Sentences with phrase «generation of artists through»

Although the Dallas Nine ceased to operate as a group after its members scattered to pursue careers throughout the state and beyond, artists from that circle continued to do meaningful work and exerted a powerful influence over a new generation of artists through their positions as teachers and museum administrators.

With the emphasis of our collection on contemporary art, we are proudly now also helping an emerging generation of artists through our online art award at a time when support of the arts by business is vitally important.

«We are cultivating the younger generation of artists through MACAAL LAB, which works with schools and universities, as well as offering three - month residencies to African artists.

The gallery's aim is to develop the next generation of artists through exciting and different exhibitions, events and exclusive publications.

Our primary goal is to develop the next generation of artists through exciting and engaging exhibitions, events and exclusive publications from a breadth of talent.

Barlow has had an important influence on younger generations of artists through her work and at the Slade School of Fine Art, her students have included Turner Prize - winning and nominated artists Rachel Whiteread and Angela de la Cruz.

Not exact matches

N. Bird Runningwater (Cheyenne / Mescalero Apache), Director of Sundance Institute's Native American and Indigenous Program said, «Through the Full Circle Fellowship we build on our longstanding mentorship and support for three generations of Native filmmakers by focusing on the emerging fourth generation and ensuring these young artists have the tools and resources to share their stories.

Youth Speaks» mission is to create safe spaces to empower the next generation of leaders, self - defined artists, and visionary activists through written and oral literacies.

The village is famed by a history of painters and artists running through the community for generations.

This beautiful sleepy tropical village is famed by a history of painters and artists which has been running through the community for generations.

Hilma af Klint, Emma Kunz and Agnes Martin represent three generations of women artists who pursued non-traditional paths in visualising thought through geometric abstraction.

At this moment of renewed relevance, Bernard Buffet: Paintings from 1956 to 1999 reintroduces the artist's oeuvre to a new generation of American viewers, charting a history of the artist's development through a tightly focused selection of highlights from Buffet's career.

The exhibition will be on view from November 20th, 2014 through January 10th, 2015 at Steven Kasher Gallery, exploring the connections / dissonances of artists from the Studio School across generations.

The artist believes that hip - hop culture specifically has maintained and channeled West African themes through a new generation of improvisation.

Along with artists like Kelley Walker (a friend with whom he often collaborates), Seth Price and Tauba Auerbach, Mr. Guyton is at the forefront of a generation that has been reconsidering both appropriation and abstract art through the 21st - century lens of technology.

Through words in art, flirtations with ideas unauthorized by then - dominant socio - political realities were allowed expression, especially among an early generation of LGBTQ artists.

The legacy of these women is conveyed through a section of the exhibition that presents works by contemporary female artists and designers that reflect and expand upon the work of the earlier generation.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Manifesting itself through panel discussions, books, periodicals and exhibitions, the platform gives a voice to a new generation of artists, writers, designers, engineers and activists.

At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».

These renowned scholars will collaborate with the artists to support the artistic process through the generation of ideas, themes, and directions.

That McQueen is the second black British artist to win the prize - Chris Ofili won last year - is of no significance, except to say that they both belong to the generation which has provided the largest number of black and Asian students to make their way through art college in post-colonial Britain.

An influential and pioneering figure, German artist Thomas Bayrle (b. 1937 lives and works in Frankfurt) has been an important reference for several generations of artists, both through his

We've had a lot of younger artists through and people do know him, they have been students of Gilliam, but it's also important for the younger generations to see these works especially as abstract painting has entered the center of the conversation again.

The Cuban - born artist Maria Magdelena Campos - Pons creates photographs, video and multi-media installations that tell the story of the survival of African cultures by evoking rites, myths and narratives that have evolved through generations.

«Rebecca Warren is one of Britain's most vital contemporary artists, whose work invites us to engage with the aesthetic conventions of an earlier generation of male sculptors through a freshly feminist sensibility,» said Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art, DMA.

The main focus is promoting the new generation of photographic artists in Norway and Scandinavia through exhibitions, discussions and dissemination locally and internationally.

