas Blalock where the two world - renowned photographers spoke of the need for art that is experimental as well as mysterious, «You Are Looking at Something That Never Occurred» features work exclusively from the Zabludowicz Collection, bridging the gap between artists of different generations and varied backgrounds.

This posthumous survey of the 35 - year career of Sarah Charlesworth takes a look at the contributions the conceptual photographer made to New York's Pictures Generation, which also includes artists such as Cindy Sherman, Richard Prince, and Laurie Simmons.

Uncertain States offers an expanded look at a series of major installations by an emerging generation of artists whose source material derives from a media - saturated world and a canny knowledge of new art - historical references (from Richard Prince and Christopher Wool, among others) in an age of political dissonance and free - form use of material innovations and juxtapositions.

My Generation takes an extended look at the new generation of artists emerging in mainland China since 2000, the year that China opened wide its doors to international artists and that Chinese artists began to command attention in the gloGeneration takes an extended look at the new generation of artists emerging in mainland China since 2000, the year that China opened wide its doors to international artists and that Chinese artists began to command attention in the glogeneration of artists emerging in mainland China since 2000, the year that China opened wide its doors to international artists and that Chinese artists began to command attention in the global arena.

Talk: Mickalene Thomas and Judith Bernstein at National Academy of Design As part of the ongoing «Salon» talks series at the National Academy of Design, this conversation between artists Mickalene Thomas and Judith Bernstein promises a compelling look at two feminist art practices of different generations.

When looking back on the older generation of contemporary artists who put China on the international art map, Li Qing is quite philosophical.

In this issue we take a look at artists of all generations from Japan, USA, Ireland and UK who choose paint as the means for their specific creative ends; all engaged and engaging.

A generation of young curators including Tinari, who is in his mid-30s, came of age in the era of superstar artists like Hirst and are less inclined to look down on business savvy.

Catalogue produced to accompany this major touring exhibition which sought to examine the links between «abstract» art and a younger generation of Black artists in England, by looking at the work of Sylbert Bolton, Anthony Daley and David Somerville.

Aitken belongs to a generation of artists who have reassessed and decisively influenced the way we look at art: His works bear witness to a more profound observation of reality and reflect a philosophical analysis of the present world.

Drawing mostly from the Norton Simon's permanent collection, this exhibition looks at the influence Duchamp likely had on generations of artists, from assemblagists to pop painters — figures who have appropriated elements of the everyday world and transformed them into art.

Unseen Warhol, (contributor), Rizzoli, 1996 Rizzi, John Szoke 1997 Glamour, Style, Fashion: The Warhol Look, Andy Warhol Museum, 1997 Blank Generation Reviseted: Early Days of Punk Rock, Schirmer, 1997 SOAPBOX: Essays Diatribes Homilies and Screeds 1980 - 1997, Imschoot, 1998 Artist / Author: Contemporary Artists Books, (contributor), DAP, 1998 Basquiat, Tony Shafrazi Gallery, 1999 The Style Guy, Ballantine Books, 2000 Human Nature (dub version), 2001, Greybull Press Anh Duong, Assouline, 2001 People After Dark, Roxane Lowit, (introduction,) Assouline, 2001 New York Beat, Petit Grand, 2001 New York Expression, Bergen Kunstmuseum 2002 Photographs of Ron Gallela, Greybull Press, 2002 Tom Sachs: Nutsy's, Guggenheim Museum, 2003 Shriners, with Lisa Eisner, Greybull Press, 2004 Andy Warhol: The Late Works, (contributor), Prestel Verlag, 2004 Yours In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 2008