Sentences with phrase «generation of painters who»

It's the story of a lost — ok, maybe not lost, but mislaid — generation of painters who didn't «fit in» with the art scene of the»80s (So, it's a Breakfast Club allegory, you might say...).

By remaining loyal to the orthodoxies of the 1950's, she has more or less alienated herself from the generation of painters who have come of age since the days when art was a heroic metaphysical quest.

Gorchov belongs to a generation of painters who removed their canvases from the rectangular stretcher, seeking a new pictorial field, yet he is unique in his ability to unite form and content while preserving their tensions.

Among the generation of painters who emerged in Germany in the 1960s, Markus Lüpertz is one of the least widely celebrated.

She is one of a generation of painters who explore the different possibilities offered by the medium to displace reality, to undermine any attempts at faithful representation

They were followed by a generation of painters who toyed with irony, pop culture, and consumerism into the 2000's.

Most belong to the generation of painters who followed Abstract Expressionism and navigated between abstraction and representation to reach a new understanding of the use of colour, formalism and figurative painting.

Refiguring brings together a young generation of painters who have either studied or currently live in New York City.

Not exact matches

Ubud had a fascinating history devoted to the following of the Balinese Hindu religion, accommodating the royal family and compelling creativity in the form of painters, carvers, performers and dancers who have been inspired by this area for generations.

Ubud had a fascinating history of a devoted following of the Balinese Hindu religion, accommodating the royal family, compelling creativity in the form of painters, carvers, performers and dancers who have been inspired by this area for generations.

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

Stefan Szczesny September 13 — October 9, 2012 The exhibit explores the early 80s, when Szczesny emerged as one of the protagonists of a young generation of bold figurative painters in the German - speaking world who came to be known as «Neue Wilde.»

Sidibe influenced his contemporaries and inspired a new generation of artists including British painter Chris Ofili, who is based in Trinidad.

It will continue with work by current mid-career painters as well as recent graduates who will play a central role in the next generation of American painting.

Taking issue with Harold Rosenberg (another important champion of Abstract Expressionism), who wrote of the virtues of action painting in his article «American Action Painters» published in the December 1952 issue of ARTnews, [3] Greenberg observed another tendency toward all - over color or Color Field in the works of several of the so - called «first generation» Abstract Expressionists.

From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular painters» who worked as sign painters and created comics, and a new generation of artists that emerged in the 2000s, this unique show offers an historic overview of Congo's artistic landscape.

Quaytman was part of a solid generation of abstract painters who took their cue not just from the Suprematists and the neo-plasticism of Mondrian but also from the color theories of Albers and Matisse, correlating volume and effect.

Gilliam is considered a third - generation Color Field artist (a «generation» in this kind of art history lasts perhaps four or five years), and he came to it obliquely, drawn inby his friend the late painter Tom Downing, who threw down a gauntlet.

Signed LL Theorodos Stamos is heralded as one of the few abstract painters who bridged the New York School's first and second generations.

Considered one of the most important painters of the twentieth century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

I thought it would be interesting to put them in a context with several other generations of contemporary figurative painters, who are continuing to do vital work and are changing with the times.

As a founder of Casa 7 in 1983, Paulo Monteiro belongs to a generation of Brazilian painters that emerged in the eighties and who celebrated a return to the canvas.

And they had a different point of view than the other galleries that existed at the time, and they were particularly interested in the Pictures Generation [a loose affiliation of conceptual photographers and painters who emerged in the mid-70s and appropriated media and advertising in their work], which by that time had become almost underground.

Antoni Tàpies was a Spanish painter, sculptor and art theorist, who became one of the most famous European artists of his generation.

The series began on a high note with artist Chuck Close, one of the preeminent painters of his generation, who discussed his work and career with Gallery curator Jeffrey Weiss.

Oehlen is an artist who consistently questions and plays with the conventions of painting and his works are influential to a generation of painters working today.

At several places in the building, the Hamburger Bahnhof currently exhibits an artist whose work and life can not be separated from one another — a painter, an actor, a writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an artist who today is considered one of the most significant of his generation.

Richard Smith (1931 — 2016) has been described as «one of the most original painters of his generation», who enjoyed huge critical and commercial success in both Britain and the United States in the 1960s and 70s.

