Sentences with phrase «generation of artists whose»

In a 2011 essay in the Brooklyn Rail called Abstract Painting: The New Casualists, she coined that term, identifying a generation of artists whose works deviated from the Bauhaus dictums that have driven art education for nearly a century.

Part of a generation of artists whose work evolved in the East Village scene during the late 1970s and early 1980s, Parrino's work has been positioned in a number of awkward niches, none of which has been sufficiently accommodating to his iconoclastic stance.

«Sable is emerging as one of the most interesting voices out of a young generation of artists whose work tackles complex issues, such as mass imprisonment and how the incarceration system affects our lives,» says Cecilia Alemani, director and chief curator of High Line Art.

Born in Havana, Cuba in 1959, José Bedia was one the pioneers of Cuba's celebrated 1980s generation of artists whose work radically transformed Cuban art.

The exhibit also includes different generation of artists whose practice includes; performance, video, sculpture, drawing, painting and photography.

From her first exhibitions in the early 1990s, Belmore's work set the stage for a new generation of artists whose work reflects their aboriginal identities while challenging and transcending cultural stereotypes.

Uncertain States offers an expanded look at a series of major installations by an emerging generation of artists whose source material derives from a media - saturated world and a canny knowledge of new art - historical references (from Richard Prince and Christopher Wool, among others) in an age of political dissonance and free - form use of material innovations and juxtapositions.

He belongs to a generation of artists whose pictorial language brings together motifs linked to popular culture and the formal qualities of traditional Japanese art, such as flatness, pattern and lavish ornamentation.

Centered on the notion of image - making as pictorial writing, or what Aupetitallot calls a «visualized narration,» the focus in «Tell Me a Story» is on a generation of artists whose work has a novelistic or story - like quality, from Karen Kilimnik and Raymond Pettibon to Xavier Veilhan and Jeff Wall.

Organized and curated by Takashi Murakami, Blum & Poe's group show of Japanese ceramics showcases a new generation of artists whose works merge traditional Japanese ceramic practices with a contemporary aesthetic.

Taking the intimacy and irreproducible nature of Martin's work as a starting point, Signal Failure brings together a younger generation of artists whose work attempts to reclaim space resistant to the speed of communication age and the ever - expanding flood of digital images.

Though the show's description never uses the word digital, all of the works are made by a generation of artists whose lives have been marked by the unprecedented proliferation of digital technology over the past three decades.

Haris Epaminonda, Untitled (2005/6) and Hulusi Mustafa, Two figs (2008), (co-represented Cyprus at the 52nd Venice Biennale in 2007), Socratis Socratous, illegal installation (2004)(53rd Venice Biennale in 2009), Marianna Christofides, Logbook Entries: Braunsfeld (2012)(54th Venice Biennale in 2011), Phanos Kyriacou, Oo (2013)(55th Venice Biennale in 2013) and Christodoulos Panayiotou, Untitled (2015) part of Two Days After Forever (56th Venice Biennale in 2015) characterize a generation of artists whose visual language corresponds to themes of self - reflective practices, esoteric exploration and philosophical discourse.

FRESH BRED is a look at a new generation of artists whose work is referencing art history while also looking forward to the future.

Exploring a cross section of art made during a period marked with revolution and socio - political tumult, this exhibition also will embrace five interventions by a current generation of artists whose work reflects the concerns of 1969 and brings the exhibition into the present.

Coming of age during the 1968 student protests, which swept across Yugoslav cities, Iveković belongs to the New Art Practice (NAP), a generation of artists whose conceptual practices gravitated toward the use of public space, breaking away from institutional infrastructures.

The group exhibition Speak, running concurrently at the Serpentine Sackler Gallery, proposes Latham as an «open toolbox» for younger generations of artists whose diverse practices share affinities with Latham's ideas and world view, revealing how they continue to resonate today.

Titled after Irma Blank's seminal series Radical Writings, the exhibition offers seven parentheses across generations of artists whose work stand on the border between drawing, knitting and writing.

MINUS SPACE is delighted to present the group exhibition Elements, highlighting several generations of artists whose works investigate primary forms and elementary materials.

Nicelle Beauchene Gallery's «Elaine, Let's Get the Hell Out of Here» features five generations of artists whose work practices involve complicated and resistant positions on identity.

