Sentences with phrase «generation of painters including»

Albert Oehlen's Deathoknocko, 2001, which sees the painter's diverse techniques turn to digital printing and image - creation software, will feature alongside work by a new generation of painters including Celia Hempton.

Not exact matches

Sidibe influenced his contemporaries and inspired a new generation of artists including British painter Chris Ofili, who is based in Trinidad.

Typically what is referred to as the Second Generation included painters and sculptors of the late fifties, during the heyday of Abstract Expressionism, whose work seemed to be directly influenced and inspired by Willem de Kooning, Franz Kline, Hans Hofmann, Robert Motherwell, or Clyfford Still, or influenced indirectly by Adolph Gottlieb, Mark Rothko, and Barnett Newman.

Although not always acknowledged, his influence is visible in the works of a current generation of painters that includes, Joe Bradley, Dan Colen, Sergej Jensen and Oscar Murillo to name but a few.

This cross-generational group of artists includes pioneers of the technique as well as a vibrant new generation of painters.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

In the 1950s Blaine emerged as an integral member of the Second Generation of New York School painters, including such figures are Larry Rivers, Jane Freilicher and Fairfield Porter.

Throughout his painting studies, Thornton Willis became highly influenced by the tenets of Abstract Expressionism embodied in The New York School of painting, including second generation painters such as Robert Rauschenberg and Jasper Johns.

Equally important, however, is his respect for the integrity of the picture plane in these works, a respect that stems from his admiration for and emulation of the generation of Abstract Expressionist painters that came before him, including Willem de Kooning and Clyfford Still.

At the age of 82, Auerbach is one of the few remaining British painters of his generation, which included his close friend and colleague Lucian Freud.

In March 1964, Hoyland was featured in Bryan Robertson's New Generation showcase of young painters at Whitechapel Art Gallery, joining a brilliant galaxy of rising stars including Patrick Caulfield (who became a lifelong friend), David Hockney, Paul Huxley, Allen Jones and Bridget Riley.

Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s, but continues to have far reaching influence today, including younger artists in the gallery's own stable, such as Jessica Jackson Hutchins, Volker Hüller and Eddie Martinez.

The leading figures of the generation of painters that came to maturity after 1945 include Gerhard Richter (born 1932), Georg Baselitz (1938), Sigmar Polke (1941), and Anselm Kiefer (1945).

Moon was one of a generation of British abstract painters that emerged in the early 1960s and included Robyn Denny (born 1930) and John Hoyland (born 1934).

He belonged to their world, and when the dealer Charles Egan began to exhibit work by the painters of that generation, McNeil was included.

Although she has worked largely unheralded in the New York art world, she has influenced numerous generations of painters, including Catherine Murphy, Sylvia Plimack - Mangold and Josephine Halvorson.

Klee's art and lessons on color theory would greatly impact later generations of artists, including, significantly, the Abstract Expressionists and Color Field painters.

Our extensive inventory includes artists from the first and second generation for the New York School of action painters

Riot Grrrls presents pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

The Unbearable Yet Obligatory And other shows of modern and contemporary works Shirley Jaffe (b. 1923; lives in Paris) is one of the most accomplished American abstract painters of her generation — yet she has never been included in a Whitney Biennial.

Dubbed «The Merry - Go - Round Show,» it arose from his concern that a new generation of Abstract Expressionist painters was not being seen in L.A. Hopps rented the merry - go - round at the Santa Monica Pier for $ 80, stretched tarp around the poles and hung nearly 100 paintings by 40 artists, including Richard Diebenkorn, Mark Rothko, Clyfford Still and Jay De Feo.

While there he met some first generation Abstract Expressionist painters, including Mark Rothko who was teaching at the California School of Fine Arts in San Francisco at the time.

This trend among British painters (one could also cite St Ives artists such as Roger Hilton or William Scott, as well as those from the next generation, including Gillian Ayres) was echoed in the conscious efforts of critics who tried to establish gestural landscape abstractions as an international movement.

Embraced by the first generation of Abstract Expressionist painters on the East End of Long Island, she represents one of the last living links to central figures in the avant - garde of 20th century American art, including such artists as Willem De Kooning, Philip Pavia, Ibram Lassaw, John Little and Balcomb Greene.

With works by the pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman, «Riot Grrrls» is part of an ongoing exhibition series featuring iconic works from the Museum of Contemporary Art Chicago Collection.

Recent group exhibitions include Stories Cycle, Musée d'art moderne et contemporain, Geneva (2016); Don't Shoot The Painter, Galleria d'Arte Moderna, Milan (2015); Art In Pop, Magasin - CNAC, Grenoble, France (2014); Abstract Generation: Now in Print, Museum of Modern Art, New York (2013); and The Indiscipline of Painting: International Abstraction from the 1960s to now, Tate St. Ives, England (2011).

