Twitch gained the rights to live - stream Bob Ross from BobRoss Inc. and Janson Media, whose participation helped introduce him to a younger
generation of viewers who don't remember watching his calming tutorials on painting on TV as kids.
Together, this exhibition and publication will inspire
a generation of viewers interested in discovering this exceptional and distinctive genre.
More than thirty years later, Gagosian will present to a new
generation of viewers a full - scale painted replica of the original work, based on documentation from Lichtenstein's studio and produced under the supervision of his former studio assistant.
Based on Osamu Tezuka's popular Astro Boy series, this movie had a lot of weight on its shoulders — attempting, and in several ways succeeding, to cater to not only fans of the original but also to
a generation of viewers for whom Astro Boy comes along as a just another computer - built children's film.
The war for streaming is resting on families» youngest members —
a generation of viewers who have born into a world where tablets already exist, and who can navigate their way around the devices better than their parents in many cases.
Desert song Elaine from «Seinfeld» s rant against «The English Patient» essentially destroyed Anthony Minghella's Oscar - guzzler for
a generation of viewers — making it become a byword for lengthy, handsomely sluggish prestige cinema.
Over a wildly accomplished seven - season run, «The West Wing» influenced not just a whole
generation of viewers and voters, but artists and office - seekers as well.
The first trailer for the new adaptation of Stephen King's IT has landed, and there's a decent chance the film will scar a new
generation of viewers from clowns, while also reigniting the coulrophobia of 90s kids (raises hand) who were...
Based on the Emmy Award - winning series treasured by
a generation of viewers, Disney XD's animated comedy - adventure series «DuckTales» chronicles the high - flying...
Jules Bass and Arthur Rankin, Jr.'s 1974 animated classic comes to vivid life for a whole new
generation of viewers in this live action holiday adventure starring John Goodman, Chris Kattan, Eddie Griffin, Ethan Suplee, and Carol Kane.
To an entire
generation of viewers, actress Dawn Wells will forever be associated with her recurring portrayal of Mary Ann Summers, the sugar - sweet and open - faced country lass shipwrecked on a desert isle with one of the zaniest television ensembles of the»60s, on the sitcom Gilligan's Island (1964 - 1967).
TUNING IN TO THE NEW WORLD OF TV A new
generation of viewers has arrived and they're no longer content to let someone else define their viewing experience.
The Erie County Legislature recently honored long - time WIVB senior correspondent Rich Newberg on a stellar career, one that has placed him in the Buffalo Broadcasters Hall of Fame and earned the respect of
generations of viewers.
«Forty years ago, I set out to make a personal art picture that could hopefully influence
generations of viewers for years to come,» Coppola said in a statement.
This visionary work of dystopian future manage to captivate the minds of audiences and scare them to the bones, giving nightmares to
generations of viewers.
This exhibition examines two centuries of works intertwined with emotion — from the sacrifice of classical heroines to the grief of ordinary people, from martyred saints to actors in tragic roles — and explores how art's cathartic power grows or fades for new
generations of viewers.
Katz's graphic works were precursors to Pop Art by Andy Warhol and Roy Lichtenstein, and have continued to transfix
generations of viewers since the 50s.
Renowned since the Sixties for his stylized figurative paintings, portraits in particular, Alex Katz's unique approach has continued to transfix
generations of viewers.
Not exact matches
The ideas they impart upon
viewers prove that many mental aspects
of success are universal, across fields and
generations.
The citizens
of the host country expunge all cynicism and find their eyes filling with tears; television
viewers around the globe are inspired by a new
generation of fresh - faced athletes, many
of them competing in events which would draw almost zero interest in any other context; the networks and sponsors breathe a great sigh
of relief knowing that their massive investment was sound; and the folks in Lausanne smile a secret smile.
He was the first American journalist to report from Mogadishu, Somalia on the worst famine
of a
generation and recently took our
viewers into Iran, getting rare access to the streets
of Tehran.
And what's truly remarkable is that, even when the network realized its reporter had committed two significant errors, it declined to fully retract the story, leaving
viewers with a distorted impression
of how the tax system has evolved over the past two
generations.
Icon makers
of all
generations have been careful to emphasize the two - dimensionality
of their images, elongating noses and enlarging eyes, breaking perspective and adding prominent frames, to ensure that the
viewer does not mistake the image for something «real» or living.
Most children and adults who are heavy
viewers of television express a greater sense
of insecurity and apprehension about their world — the «mean world» syndrome — than do light
viewers, and the
generation of insecurity, vulnerability, and dependence creates the overall condition in which violence is facilitated in society.
«Unique Adventures in Japan: Yamanaka and Fukui» gives
viewers a close - up view
of Japanese craftsmanship
of Kinpaku gold leafing and creation
of Japanese kitchen knives, an invaluable tradition passed down from
generation to
generation.
America's two largest cable television companies last week announced a joint venture to develop hardware and software specifications for a new
generation of cable systems that will offer
viewers hundreds
of television channels and access to online video libraries.