Steinkamp is one of the most important video and new media artists of her generation, and she brings a heightened focus on human sensory experience through her phenomenological installations, using light, motion, and sound to dematerialize and activate space, setting her oeuvre apart from that of her peers.

Exploring and questioning contemporary life through visual imagery, the approach of Pictures Generation artists is particularly relevant in understanding our current image - oriented culture and decoding the roles that images play as forms of representation, as icons, and as symbols.

Nicholas Krushenick: Electric Soup features over 20 of the artist's eye - popping paintings, along with collages, drawings, and prints from the 1950s through the 1990s, an under - appreciated body of work that has had a profound influence on generations of artists working in a variety of styles and media.

The new Tate Britain show is billed as the largest exhibition of the artist's work for a generation, covering all of Nash's output from early watercolours through to his final landscapes.

Through a selection of major paintings, sculptures and works on paper spanning nearly a century, Flora, Fauna and Other Forms of Life offers a diverse sampling of the ways in which artists across generations have interpreted naturalistic imagery.

While some Pop artists use photography to react to consumer culture, Robert Heineken repurposes found magazine imagery to talk about the media's role in objectifying women, Richard Prince and Sarah Charlesworth of the Pictures Generation push the boundaries of image appropriation, Christopher Williams talks about means of image production and contemporary artist Lucas Blalock confuses subject and backdrop through Photoshop.

This is the first exhibition to explore Calder's significance for an emerging generation of sculptors, reconsidering his influence and his innovation through a presentation of his own work alongside the work of contemporary artists.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

The exhibition also shows how this spirit in painting was fostered by the previous generation, from Walter Sickert to David Bomberg, and how contemporary artists continue to express the tangible reality of life through paint.

The show reflects on a number of interesting notions: the ways in which postwar black artists have constructed their identity through their reliance on abstraction; the formal affinities between artists of different generations; and the role of non-figurative art as both personal expression and political impetus.

The Glo - Pods body of work, meticulously created through a proprietary fabrication process of blow - molding and layering acrylic, mark Colon as part of the next generation of Southern Californian artists using light as an exploratory medium.

The Glo - Pods body of work — meticulously created through a proprietary fabrication process of blow - molding and layering acrylic — mark Colón as part of the next generation of southern California artists using light as exploratory media.

His collages, films, objects and shadow boxes have had a deep and lasting influence on subsequent generations of American artists, from Robert Rauschenberg, Jasper Johns and Andy Warhol, through the early practitioners of Minimalism, to many still working today.

Arte de Gema Maputo, Mozambique Élia Gemuce, Director: «For us, it is a huge honour to take part in this important platform because we see it as a window through which people can look and see contemporary Africa expressed in a diversity of media, by different generations, from well - known to emerging artists.

The exhibition then turns to other works from 1960 onwards, including pieces from movements such as Fluxus and the socalled Pictures Generation, as well as an introspective look at the history of America through work by artists such as Romare Bearden, Jeff Wall, and Cady Noland.

As a tribute to Woolf's foundational essay «A Room of One's Own,» all the artists selected for Strange Oscillations and Vibrations of Sympathy are female in order to focus the interpretation of literature through the lenses of subsequent generations of artists.

Francesca DiMattio is part of a generation of artists bent on reinvigorating painting and sculpture through careful consideration of the history of the medium and its traditions of material, genre, style and periodization.

The ambiguities within Burri's work becomes particularly evident in comparison with the generation of American artists who gained familiarity with his work in Rome, and through his American presence.

Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready - mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, «post-medium» generation of artists.

«She is such an important artist for the twentieth century and has inspired generations of contemporary artists through her open, experimental outlook and soak - stain process.»

There's this generation of artists who are getting recognition through Instagram of which I guess I am a part of and forming these new networks of creativity.

We have pulled from Gilles Deleuze's reference to Analogical painting as reference to interpret a new generation of emerging painters who pull from representation, distorting it through a new diagram as Urban contemporary artists.

Future generations will find it inexplicable that through a period of unprecedented international acclaim for a generation of artists working in Britain, so many of our public collections have been unable to collect examples of their work.