Sentences with phrase «generation of young artists from»

Not exact matches

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

His hybrid constructions from the 1970 - 2000 appear very fresh today, speaking to a younger generation of artists.

This will include those from older generations of artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own practice.

This will include those from older generations of artists, to those by more contemporary artists who are part of her generation or younger, and may in turn find inspiration in Thomas's own practice.

Although Emin first rose to prominence as part of the so - called generation of Young British Artists (YBA), the highly autobiographical nature of her work set it apart from the general artistic trends of the 1980s and 1990s.

In particular, works from some 90 French and overseas artists, mainly from the young generation are on show, forming a rich and diversified panorama of art today.

This group show establishes a dialog between three young São Paulo artists represented by the gallery — Pedro Caetano (b. 1979), Rafael Carneiro (b. 1985), and Tiago Tebet (b. 1986)-- and a selection of artists from the same generation who are based in New York City: Gustavo Prado (b. 1981, Brazil), Nicole Wittenberg (b. 1979, USA), Guy Yanai (b. 1977, Israel), and G.T. Pellizzi (b. 1978, Mexico).

This annual gala also enables us to raise the funds to nurture the next generation of artists and to connect children and young people from every social background with the arts.»

As a tutor at Goldsmiths College from 1974 - 88 and 1994 - 2000, he had a significant influence on two generations of young British artists.

In the context of the exhibition ``... and yet one more world,» presented by Kunsthaus Hamburg, the oeuvre of the seminal German Conceptual artist Hanne Darboven (1941 — 2009) serves as a starting point for an exploration of its present - day impact and relevance from the perspective of a younger generation of international artists.

Two video works by artists from a previous generation, Bruce Nauman and Marina Abramovic, point to the tradition in which the works of the younger artists are set.

Whereas the more recent works by the younger generation of artists reconstruct and reinterpret the Modernist ideas and concerns from today's artistic point of view.

Yet in conjunction with the country's recent economic boom, the international art market has begun to sit up and pay attention: Brazilian galleries have multiplied, institutional attention has intensified and a whole generation of younger artists, along with overlooked figures from a previous generation, has come to wider attention and secured representation, critical coverage and collectors from abroad.

«One striking thing was a certain antipathy toward the exhibition, if not necessarily toward Thelma, by an older generation of African - American artists who believed their work had been ignored by museums in the city,» remembers Okwui Enwezor, then a young transplant from Nigeria (and later a Venice Biennale curator).

Kenneth Noland, who has died of cancer aged 85, was one of the young artists tasked with seizing the star - spangled standard from the preceding warrior generation of Jackson Pollock and Mark Rothko and bearing it aloft into battle.

He graduated from Goldsmith's College in 1988 and later that year showed his work in the landmark exhibition Freeze, which heralded a new generation of young British artists.

3 x 3 from Hungary This exhibition of three generations of Hungarian avant - garde art, spanned the last four decades, from the grand master of abstract painting Tamás Lossonczy, to the youngest generation of 1990s neo-conceptual artists.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

One of the first generation of Young British Artists, Harvey graduated from Goldsmiths College in 1986, and is a friend and contemporary of Damien Hirst.

«Hong Kong Invisible» thus bolsters this new direction for the gallery, on the eve of its 20th anniversary this November — from pioneer specialist of Mainland avant - garde art to also being a springboard for a younger generation of Mainland, Hong Kong and international artists.

The latest installment of Schoeni Art Gallery's Niubi series was «Generation Me: Lost in Transition,» an exhibition from February this year of young Mainland Chinese artists who are struggling to find their place in an already established and highly competitive art market.

Language, broadly speaking, has long been a central concern for many black contemporary artists — Glenn Ligon, Pope.L, Lorna Simpson and Carrie Mae Weems come to mind — but this younger generation draws inspiration directly from literary sources: the poetry of Amiri Baraka, Tisa Bryant, Moten, Harryette Mullen, Claudia Rankine and others.

Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s, but continues to have far reaching influence today, including younger artists in the gallery's own stable, such as Jessica Jackson Hutchins, Volker Hüller and Eddie Martinez.

His art developed in the London art scene beginning in the 1960s, when a dynamic generation of young artists took painting into a new direction by exploring impulses from both the figurative tradition and popular culture.

In this exhibition we present a selection of these works, together with works from other Norwegian collections, in an exhibition that reviews Kitaj's contribution as a historical artist, but also as one whose works still resonate with those of younger generations of artists.

It had a profound impact on artists around the world, from Cy Twombly and Anish Kapoor, to Damien Hirst and Tracey Emin, as well as on a younger generation of Italian artists like Maurizio Cattelan, who decided to make art after seeing a mirror self - portrait by the Arte Povera artist Michelangelo Pistoletto.

Julian Schnabel: CVJ is a facsimile of the out - of - print Random House edition from 1987, offering a new opportunity to assess Schnabel's influence on younger generations of artists and on the current debates on painting.

The works we now present illustrates important lines and tendencies in the Astrup Fearnley Collection's history — from the 1960s British and European pop painting and German Neo-expressionism via the British YBA - artists and the American appropriation artists in the 1980s and 1990s and to the past decades focus on the younger generation of international contemporary artists.

Embodied Absence: Chilean Art of the 1970s Now brings works of art and documentation from this historic period into dialogue with new performances and collaborations with contemporary Chilean artists of a younger generation.

