Sentences with phrase «generation of painters living»

Brown has since emerged with her own distinct voice, as part of a new generation of painters living and working in New York to be hailed as one its most exciting and talked about proponents.

Not exact matches

Janet's work is a touchstone of modern still life paintings, influential for new generations of painters.

At 89 years - old, Athos Zacharias is a last living link, if not the last living link, to the first generation of Abstract Expressionist painters, many of whom spent significant periods of time on the East End of Long Island.

At several places in the building, the Hamburger Bahnhof currently exhibits an artist whose work and life can not be separated from one another — a painter, an actor, a writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an artist who today is considered one of the most significant of his generation.

Refiguring brings together a young generation of painters who have either studied or currently live in New York City.

By not painting from life, Doig and most mid-career painters of the late 20th and 21st century have, it seems to me, a fundamentally different relationship with modernist painterly tradition from the generation above them — Freud, Leon Kossoff, Frank Auerbach, even David Hockney.

Caulfield, who lived in London, rose to prominence in the 1960s as one of the «new generation» of British painters.

Robert Motherwell called him «one of the most splendid, radiant, and inspired painters of my generation,» although many believe he suffered a lack of recognition due to missing the famed 1951 Life magazine photograph that helped establish the reputation of his contemporaries.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

The Unbearable Yet Obligatory And other shows of modern and contemporary works Shirley Jaffe (b. 1923; lives in Paris) is one of the most accomplished American abstract painters of her generation — yet she has never been included in a Whitney Biennial.

A photograph of The Irascibles appeared in Life magazine and helped to generate acceptance of Abstract Expressionism and the first generation of American AbEx painters.

Embraced by the first generation of Abstract Expressionist painters on the East End of Long Island, she represents one of the last living links to central figures in the avant - garde of 20th century American art, including such artists as Willem De Kooning, Philip Pavia, Ibram Lassaw, John Little and Balcomb Greene.

Using a phrase coined by second generation American Abstract Expressionist painters, they assembled works by American artists living in the US (among them Philip Guston) or France (Francis, Joan Mitchell, Norman Bluhm), French painters (de Staël, Pierre Tal - Coat) and British artists (Heron, Lanyon, Richard Smith), with the addition of a Canadian living in Paris (Riopelle).

Such an artistic upbringing instilled in Chiara a unique sensibility — reserved and determined, fragile and audacious — which she expresses in her documentary films about artists she admires: the painter Brice Marden; the architect Frank Gehry; and the group of women artists of different generations — Nancy Spero, Marina Abramovic, Kiki Smith, Ghada Amer, and Swoon — whose lives she chronicled in Our City Dreams (2008), which won her international critical acclaim.

One of the most influential abstract and conceptual painters of his generation, Whitten lived in New York City, where he passed away in January 2018.

Bavington, who lives in Las Vegas, makes a good example of how younger abstract painters reinterpret the styles of an earlier generation.

Her psychologically penetrating portraits and outspoken personality, made her a cult figure in the art community during the last two decades of her life, in which her visual language has had a major impact on successive generations of painters.

When asked what exactly was the mythic calling of his generation of painters, Barnett Newman famously responded, «Instead of making cathedrals out of Christ, man, or «life,» we are making [them] out of ourselves, out of our own feelings.»

Writing about ayounger generation of painters working through the legacy of the Intimists, writer and curator Chris Sharp ofLulu in Mexico City raises doubts, «about the feasibility of intimacy, perceiving it less as a fact of life than an ethical mode, won through the increasingly rare act of paying attention.»

Unlike other Australian artists of his generation, Sidney Nolan and Arthur Boyd, for example, Drysdale never lived abroad for any length of time, but he remained a regular exhibitor in London, where his 1950 show at Leicester Galleries, at the invitation of Sir Kenneth Clark, represented a major milestone in the history of Australian art, by convincing British critics that Australian painters had a distinctive vision of their own.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Also a painter of landscapes, still - lifes and portraits, Morris was the only person of his generation to achieve national stature both as a painter and a plantsman.

In 1954, Smith travelled to Paris where he lived and worked amongst an expatriate community of American painters who included Joan Mitchell, Sam Francis, and Shirley Jaffe — peers of the post-Abstract Expressionist, «second - generation» New York School.

Jane Freilicher, a stubbornly independent painter whose brushy, light - saturated still lifes and luminous landscapes set in the marshes of eastern Long Island made her one of the more anomalous figures to emerge from the second generation of Abstract Expressionists, died on Tuesday at her home in Manhattan.

Rail: You were sort of parallel to the Pictures Generation, this moment that required validation for photography to be shown as artwork, but also as an acceptable reference for a painter, as opposed to using a live model.