Known primarily for her photo - and video - based work, Shirreff is part of
a generation of young artists whose reflections on photography have revitalized the medium, but who refuse act as photographers in the classical sense.
Known primarily for her photo - and video - based work, Shirreff is part of
a generation of young artists whose reflections on photography have...
Known primarily for her photo - and video - based work, Shirreff is part of
a generation of young artists whose reflections on photography have revitalized the medium, but who eschew thinking of...
Known primarily for her photo - and video - based work, Shirreff is part of
a generation of young artists whose reflections on photography have revitalized the medium, but who eschew thinking of themselves as photographers in the classical sense.
In the spirit of Latham's belief in art as a continuous practice, while the main gallery will show a selection of Latham's one - second drawings (he discovered spray painting in 1954), scarified book sculptures, installations, public art projects and filmed performances, the Sackler will be given over to
a generation of younger artists whose work was made with an affinity for Latham's philosophy and practice.
Not exact matches
With recent protests by professional football players in mind, the
young Chicago - based
artist Samuel Levi Jones has curated this group show, which brings together several
artists from different
generations whose work meditates on the relationship between power structures and persons
of color in America.
During the early to mid-1960s Color Field painting was the term for the work
of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others
whose works were formerly related to second
generation abstract expressionism; and also to
younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.
He also promoted and collected the work
of a
younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others
whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.
At the same time, Stone represented, promoted and actively collected the work
of a
younger generation of living
artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others,
whose aesthetic tendencies suggest connections to the historical holdings
of his gallery's collection.
The group exhibition Speak, running concurrently at the Serpentine Sackler Gallery, proposes Latham as an «open toolbox» for
younger generations of artists whose diverse practices share affinities with Latham's ideas and world view, revealing how they continue to resonate today.
In 1977, he was one
of the
young artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media
artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the
Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media
Artists» Space in New York, which launched the so - called «Pictures
Generation», a group
of artists whose work focused on mass media
artists whose work focused on mass media images.
Alongside these
artists, the exhibition also showcases works by a
younger generation, including Anne Collier, Roe Ethridge, Collier Schorr and Steven Shearer,
whose interests reflect those
of their predecessors, whilst also presenting their own unique take on appropriation.
In this exhibition we present a selection
of these works, together with works from other Norwegian collections, in an exhibition that reviews Kitaj's contribution as a historical
artist, but also as one
whose works still resonate with those
of younger generations of artists.
Taking the intimacy and irreproducible nature
of Martin's work as a starting point, Signal Failure brings together a
younger generation of artists whose work attempts to reclaim space resistant to the speed
of communication age and the ever - expanding flood
of digital images.
The participants represent a
generation of young Israeli
artists whose members have devised a variety
of strategies for approaching the harsh, polarized reality surrounding them.
Takamatsu was on the one hand an established
artist regarded on a national level, and on the other a challenging one
whose work could also be exhibited with the work
of a
younger generation.
«Sable is emerging as one
of the most interesting voices out
of a
young generation of artists whose work tackles complex issues, such as mass imprisonment and how the incarceration system affects our lives,» says Cecilia Alemani, director and chief curator
of High Line Art.
The gallery also promoted and collected the work
of a
younger generation of artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among many others,
whose aesthetic tendencies suggested intriguing connections to the historical holdings
of his gallery's collection.
The achievements
of a
generation of young British
artists whose original and challenging work has received international acclaim are the focus
of this major exhibition.
26 May 2011 Twenty Press Release An exhibition featuring 20
younger -
generation Irish and international
artists,
whose work is increasing prominent in the global visual arts arena, will be the centrepiece
of a wide - ranging programme to celebrate the 20thanniversary
of the foundation
of the Irish Museum
of Modern Art (IMMA) on Friday 27 May 2011.