In March 1964, Hoyland was featured in Bryan Robertson's New Generation showcase of young painters at Whitechapel Art Gallery, joining a brilliant galaxy of rising stars including Patrick Caulfield (who became a lifelong friend), David Hockney, Paul Huxley, Allen Jones and Bridget Riley.

Born in Tupelo, Mississippi and raised in Louisville, Kentucky, Gilliam has been based in Washington D.C. since the early 1960's, and is part of a generation of Washington - based painters who have explored the boundaries of color, scale, and shape in painting.

The pendulum has now swung away from the cool, abstract and geometric art of Noland's generation and the Minimalist painters who followed them, and toward expressive figuration practiced by such artits as Julian Schnabel (MATRIX 52), Francesco Clemente (MATRIX 46) and Georg Baselitz (MATRIX 70).

Entitled Drip, Drape, Draft, the show presents works by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older artist from what Johnson refers to as «an almost lost generation of black abstract painters», with whom he recently struck up a mutually significant friendship.

The exhibition catalog notes that the painter «was the sole African - American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory.»

She was among a handful of woman painters of her generation — roughly that which emerged in the 1970s — who cracked the glass ceiling of the art hierarchy.

The show presented three distinct generations of painters, the first being artists who rose to international prominence in the 1960s, such as Lucian Freud, Frank Stella, and Cy Twombly.

This exhibition reveals his influence on generations of painters, who all sought to replicate that stygian wonderland of light and shadows.

This sale brought together some of the most in - demand artists and provided us with the opportunity to display classic German painters such as Albert Oehlen, Martin Kippenberger and Gerhard Richter alongside the major contemporary figures such as Lynette Yiadom - Boakye, Jonas Wood, Amy Sillman and Charline von Heyl who are forming the next generation of painters.

Upon his return to New York, Hendler, who is considered a first generation action painter, played a significant role in the movement, both in New York, where he was a friend of Franz Kline, Willem de Kooning and Jackson Pollock, and in Philadelphia, where he ran the city's first avant - garde gallery between 1952 and 1954.

First U.S. Exhibition to Explore Impressionism's Little - Known German Chapter with More Than 100 Paintings, Drawings, and Prints Max Liebermann, celebrated as «the German Manet,» was the leader of a generation of German painters who were inspired by the stylistic developments in France.

We have pulled from Gilles Deleuze's reference to Analogical painting as reference to interpret a new generation of emerging painters who pull from representation, distorting it through a new diagram as Urban contemporary artists.

On view are ink paintings by the late David Slivka, a sculptor and painter who was part of the first generation of abstract expressionists.

Caulfield, who lived in London, rose to prominence in the 1960s as one of the «new generation» of British painters.

Considered one of the most important painters of the 20th century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

Michael Williams is one of the most remarkable new generation painters who swiftly blends analog and digital practices to orchestra complex semi-abstract and somewhat figurative forms.

And you can really see your generation's influence on young emerging painters right now who are returning to the figure, to an almost surrealist representation of it.

Best known for his Abstract Expressionist - style Graffiti, JonOne represents a new generation of contemporary artists who have moved beyond their roots as graffiti writers to establish themselves as painters.

Together, «Bay Area Abstraction» and the related «pendant» exhibition of works from the 1950s and»60s by Madeleine Dimond, Edward Dugmore, Lynn Faus, Lilly Fenichel, James Kelly, Michael Kennedy, Robert McChesney, Deborah Remington, and Hassel Smith, painters who also studied at the CSFA, create a lineage of teachers and students across three generations.

The painting scene in San Francisco in the»40s centered around a small, tight - knit group of teachers and serious students at the California School of Fine Arts (renamed the San Francisco Art Institute in 1961), who were influenced by Clyfford Still (1904 - 1980), a major first - generation abstract expressionist painter, who taught at CSFA from 1946 until the early»50s when he moved to New York.

Wang Guangle (b. 1976, Songxi, Fujian province) trained at the Central Academy of Fine Arts, Beijing, where he graduated in 2000 and was awarded first prize in the annual academy contest for his thesis piece, 3 to 5 p.m. Regarded as a leader among China's younger generation of painters, he is a member of N12, a group of twelve graduates of the Central Academy of Fine Arts who began staging exhibitions together in 2003.