«With Pace's 1981 exhibition, Picasso: The Avignon Paintings, critics, art historians, and an entire
generation of young artists came to recognize Picasso's vital late work.
Not exact matches
What he seems to point out is a mode
of art making that has spread among a predominantly
younger and up -
coming generation of artists.
Showing how González influenced the
young emerging
generation of artists, curators and historians
coming out
of Colombia, the exhibition proves that, if anything, her time is now.
It was in 1982, a time when a new
generation of American
artists, and a
generation concerned with painting — which had not been the case with
young artists for years — was
coming to the fore.
The exhibition considers works by famed Nouveau Réalisme
artists such as Arman and Raymond Hains alongside the likes
of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a
younger generation of contemporary
artists who
came of age in the wake
of Pop Art.
For more than a decade the designation «post-black» has
come to signify the work
of a
younger generation of African American
artists.
The organizer, the American painter and art dealer William Copley, conceived
of it as an intermedia and intergenerational publication, presenting works by an impressive array
of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop
artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte
Young; and an up - and -
coming generation of conceptual and post-studio
artists represented by Joseph Kosuth and Bruce Nauman, among others.
I would argue that this portrait
of a
young Kellie Jones points to the extensive creative dialogues to
come between this exhibition — the most significant and informed contribution to debates around black art to date — and a new
generation of UK
artists.
In the nearly quarter
of a century since that pivotal show (which would
come to define the
Young British
Artists), Hirst has become one of the most influential artists of his gene
Artists), Hirst has become one
of the most influential
artists of his gene
artists of his
generation.
Yet in conjunction with the country's recent economic boom, the international art market has begun to sit up and pay attention: Brazilian galleries have multiplied, institutional attention has intensified and a whole
generation of younger artists, along with overlooked figures from a previous
generation, has
come to wider attention and secured representation, critical coverage and collectors from abroad.
Even as recent years have seen a return to a focus on craft and the object and, sometimes, beauty, it seems that the ultimate triumph
of Conceptualism has
come in the form
of younger generations who embrace the
artist's role as that
of universal creator.
Stan Douglas, born in Vancouver in 1960, is among a
younger generation of artists that has
come of age artistically around figures like Jeff Wall and Rodney Graham.
Language, broadly speaking, has long been a central concern for many black contemporary
artists — Glenn Ligon, Pope.L, Lorna Simpson and Carrie Mae Weems
come to mind — but this
younger generation draws inspiration directly from literary sources: the poetry
of Amiri Baraka, Tisa Bryant, Moten, Harryette Mullen, Claudia Rankine and others.
The DIY scene in which they all
came up together has influenced an entire
younger generation of artists, graff writers and creatives
of all kinds and will continue to do so for years to
come.
Hamilton was not going anywhere near there, but his disdain anticipates a
generation of appropriation art to
come, from Barbara Kruger and I Shop Therefore I Am to the
Young British
Artists.
The Lisson is also no slouch when it
comes to working with the very best
of younger generations of artists.
Women House's 39
artists come from four continents; they span from historic figures such as Claude Cahun to a
young generation: Mexican
artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixierand Elsa Sahal... Some
of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject
of recent rediscoveries connected to a rereading
of the History
of Art in terms
of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).
Just last year, MoMA PS1 held the first (in the US) and largest survey
of the work
of Mark Leckey, a pioneering British
artist that holds significant influence over a
younger generation of artists who have
come of age after the internet.
A
generation of young curators including Tinari, who is in his mid-30s,
came of age in the era
of superstar
artists like Hirst and are less inclined to look down on business savvy.
When Ann Purcell was a
young painter and art teacher in Washington, D.C., she
came to know two
artists she now considers mentors — Gene Davis, famed for his vertical stripes, and Jacob Kainen, who influenced
generations of artists with his wisdom, independence and work ethic.
At the art fair Art Basel 280
of the world's leading galleries show the work
of over 4,000
artists — from modern masters through to the latest
generation of up - and -
coming young talent.
American
artist Matt Mullican (born 1951) rose to prominence as a member
of the «Pictures
Generation,» a group
of young artists coming of age in the early 1970s in the United States.
Women House's 39
artists come from four continents; they span from historic figures such as Claude Cahun to a
young generation: Mexican
artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixier and Elsa Sahal... Some
of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject
of recent rediscoveries connected to a rereading
of the History
of Art in terms
of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).
While the
generation of artists who
came of age during the Cultural Revolution has dominated the market in the 2000s,
younger artists are starting to gain international attention.
Coming across the works
of some
younger generation artists, there is fascination with pop culture and its current relationship to the identity
of African - Americans.
As curator
of the landmark 1993 exhibition,
Coming to Power: 25 Years
of Sexually X-plicit Art by Women, Cantor highlighted a dialogue between the female
artists of the 60's and 70's who boldly incorporated explicit imagery in their work, including Louise Bourgeois, Lynda Benglis, and Alice Neel, and the
younger generation of female
artists, such as Cindy Sherman, Nan Goldin, and Marilyn Minter, who, like Cantor, continued to develop this concept.
According to Kim,» [Mehretu] represents a
younger generation of artists of color who
came into prominence in the 21st century for pushing boundaries
of abstract painting, by using a diverse variety
of imagery and discourses around geopolitics, socioeconomics, the history
of past civilizations, mark - making and art history.»
Meanwhile, a
younger generation of artists has
come up showing the influence
of the Neo-Expressionists.
Moreover, in New York the Abstract Expressionism (check out our article about Pollock here, and about Abstract Expressionism here) was already living a crisis, and the Europeans — as well as the
young generations of American
artists — wanted to
come back to the figurative works.
Muir
comes there from Hauser and Wirth, the successful commercial gallery, and has a longstanding involvement with the British art scene that he narrated in a book, Lucky Kunst: The Rise and Fall
of Young British Art, about his friends, the original Hirst generation of young British artists (Y
Young British Art, about his friends, the original Hirst
generation of young British artists (Y
young British
artists (YBAs).
Yinka Shonibare
came to prominence in the late 1990s and was part
of the
Young British
Artists generation.
A leading
artist of her
generation, Sam Taylor - Wood
came to prominence in the mid-1990s as one
of the YBAs (
Young British
Artists), alongside such artists as Damien Hirst and Tracey Emin, who were quickly propelled to celebrity status for their provocative and sensational
Artists), alongside such
artists as Damien Hirst and Tracey Emin, who were quickly propelled to celebrity status for their provocative and sensational
artists as Damien Hirst and Tracey Emin, who were quickly propelled to celebrity status for their provocative and sensational works.
Bick's inspiration for making this project
comes from the re-emergence
of abstract systems and constructivist tendencies in
younger generations of artists.
I think there is a
younger generation of artist that are
coming up who are reacting to the so - called post-internet
artists.
She was the
young, up - and -
coming star
of the new
generation of video
artists.