Meanwhile, a new generation of painters, including several of the pre-Raphaelites, pointedly ignored expectations about what watercolour could and couldn't do.

He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we're looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery.

The collection also chronicles the significant and enduring influence of Pop Art on later generations of artists, including the virtuouso painter Gerhard Richter, the photography - based critiques of Richard Prince and Cindy Sherman, and the pop - culture riffs of Katharina Fritsch, Jeff Koons, and Takashi Murakami.

Other notable artists from the second generation of color field painters include Kenneth Noland, Jules Olitski, Alma Thomas and Sam Gilliam among others.

A partial list includes: 1980s - era Pictures Generation painter (represented by Metro Pictures alongside Robert Longo and Louise Lawler and, prior to that, exhibiting with the legendary Colab collective), art critic (he was an editor on A.i.A. «s staff from 1978 to 2009), and founding editor - in - chief (from 1996 to 2012) of Artnet Magazine, a pioneer of online art reporting.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

(And Stanley Lewis, although a significant artist, is out of place here, being a generation younger than the rest of the artists — and if he's included, then why not a lot of other younger painters, including a number of significant women?)

An its wild and playful spirit has inspired a new generation of creatives, including Brooklyn designer Misha Kahn, the Italian duo behind Amsterdam - based Studio Formafantasma, American painter Hernan Bas, and pattern - loving makers of coveted clothing Dusen Dusen.

Focusing primarily on painters active in the second half of the twentieth century, including Michael Andrews, Frank Auerbach, R.B. Kitaj, Leon Kossoff, Paula Rego, F.N. Souza and Euan Uglow, the book begins by introducing the previous generation of artists, such as Walter Richard Sickert, David Bomberg, Alberto Giacometti, Chaïm Soutine, Stanley Spencer and William Coldstream, who set a new path for portraying an intimate, subjective and tangible reality.

Riot Grrrls included pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman.

Miro's work has influenced numerous generations of subsequent artists including the Abstract Expressionists (Motherwell, Calder, Gorky, Rothko) and Color Field Painters (Frankenthaler, Olitski and Louis).

Focusing primarily on painters active in the second half of the twentieth century, including Michael Andrews, Frank Auerbach, R.B. Kitaj, Leon Kossoff, Paula Rego, F.N. Souza and Euan Uglow, the book begins by introducing the previous generation of artists, such as Walter Richard Sickert, David Bomberg, Alberto Giacometti, Chaim Soutine, Stanley Spencer and William Coldstream, who set a new path for portraying an intimate, subjective and tangible reality.

A member of the first generation of Abstract Expressionist painters, Krasner's work was both in dialogue and critical of the work of her contemporaries, including her famous husband, Jackson Pollock.

Many other painters of the same generation - including Adolph Gottlieb (1903 - 74)- have skillfully refined the innovations of the immediate past with great individual distinction but few have made genuine discoveries of striking originality.

Second generation Ashcan painters included George Wesley Bellows (1882 - 1925) and Edward Hopper (1882 - 1967) who produced numerous realist genre works as well as landscapes - see, for instance, House by the Railroad (1925, Museum of Modern Art) and Lighthouse at Two Lights (1929, Metropolitan Museum) and his masterpiece Nighthawks (1942, Art Institute of Chicago).

In 1954, Smith travelled to Paris where he lived and worked amongst an expatriate community of American painters who included Joan Mitchell, Sam Francis, and Shirley Jaffe — peers of the post-Abstract Expressionist, «second - generation» New York School.

Keïta's influence can be clearly seen in the work of a new generation of African artists, including the Senegalese photographer Omar Victor Diop and the Congolese painter JP Mika.

A specialist in representational art - including male as well as female nudes along with various types of portrait art - he is regarded by most critics as being among the best English painters of the 20th century, and one of the best portrait artists of his generation.

In March 1964, Hoyland was featured in Bryan Robertson's New Generation showcase of young painters at Whitechapel Art Gallery, joining a brilliant galaxy of rising stars including Patrick Caulfield (who became a lifelong friend), David Hockney, Paul Huxley, Alan Jones and Bridget Riley.

Their work in many ways bridge the gap between the established vanguard and the newest generation that includes Austin Thomas, Ellen Letcher, Vanessa German, and two painters of merit Brooke Moyse and Nathlie Provosty.

Katz has created an unmistakable language and has remained a prolific painter and an influential and important figure for generations of artists, including now senior painters like David Salle, Peter Halley and Richard Prince, as well as younger artists like Brian Calvin, Peter Doig and Elizabeth Peyton.