Sentences with phrase «generation of younger artists including»

She became a figure - head for the Feminist movement and is now much admired by a generation of younger artists including Peter Doig, Marlene Dumas, Chris Ofili, and Elizabeth Peyton.

Not exact matches

She placed younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.

This will include those from older generations of artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own practice.

This will include those from older generations of artists, to those by more contemporary artists who are part of her generation or younger, and may in turn find inspiration in Thomas's own practice.

He also promoted and collected the work of a younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.

They are joined by established and internationally - recognized artists, including Guillermo Kuitca, Richard Long, Malcolm Morley, Evan Penny, William Wegman and Not Vital, as well as a younger generation of artists like Bertozzi & Casoni, Wim Delvoye, Kim Dingle, Charles LeDray, Tom Sachs, Jan Worst and Liu Ye.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.

Zhiying was included in a group exhibition entitled, My Generation: Young Chinese Artists at the Tampa Museum of Art in 2014.

Their extravagantly installed exhibitions, the artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.

His students and successors — such as Jo Ann Callis, Judy Fiskin, and James Welling — have gone on to teach and influence a younger generation of artists, including Amy Adler, Anne Collier, and Florian Maier - Aichen among many others.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

In addition to more familiar figures such as artists Christian Boltanski, Daniel Buren, Yves Klein and Annette Messager, architects Le Corbusier, Jean Nouvel and Renzo Piano, and designer Philippe Starck, Premises introduces a younger generation of French artists and architects, including Absalon, Thomas Hirschhorn, Pierre Huyghe, Patrick Berger, Frederic Boerl, Anne Lacaton and Jean Philippe Vassal, who had not yet become widely known outside France at the time of publication.

Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s, but continues to have far reaching influence today, including younger artists in the gallery's own stable, such as Jessica Jackson Hutchins, Volker Hüller and Eddie Martinez.

Alongside these artists, the exhibition also showcases works by a younger generation, including Anne Collier, Roe Ethridge, Collier Schorr and Steven Shearer, whose interests reflect those of their predecessors, whilst also presenting their own unique take on appropriation.

The gallery then added American artists such as Frank Stella, Ellsworth Kelly, Sol LeWitt, Robert Rauschenberg, Roy Lichtenstein, and Tom Wesselmann and representatives of a younger generation, including Keith Haring, Michael Basquiat, Kenny Scharf, Robert Longo, Bill Beckley and Tony Oursler to its programme.

Contributions by artists including, Adam Pendleton, Kasper Sonne, Zach Harris, Samuel Levi Jones and Matthew Collings, reveal how these works are relevant to a younger generation of artists today.

In 1966, Lucy Lippard included Bourgeois's work in the seminal exhibition Eccentric Abstraction, together with a younger generation of artists like Eva Hesse and Bruce Nauman.

One can see all sorts of affinities in her work to a younger generation of British artists, including Heather Phillipson, Helen Marten and Ed Atkins, as well as to figures such as Kurt Schwitters and Pipilotti Rist.

The exhibition continues with the work of a younger generation of artists including Rachel Maclean and Bedwyr Williams who have each established an active role within their work.

His route is Duchamp, Bauhaus and conceptualism (he would argue perceptualism), then Goldsmiths, where he taught an emerging generation of Young British Artists including Damien Hirst, Sarah Lucas and Fiona Rae RA.

Recent group exhibitions include Focus Beijing, De Heus - Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam (2014); the groundbreaking show ON OFF: China's Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the PacifArtists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacifartists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacific rim.

As you'd expect from a foundation that has built its reputation on forging networks between China and the international art scene, as well as developing the careers of young artists within the Greater China region, the works on show span creations by 1980s Neo-Geo stars Ashley Bickerton and Peter Halley through to new commissions by the current generation of Chinese artists, including Shanghai - based sculptor Zhang Ruyi and Guangzhou - based twin - sister duo Mountain River Jump!

He has also participated in group exhibitions that include, among others, 11th Triennial of Small Scale Sculpture, Fellbach, Germany (2010); BIENNALE CUVÉE 10, World Selection of Contemporary Art, OK Offenes Kulturhaus OÖ und Energie AG OÖ, Linz, Austria (2010); Making Worlds, the 53th Venice Biennale, Venice, Italy (2009); The Generational: Younger Than Jesus, New Museum, New York, USA (2009); Breaking Forecast: 8 Key Figures of China's New Generation Artists, Ullens Center for Contemporary Art (UCCA), Beijing, China (2009); China China China!

A generation of young curators including Tinari, who is in his mid-30s, came of age in the era of superstar artists like Hirst and are less inclined to look down on business savvy.

Riot Grrrls presents pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman.

This acquisition period provides a rich source of recent painting from Ireland and the exhibition will include examples of works by both younger - generation and more senior artists.

Other projects planned for the 2018 Spring Season include an exhibition by immigrant and first generation young artists organized by writer and recent citizen to the U.S. Ingrid Rojas Contreras, a print performance by artists Sergio de la Torre and Chris Tregiarri, and an evening of performances organized by poet and musician Sandra Garcia Rivera.

