I think what you say might well be true for the older
generation of writers who started writing when all that silly submitting and querying bullshit was the only way to reach readers.
Howey is part of
a generation of writers who have leveraged new media to develop direct personal relationships with readers.
Then there will be the next
generation of writers who reach that point where they have completed their manuscripts and they're ready to think about publishing.
By showing that indie publishing is not just a viable alternative to legacy publishing, but perhaps a preferable one as well, you're helping inform an entire
generation of writers who will use this date to help them make difficult, personal decisions.
Not exact matches
If, as many believe, God directed the people
who wrote the Gospels as to what they should write about, if God thought it all that important to tell all future
generations what Jesus had to say on this topic, why did he not direct the
writers of the Gospels to tell us what Jesus said?
But at the same time, observed
writer John Leo, a large number
of Americans were «computerphobes» and «technopeasants»
who feared computers were «designed to destroy privacy, eliminate jobs, carry the TV
generation even further away from literacy, read little squiggles on cornflakes boxes so the grocer can cheat his customers more easily, and allow World War III to be launched entirely by technical error.»
You know, I'm a big Star Trek fan and I think a lot
of scientists, the science
writers who have grown up love Star Trek, but, you know, maybe its formally [finally] got [a] little tiring, so you just need to take a break and maybe [a] new
generation will find it interesting, and I am sure enough, maybe a $ 5,500 dollar set
of bat «leth could go for twice that, you know, 30 years from now.
Generations of fine
writers have conjured up for us wild places and astonishing creatures, but for every reader inspired to get closer to nature in some way, there are thousands
who simply enjoy the read.
As a British director
who made his start in TV comedy, I can vouch for the fact that this film is one
of the key texts for every single UK comedy
writer, actor, and director
of my
generation.
A low - key highlight
of the recent South by Southwest Film Festival now making its L.A. premiere, Stella Meghie's appealing debut feature focuses on three
generations of Jamaican American women, including the endearingly indecisive young New York
writer (an excellent Taylour Paige)
who gives the movie its title.
For me, it's the former rather than the latter... but, then, I'm just slightly older than the
generation who swore by those toys that were more than met the eye; not that I'm not curious to see how the animated series translates to live - action, but, frankly, I'm much more psyched to find out if the
writers of «The Simpsons Movie» can pull a rabbit out
of their hat and come up with a flick that's better than, say, the last three or four seasons
of the show.
Huntsinger is helping to raise the profile
of a
generation of filmmakers, most recently Moonlight
writer - director Barry Jenkins,
who began attending Telluride as a student and was serving popcorn as a concession manager at the festival in 2008 when Huntsinger took an interest in his first movie, the $ 13,000 Medicine for Melancholy.
Dan Jurgens is both an artist and
writer who has taken on Superman numerous times, including the famous death, and wraps up his current run with the character in this week's momentous Action Comics # 1000 passing the torch to the next
generation of creators in a way.
Josh, Harrison and their father, Henry, are part
of a long history
of intergenerational
writers who have used writing as both a teaching experience and a way to bring
generations together by changing storytelling into a more participatory process.
Yet Styron,
who would have been 90 years old on June 11, was also a prolific and gifted
writer of nonfiction, as the doorstop - sized new collection, My
Generation, makes plain.
Seems only fair that he and his publisher, Random House, should be willing to share that success with all
of the aspiring
writers and next -
generation publishers
who are using Lulu to bring their knowledge, expertise and remarkable stories to the world.
This «permission» has ushered in a whole new
generation of diverse
writers who have produced verse novels, memoirs, and biographies.
«You can never have
writer's block in Lagos,» says Toni Kan, one
of a new
generation of Nigerian
writers who finds inspiration in the city.
Will the next
generation of writers — those
who aren't established in traditional publishing — be in a strong
of a position with traditional publishing?
And, because
of guilt - by - association, it's an annoyance for the emerging
generation of indie
writers who chose not to bother with the agent / trad - pub route, but
who are every bit as «pro» as their trad - pub counterparts.
