Sentences with phrase «generation of women whose»

Yet I have been sitting on my copy of this 2009 novel about four generations of women whose huge, canavorous home in Dover holds decades of secrets.

Spanning two generations of women whose destinies become inextricably linked with the matinee idol's, this lively novel tells the provocative history of a vanished era, of uncommon kinships, compelling attachments, betrayal and atonement in a paradisal, tropical setting.

Not exact matches

Unlike the secular materialists I had studied in my feminist philosophy class that semester or the exhibitionist pop divas whose reductive views of women's liberation had shaped my generation, Teresa had something genuinely hopeful to say to me.

Raised in Toronto, Tanya Taylor grew up surrounded by three generations of fiercely ambitious women whose creative approach to fashion inspired her from an early age.

Annie Parker (a wonderful Samantha Morton) comes from a family whose women have suffered the horrors of breast cancer for many generations.

It's a telling summation of ditzy Thelma (Geena Davis) and maternal Louise (Susan Sarandon), two mild - mannered nobodies - turned - desperadoes whose odyssey across the Southwest in the summer of 1991 made them feminist icons for a generation of women.

Proving yet again why she is the actor of her generation, giving a brilliant portrayal of a woman whose idea of mourning is to appear as if she's not mourning at all.

At once nostalgic and refreshingly original, The Family Tree is a sophisticated story of one woman and the generations of women who came before her and whose legacy shaped her life and its emotional landscape.

Surprisingly, it helped her, although she was continents and generations apart, in a world whose values must have been unimaginable to a woman who had been married at sixteen and widowed at twenty - four, and who had only left Calcutta once in her entire life for a pilgrimage to Badrinath with the members of her Geeta group.

Seventy years later, amid the shadowy world of art dealers who profit off the sins of previous generations, Jack gives a necklace to his granddaughter, Natalie Stein, and charges her with searching for an unknown woman - a woman whose portrait and fate come to haunt Natalie, a woman whose secret may help Natalie to understand the guilt her grandfather will take to his grave and to find a way out of the mess she has made of her own life.

Her next full - length novel is about three generations of Chinese and Chinese - American women whose lives are linked by a painting, and is set in San Francisco and Shanghai over the course of some 50 years.

A sweeping debut that crosses continents and generations, Rebellion tells the story of Addie, Louisa, Hazel, and Juanlan: four women whose rebellions, big and small, are as unexpected as they are unforgettable.

An extraordinary portrait of three generations of Tibetan women whose lives are forever changed when Chairman Mao's Red Army crushes Tibetan independence.

In a similar spirit, Thorn also posted an article celebrating the first generation of postwar shojo manga artists, the men and women whose work profoundly influenced such Magnificent 49ers as Keiko Takemiya and Moto Hagio.

(The issue of second - generation Ab Ex women, whose best work is critically considered to have occurred after 1950, is one that many women artists felt was dismissive of the actual timing of their development and work.)

Rona Pondick was among an important new generation of women artists including Kiki Smith, Sarah Lucas and Jeanne Silverthorne, whose works featured daring materials and references to the body.

Featuring more than 40 works by modern artists ranging from Mary Cassatt to Georgia O'Keeffe who paved the way for future generations of professional women artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mowomen artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in moWomen at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mowomen in their community; women illustrators; and modern women in mowomen illustrators; and modern women in mowomen in motion.

Ms. Holt, who lived and worked for many years in Galisteo, N.M., was one of the few women to pursue monumental sculpture in the American West, a place whose wide - open spaces drew a generation of restless artists like Michael Heizer, Walter De Maria, James Turrell and Robert Smithson, whom Ms. Holt married in 1963.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

By the early 1980's Simmons was at the forefront of a new generation of artists, predominantly woman, whose use of the media as subject began a new dialogue in contemporary art.

Representing a generation of artists active since the late 1990s, Body Talk foregrounds six African women artists whose artistic practice is concerned with past and current iconography of social protest and resistance.

Such an artistic upbringing instilled in Chiara a unique sensibility — reserved and determined, fragile and audacious — which she expresses in her documentary films about artists she admires: the painter Brice Marden; the architect Frank Gehry; and the group of women artists of different generations — Nancy Spero, Marina Abramovic, Kiki Smith, Ghada Amer, and Swoon — whose lives she chronicled in Our City Dreams (2008), which won her international critical acclaim.

This exhibition features 39 black female artists, spanning three generations and a range of mediums, whose works consider other women or in which they turn inward in an exercise of self - examination.

Their artworks provide a personal and cultural history of three generations of Inuit women whose art practices included autobiographical narratives and chronicled intimate and sometimes harsh memories and historically resonant moments.

It focuses on a generation of African women artists who started to work in the early 1990s and in whose practice the body is central.