He has also exhibited in group shows including After Party: Collective Dance and Individual Gymnastics, Blindspot Gallery, Hong Kong (2017); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We - A Community of Chinese Contemporary Artists, K11 Art Museum, Shanghai, China (2016); 28 ° 00 ′ N 120 ° 42 ′ E, How Art Museum, Wenzhou, China (2015); The System of Objects, Mingsheng Art Museum, Shanghai, China (2015); Cinematheque, K11 Art Museum, Shanghai, China (2015); Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art & Museum of Fine arts, St. Petersburg, FL (2014); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2013); Rising Dragon: Contemporary Chinese Photography, San Jose Museum of Art, San Jose, CA (2013); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); The First «CAFAM Future» exhibition, CAFA Art Museum, Beijing, China (2012); and Reflection of Mind: MoCA Shanghai Envisage III, Museum of Contemporary Art, Shanghai, China (2010).

The biennial award, which acknowledges the work of a Ukrainian artists age 35 or under, also includes a one - month residency in the studio of an international artist plus automatic entry on to the shortlist for next year's Pinchuk Art Centre Future Generation Art Prize, which is open to young artists of all nationalities.

This book is intended to introduce this seminal figure of post-medial practices to younger generations and, by including responses to his work by contemporary artists, to reflect on the ways in which his work is relevant to artistic practice now.

With works by the pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman, «Riot Grrrls» is part of an ongoing exhibition series featuring iconic works from the Museum of Contemporary Art Chicago Collection.

By this ethereal selection of works, the curator Eva Fabbris explores the space between public and private, design and art, and includes painting, sculpture and photography with prototypes for everyday objects, furnishings and wallpapers, confirming Marc Camille Chaimowicz's role as increasingly influential for younger generations of artists.

The «Black Art, Black Power» conference held on Friday considered the work of artists in «Soul of a Nation», and those of younger generations practicing in the UK and US, including a lively and candid conversation between Marlene Smith and Lubaina Himid in which Smith shared a letter she had written to Frank Bowling when she was 18.

Barlow has had an important influence on younger generations of artists through her work and at the Slade School of Fine Art, her students have included Turner Prize - winning and nominated artists Rachel Whiteread and Angela de la Cruz.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

As curator of the landmark 1993 exhibition, Coming to Power: 25 Years of Sexually X-plicit Art by Women, Cantor highlighted a dialogue between the female artists of the 60's and 70's who boldly incorporated explicit imagery in their work, including Louise Bourgeois, Lynda Benglis, and Alice Neel, and the younger generation of female artists, such as Cindy Sherman, Nan Goldin, and Marilyn Minter, who, like Cantor, continued to develop this concept.

His early work — forceful abstractions, ranging from large canvases to small collages — soon made his name as a second - generation Abstract Expressionist (1), part of a group of young New York School artists that included Grace Hartigan, Norman Bluhm, Michael Goldberg, Al Held, and Joan Mitchell.

Since joining forces with Philomene Magers in 1998, she has continued to bring attention to new lines of artistic inquiry and to present exhibitions across media and approaches, including shows featuring younger generations of artists such as Cyprien Gaillard, Pamela Rosenkranz, Analia Saban, and Lizzie Fitch / Ryan Trecartin.

The appeal was that it included most, if not all, the artists of the downtown scene — the older and the younger generation.

The second in a series of events programmed around the exhibition Barbara Kasten: Stages, the ICA hosts a conversation between Kasten herself and representatives from a younger generation of artists — including Sara VanDerBeek — who have found inspiration in her work and process.

Now, to complement that exhibition and for insight into a mind that has remained consistently true to a renegade vision for some 35 years, we have a collection of writings, studies, notes, drawings, sketches and more, from a cult artist who has influenced a younger generation that includes Jason Rhoades, Cady Noland, Karen Kilimnik and Rirkrit Tiravanija.

He has been an influential figure in the careers of many younger generation artists, including William McKeown, Nick Miller and Isabel Nolan.

(And Stanley Lewis, although a significant artist, is out of place here, being a generation younger than the rest of the artists — and if he's included, then why not a lot of other younger painters, including a number of significant women?)

The gallery also promoted and collected the work of a younger generation of artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among many others, whose aesthetic tendencies suggested intriguing connections to the historical holdings of his gallery's collection.

In the 1960s, Sir Anthony Caro became a leading figure of British sculpture [90] along with a younger generation of abstract artists including Isaac Witkin, [91] Phillip King and William G. Tucker.

Riot Grrrls included pioneering painters Mary Heilmann, Charline von Heyl, Judy Ledgerwood, and Joyce Pensato, as well as a younger generation of artists, including Molly Zuckerman - Hartung and Amy Feldman.

She later moved on to a younger generation of American artists, including Agnes Martin, Jasper Johns, Jack Youngerman, Richard Pousette - Dart, Jeanne Reynal, [14] Walter Tandy Murch, Leon Polk Smith, Richard Tuttle, Mino Argento, [15] José Bernal, and Oliver Steindecker (who was Mark Rothko's last assistant)[16] among others.

Gertrude Whitney's artist friends — Robert Henri, John Sloan, Arthur B. Davies, William Glackens, and others — were soon joined by a younger generation that included Stuart Davis, Edward Hopper, and Reginald Marsh, all of whom had their first exhibitions at the Whitney Studio Club.

19 Jan 2011 Minister Hanafin Launches IMMA's 20th Anniversary Programme An exhibition of paintings by the celebrated Mexican Modernists Frida Kahlo and Diego Rivera; works by younger generation Irish artists, recently acquired for the Museum's Collection; a special season of performances, including opera and contemporary dance, and greatly increased web resources for schools are all part of a rich and exciting 20th anniversary programme at the Irish Museum of Modern Art, announced today (Wednesday 19 January) by the Minister for Tourism, Culture and Sport, Mary Hanafin, TD.