2015 Interventions in Printmaking: Three Generations of African American Women, Allentown Art Museum of The Lehigh Valley, Pennsylvania, USA SELF: Portraits of Artists in Their Absence, National Academy Museum of Art, New York, USA Piece by Piece: Building a Collection, Selections from the Christy & Bill Gautreaux Collection, Kemper Museum of Contemporary Art, Kansas, USA Status Quo, The School, Jack Shainman Gallery, New York, USA Breath / Breadth: Contemporary American Black Male Identity, Maier Museum of Art at Randolph College, Lynchburg, USA To Be Young, Gifted, and Black, Goodman Gallery, Cape Town, South Africa

Subsequent generations, from Warhol to the appropriation art of the 1980s and then the Young British Artists, needed instead a Modernism emanating from Dada.

Hamilton was not going anywhere near there, but his disdain anticipates a generation of appropriation art to come, from Barbara Kruger and I Shop Therefore I Am to the Young British Artists.

Barclay is a leading figure in a generation of graduates from the Glasgow School of Art in the 1990s: a group of young artists studying in the city who rose to the fore of the contemporary art world.

A scholarship from the National Arts Foundation allowed her to travel to Paris as one of the young Argentine artists featured in Pablo Curatella Manes and Thirty Argentines of the New Generation, a 1960 exhibit organized by the prominent sculptor and Paris Biennale judge.

Women House's 39 artists come from four continents; they span from historic figures such as Claude Cahun to a young generation: Mexican artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixierand Elsa Sahal... Some of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject of recent rediscoveries connected to a rereading of the History of Art in terms of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).

A contemporary of the YBA (Young British Artists) generation, he has forged a distinctive career that sits apart from the cooler theoretical approach of some of his peers, favoring a more flamboyant, accessible aesthetic that blurs the division of high art and popular culture.

By 1994 Saville's increasing profile enabled her to exhibit in several notable group shows: Young British Artists III, Saatchi Gallery, London (1994), Contemporary British Art» 96, Museum of Kalmar, Stockholm (1996) and the iconic Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London (1997), positioning Saville as one of the foremost painters of her generation.

As you'd expect from a foundation that has built its reputation on forging networks between China and the international art scene, as well as developing the careers of young artists within the Greater China region, the works on show span creations by 1980s Neo-Geo stars Ashley Bickerton and Peter Halley through to new commissions by the current generation of Chinese artists, including Shanghai - based sculptor Zhang Ruyi and Guangzhou - based twin - sister duo Mountain River Jump!

There will be hyperpigmented canvases by British - Nigerian Yinka Shonibare MBE, of the Young British Artists generation; animal - skin sculptures of the female form by the Swazi artist Nandipha Mntambo; portraits by the queer South African photographer Zanele Muholi; the 2013 Venice Biennale's Angola Pavilion installation by photographer Edson Chagas (winner of that year's Golden Lion award); an ebony bust by Soweto - born Mohau Modisakeng; a huge dragon sculpture in rubber and ribbon by the Cape Town — born Nicholas Hlobo; and sheets made of 1,150 tiny glass beads by American artist Liza Lou, who has a studio in Durban, a South African city around 800 miles from Cape Town.

At the art fair Art Basel 280 of the world's leading galleries show the work of over 4,000 artists — from modern masters through to the latest generation of up - and - coming young talent.

«Indo Pop: Indonesian Art from APT7», held in the Gold Coast City Gallery from 6 February to 20 March 2016, brings together nine new important works from a young generation of Indonesian artists.

Artists like Martha Wilson dared to question and challenge the established norms and truths of their time — something which younger generations like my own have benefited greatly from.

From a young age, Günther Förg, (1952 - 2013), was one of that new generation of German artists, alongside Baselitz, Lüpertz, Richter or Polke, who refused to consign painting to the ranks of outdated media.

This acquisition period provides a rich source of recent painting from Ireland and the exhibition will include examples of works by both younger - generation and more senior artists.

New Romanian Art», curated by Ewa Gorządek and designed by Jarosław Kozakiewicz, is a comprehensive presentation of the latest works from Romanian artists of the younger generation, who since the mid-2000s have begun to manifest their presence in the art scene, locally as well as on an international scale.

Women House's 39 artists come from four continents; they span from historic figures such as Claude Cahun to a young generation: Mexican artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixier and Elsa Sahal... Some of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject of recent rediscoveries connected to a rereading of the History of Art in terms of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).

The two - floor exhibition features painting, photography, and sculpture from twenty - one contemporary Chinese artists, many of whom Guess visited in their studios during recent trips to Beijing and Shanghai with Chinese art expert Barbara Pollack, author of The Wild, Wild East: An American Art Critic's Adventures in China and curator of the upcoming Tampa Museum of Art show «My Generation: Young Chinese Artists.artists, many of whom Guess visited in their studios during recent trips to Beijing and Shanghai with Chinese art expert Barbara Pollack, author of The Wild, Wild East: An American Art Critic's Adventures in China and curator of the upcoming Tampa Museum of Art show «My Generation: Young Chinese Artists.Artists.»

These exhibitions are certainly a big improvement on recent years when Latin American art was largely overlooked apart from a few names appearing in group exhibitions and will hopefully leave the way open for a young generation of artists such as Oscar Murillo and Christian Rosa.

The first Triennial, «Younger Than Jesus,» featured 50 artists from 25 countries and focused on the emergence of a new generation of artists.

From the 1980's onward, she continued to make a powerful influence on the younger generations of artists, constantly working with the strong sense of hope, despite problems with health during the last years of her life.