Dean Kamen's new television program takes
viewers on a behind - the - scenes look at cutting - edge research in hopes
of inspiring a new
generation of scientists, engineers and inventors
The critically - acclaimed documentary series INSIDE COMEDY offers
viewers a definitive look inside the career - defining moments and never - before - heard, personal anecdotes from the crème de la crème
of the comedy world spanning several
generations.
The atrocious film detaches from the other two movies
of the trilogy (The Matrix, The Matrix Reloaded) and leaves a bad taste for the
viewers, expecting a decent conclusion to a series that could be made into something that will be remembered for the
generations for come.
The abundant tropes remind the
viewer of those featured in vehicles favored by the likes
of Steve McQueen, Charles Bronson, and James Coburn, men's men who made movies for men that weren't even likely to interest boys with a taste for action, as the work
of the next
generation of action stars (Stallone, Schwarzenegger, and Norris» other slightly younger Expendables cast mates) would.
... Mr. Robot asks an entire
generation of harried and hurried
viewers to pay attention, think about it and, most
of all, wallow in it.
There are any number
of readings available here, from Katniss and Peeta's relationship mirroring
generations of Hollywood stars (closeted and otherwise) with fake publicity marriages, to the oppression
of the working classes by the greedy 1 %, to the vagaries and dangers
of instant fame, to bread and circuses, and «Catching Fire» allows
viewers to dig into or avoid the metaphors as much as they want.
Visually and aurally, The Babadook brings to life an instantly iconic monster, Mister Babadook, who I believe will haunt the dreams
of viewers for
generations to come.
There's a good chance that diminishes the enjoyment
of some
viewers belonging to Gray's
generation.
Despite only a few minutes
of screen time together, the clear pairing
of Broadbent and Alexander's characters acts as a subtle reminder to the, ahem, younger
viewers that this film is just as much a foreshadowing
of your mildly depressing future as it is a meditation on the mildly depressing present
of the baby boomer
generation.
There is much to admire in The Place Beyond the Pines, but the first thing
viewers will respond to is Gosling, an actor who can simultaneously project masculinity and vulnerability better than anyone in his
generation; there's a reason he's become both a sex symbol and the subject
of a feminist Internet meme.
For over 25 years, the remarkable body
of work
of recipients speaks directly to a
generation of MTV
viewers.
But TV
viewers of my
generation should be grateful for the fact that they can now have virtually all
of the series on DVD and can musically practice their multiplication tables, relearn their parts
of speech, and give themselves refresher courses on basic scientific concepts and American history.
As well, the film may give parents a chance to share an old Hollywood icon with a new
generation of movie
viewers.
There is an unmistakable autobiographical quality to this film, whose details and musical tastes will certainly strike a chord with
viewers of the Baby Boom
generation.
It's gotten a new
generation of young
viewers interested in horror and helped give vampirism back it's bite after the neutering effect Twilight had on the subgenre.
Not only did my boy remind us
of youth's fleeting nature, the precocious lad recalled what we already knew but had forgotten: if Pixar is to keep this franchise stepping lively, it needs to ring in
generation after
generation of new
viewer.
The Live Events
Viewer app was used to watch numerous sports events such as UFC and WWE, but as
of tomorrow, you will have to own a PlayStation 4 to use the app as the service is being discontinued for the last
generation console.
Helen Frankenthaler's life and art produced a remarkable body
of work that inspired an artistic movement and continues to inspire new
generations of artists and
viewers in her unique pursuit
of truth and beauty.
At this moment
of renewed relevance, Bernard Buffet: Paintings from 1956 to 1999 reintroduces the artist's oeuvre to a new
generation of American
viewers, charting a history
of the artist's development through a tightly focused selection
of highlights from Buffet's career.
Belonging to the
generation of artists exposed to Actionist and Performance Art
of the 1960s and 70s, West instinctively rejected the traditionally passive nature
of the relationship between artwork and
viewer.
Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the
viewer's own socio - political leanings; Samira Yamin's intricate patterns
of Islamic sacred geometries cut into TIME Magazine photos
of war oscillate between greater ambiguity and flirting with the didactic depending on the density
of the cuttings; Sandra de la Loza's photographs
of Stoner Spots underscore the politics
of leisure through the exploration
of pot - safe spaces, with a subtext
of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple
generations of photocopying through the prism
of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.
By symbolically portraying the gallery space as a talking vehicle, Baghramian evinces the importance
of the venue — not only as a locus
of idea
generation, but also as a conduit that signifies the role
of the
viewer as a conveyor
of ideas into the outside world.
Politically, it gives the lie to the mainstream pretense that Australia is not really a racist society whilst providing a masterful portrayal
of individual Aboriginal subjects who gaze with defiance at the
viewer, resilient in the face
of a litany
of structural oppression that has included, but is not limited to, the stolen
generations, skyrocketing rates
of incarceration and continuing paternalistic policies
of successive governments.
As part
of a new
generation of artists associated with «New Materialism,» which proposes that objects and materials assert their own power over the
viewer independent
of subjective cultural interpretations, German and Mongolian - Chinese multimedia artist Timur Si - Qin is fascinated by the immediate visual and emotional power
of brand logos and advertising in and
of themselves.