Developed in response to a new
generation of filmmakers who were producing works outside the studio system, the series presented independent and experimental films that reflected many of the key issues of the day, from the Vietnam War, drugs, and the Black Panthers, to homosexuality and the women's liberation movement.
«The Square» This was a peculiar year at the Cannes Film Festival, as
a generation of filmmakers who follow in the footsteps of Michael Haneke and his austere brand of social critique managed to outshine the artist who inspired them: Yorgos Lanthimos» «The Killing a Sacred Deer,» Andrey Zvyagintsev's «Loveless» and this sprawling Palme d'Or winner from Swedish director Ruben Ostlund were each fresh provocations, while Haneke's «Happy End» felt like a worn - out greatest - hits record.
I've been going back through the AFI 100 and I'll tell ya, folks, it's made me wish for a new
generation of filmmakers who did something else first.
Not exact matches
Gary Vaynerchuk, the innovative CEO
of VaynerMedia, and Casey Neistat, the
filmmaker who has reinvented ads for a YouTube
generation, will chat at New York's General Assembly this week.
The white family
who, like so many others at the time, flees from South Africa in The Day the Mercedes Became a Hat also draws empathy from the
filmmaker,
who as a resident
of South Africa herself, realized that there were whole
generations of Caucasian immigrants
who knew no other home.
The Irish Film & Television Academy will through JOHN FORD IRELAND, lay the foundations for honouring, examining and learning from the work and legacy
of legendary
filmmaker John Ford,
who is widely regarded as one
of the most important and influential
filmmakers of his
generation.
The critic, after referring to «Nick Gomez's astounding, explosive debut,» went on: «Director Gomez, 29,
who made the picture on a minuscule budget
of $ 38,000, is the newest (and maybe the most gifted) member
of a young
generation of filmmakers — Spike Lee and Oliver Stone among them —
who watched Martin Scorsese's «Mean Streets» and came away dying to make movies.
«
Filmmaker Robert Drew, a pioneer
of the modern documentary
who in Primary and other movies mastered the intimate, spontaneous style known as cinema verite and schooled a
generation of influential directors that included D.A. Pennebaker and Albert Maysles, has died at age 90.
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living
filmmakers, in - depth analyses
of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands
of people to dedicate their lives to filmmaking, and thanks to the wonders
of modern technology, these priceless cultural beams
of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new
generation of artists
who might persevere and thrive to one day fill the shoes
of the likes
of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens
of others whose work continually delight and move us in every way possible.
That director Rob Reiner came out
of the gates as a
filmmaker who defined a
generation.
Huntsinger is helping to raise the profile
of a
generation of filmmakers, most recently Moonlight writer - director Barry Jenkins,
who began attending Telluride as a student and was serving popcorn as a concession manager at the festival in 2008 when Huntsinger took an interest in his first movie, the $ 13,000 Medicine for Melancholy.
For someone my age, there is a whole
generation of filmmakers, including you,
who come out with a new movie and it's an event.
Audiences -
of all kinds - are not only eager, but grateful to have a wider range
of stories and character types to experience; a more diverse selection
of talented
filmmakers are telling those stories in creative and thrilling ways; and a more diverse crop
of stars are becoming icons for a whole new
generation of kids,
who will grow up never knowing this was once a debate, at all.
And, predicting the
generation of young American
filmmakers who would emerge in the 1970s, he then added: «I say, Good Lord, go out and somehow raise the money to make your own projects.
Noir in tone, and a great representation
of the newest
generation of Chinese
filmmakers, Trap Street is a bold story
of who is really watching
who that, while firmly embedded in the current cultural context
of China, could happen to any one
of us.
But just as it was the
generation that grew up on comic books that made the best comic book movies,
filmmakers like 26 - year - old Josh Trank are starting to arrive,
who grew up with games as a key part
of their cultural upbringing.
According to his family, he was «surrounded by the next
generation of filmmakers and screenwriters he had mentored and inspired, as well as friends and family
who came from all parts
of the country for a two - week vigil before his death.»
The French curator Simon Castets,
who is 30 but could be easily mistaken for a cast member
of Glee, is part
of the new
generation of artists,
filmmakers, writers, and other creative types emerging in the age
of social media.
In Last Address,
filmmaker Ira Sachs,
who first moved to the city himself in 1984, uses images
of the exteriors
of the houses, apartment buildings, and lofts where these and others were living at the time
of their deaths to mark the disappearance
of a
generation.
This group exhibition features numerous recent film and video works and spatial installations by a new
generation of filmmakers and artists in the Netherlands,
who are breaking down the barriers between film, video and visual art.
Directed by veteran Chicano
filmmaker Jesús Salvador Treviño, Visions
of Aztlán introduces us to a
generation of Mexican - American artists
who were inspired by the Chicano Civil Rights Movement to portray Mexican - American life.