Stein labeled this group
of expat
writers as «The Lost
Generation» —
writers who were adrift after World War I and were trying to find a set
of values they could believe in.
We are committed not just to publishing the prominent
writers of our age, but also to publishing first books and lesser - known authors
who will become the important poets
of their
generation.
You may think
of the great
writers of previous
generations who just seemed to sit in their studies and produce great books.
Writers who sail through the idea -
generation and researching stages sometimes come to a sudden halt here, but writing the first draft
of your ebook doesn't need to be daunting or difficult.
It's just the current transitional
generation of writers and publishers
who are trying to uphold clear demarcations between traditional, small independent and self - publishing.
At several places in the building, the Hamburger Bahnhof currently exhibits an artist whose work and life can not be separated from one another — a painter, an actor, a
writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an artist
who today is considered one
of the most significant
of his
generation.
Best known for his Abstract Expressionist - style Graffiti, JonOne represents a new
generation of contemporary artists
who have moved beyond their roots as graffiti
writers to establish themselves as painters.
In art circles, it's sometimes forgotten that the first
generation of Abstract Expressionist painters in the 1940's were indebted to the modernist
writers of the 1920's,
who elevated an interest in myth and symbolism to the level
of an aesthetic imperative.
The French curator Simon Castets,
who is 30 but could be easily mistaken for a cast member
of Glee, is part
of the new
generation of artists, filmmakers,
writers, and other creative types emerging in the age
of social media.
Eva Hesse has (quite rightfully) long been established as one
of the most significant artists
of her
generation, and aside from calling attention to, say, less canonical works or emphasizing previously unplumbed historical correspondences, most recent reviews have taken her «excellence» as a given, often focusing not on Hesse's oeuvre itself but on the methodologies used by curators and catalogue
writers who take the artist's short, tragic (and thus mythic) career as their subject.
In this sense the true heirs
of the New York School were not the gestural painters
of the fifties but the
writers of the «beat»
generation and the funk assemblagists,
who metamorphosed the New York School's romantic imagery
of the alienated genius into the militant social pariah, as exemplified by Allen Ginsberg, Jack Kerouac, and Norman Mailer.
Last year, Arts
Writers funded Andrea K. Scott
who has been writing about the «postinternet»
generation, following a loose group
of young artists working in Berlin, Oslo, New York and Los Angeles.
It includes essays by poets, artists, philosophers and sociologists: from civil rights figures such as the scholar and African - American activist W.E.B. Du Bois and the Trinidadian - American Stokely Carmichael; to
writers including Gertrude Stein and Joan Retallack; from artists
of different
generations such as sound poet Hugo Ball (
who wrote one
of the founding Dada manifestos), Ad Reinhardt, Joan Jonas, William Pope.L and Felix Gonzalez - Torres; to new essays by curators Adrienne Edwards, Laura Hoptman, Susan Thompson, Jenny Schlenzka and the critic Tom McDonough.
Thomas argues that the heroes
of this
generation will be
writers, artists, and musicians
who move us to fundamental change — incremental changes are just not sufficient under the current emergency.
The perils and promises
of a rising
generation steeped in informal writing are particularly relevant to legal educators: Not only are we engaged in training students to be professional readers and
writers who will carefully use written language to explain, to persuade, or to bind others, we frequently encourage students to use the rigor
of writing to build their understanding and to create complex legal argument.
While I wouldn't need to worry about acting out any specific scenes, Virgil did receive the full backstory treatment, and a couple weeks before SXSW, Giant Spoon and
writer - director David Wally offered me several takes on Virgil: he could be a confident fourth -
generation lawman, a tentative rookie, a corrupt cop, a skittish coward scared
of Sweetwater's tougher elements, or a sadistic deputy
who thought residents needed harsher punishment.
About this blog About my company, Brazen Careerist Penelopes guide to starting a blog The Internet has created a
generation of great
writers Posted to: College students Diversity Journalism October 19th, 2009 Del.icio.us Posted by Wil Butler on October 21, 2009 at 1:48 pm permalink As a librarian
who is a frequent user
of online technologies I have been trying to articulate this idea for quite some time.