Gueorguieva and Nelson come from two successive generations of artists whose work is at the forefront of contemporary abstraction in the United States.

November 1 - December 20, 2014 MINUS SPACE is delighted to present the group exhibition Some Artists, highlighting several generations of artists whose works investigate and visualize artists, greater art historical moments, and related aesthetic research primarily through charts, maps, and diagrams.

Not exact matches

«Leonard Cohen was an unparalleled artist whose stunning body of original work has been embraced by generations of fans and artists alike.»

Artists such as Michelangelo and Leonardo DaVinci inspired generations with their perfection and style of art and this is no different to Alessandro Nesta whose legacy in the world of football and his ability to make defending an art form has left its mark on this generation and the world of football.

Perhaps no American filmmaker has had more of an influence on the subsequent generation of artists than Ramis, whose writing managed to be simultaneously goofball and intelligent, his films impeccably crafted and open to improvisation.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Today, there are more Native filmmakers working than ever before, and the Institute is bringing forward a fourth generation of Native filmmakers and solidifying a pipeline of artists whose voices will have an important impact on American and global cinema and culture.

In a similar spirit, Thorn also posted an article celebrating the first generation of postwar shojo manga artists, the men and women whose work profoundly influenced such Magnificent 49ers as Keiko Takemiya and Moto Hagio.

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

Ironically (from an Owens perspective), the roster of figures Foster discusses — Cindy Sherman, Sherrie Levine, Richard Prince, Gretchen Bender and, working as a team, Jenny Holzer and Peter Nadin — includes two (Sherman and Prince) who are among the most celebrated artists of their generation, another who recently enjoyed a retrospective at the Whitney (Levine), and a fourth whose work has long been ubiquitous in museums and public spaces (Holzer).

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

In Focus, David Lewis (D35) devotes his stand to Barbara Bloom, a key «Pictures Generation» artist whose work interrogates the gendered, economic and political currents of domestic display and furniture, refusing, in the gallerist's words, «easy answers».

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

He also promoted and collected the work of a younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.

The activities of that era provided a path for the increasingly influential voices and innovative practices of new generations of contemporary artists working today, figures such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best of 2017.

It omits Sigmar Polke, whose pop - culture - based, often tawdry paintings are at least a precedent, and Rosemarie Trockel, another female German artist of her generation struggling in a field that was and maybe still is unusually male.

Minimalism emerged in the late 1950s when artists such as Frank Stella, whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous generation.

A substantial component of the exhibition is dedicated to emerging artists whose work reflects the sensibilities of the Generation Z exhibition, also opening April 18.

The auction draws its title from one of the highlights of the auction, Richard Prince's monochrome joke painting If I die..., as a tribute to the artist whose visual vocabulary was transformative for an entire generation.

Technology, feedback and exile in art and politics in Santiago de Chile Stefanie Hessler looks back at the origins and forward to the legacies of Chile's «lost generation» of artists, whose activities were badly curtailed during Pinochet's rule

One of the most iconic figures that emerged from the post-World War II American art, Frank Stella is a painter and a printmaker whose influential work is considered to be crucial to the generations of artists that moved beyond Abstract Expressionism.

Sandy Kim is one of those photographers whose importance will become increasingly apparent with time, when the immediate jealously of those not invited to the party fades, and the talents of her generation — the artists, writers, musicians that surround her — begin to fully flower.»

At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.

She is widely regarded as one of the most influential artists of her generation, one whose artistic practice, teaching, and writing continue to influence succeeding generations.

Antonio Saura was a Spanish artist and writer, one of the major post-war painters in the fifties whose work has marked several generations of artists.

Focusing on the notion of abstraction in twentieth - century and contemporary Belgian art and the varying sources of influence and inspiration among the artists of two generations, Tuymans has selected fifteen artists whose work either articulates a relationship to abstraction or takes as its cue the definition of abstraction.

«Rebecca Warren is one of Britain's most vital contemporary artists, whose work invites us to engage with the aesthetic conventions of an earlier generation of male sculptors through a freshly feminist sensibility,» said Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art, DMA.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

(One finds the same apparent slippery slope in critical responses to Frank Stella, another artist of that silent generation whose pursuit of his own logic has brought charges of self - betrayal.)

This mini-site will have video interviews with artists, many of them from the older generation whose work you will see in today's program.