Sentences with phrase «generation of younger artists working»

Presented in conjunction with Blues For Smoke, this weekend - long festival showcases an emerging generation of younger artists working in the rap, hip - hop, and soul genres.

Her work has had — and continues to have — a tremendous influence on generations of younger artists working around the world,» Tobias Ostrander, PAMM's chief curator, says.

Not exact matches

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

She placed younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.

«I am also fascinated by artists of my own generation, and those younger than me, although this doesn't mean I am tied to collect works only by contemporary artists,» he said.

Gorvy is recognized as an expert and passionate advocate of the work of Francis Bacon, Jean - Michel Basquiat, Lucian Freud, Alberto Giacometti, Willem de Kooning, Pablo Picasso, Mark Rothko, Cy Twombly, and Andy Warhol, as well as a younger generation of artists such as Martin Kippenberger, Jeff Koons and Richard Prince.

The work of these artists was brought into fresh focus and given renewed impetus by the revival of interest in figurative painting by a younger generation that took place in the late 1970s and the 1980s (see neo-expressionism and new spirit painting).

All four artists have been and continue to be important for a younger generation of artists working today.

Although Emin first rose to prominence as part of the so - called generation of Young British Artists (YBA), the highly autobiographical nature of her work set it apart from the general artistic trends of the 1980s and 1990s.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

He also promoted and collected the work of a younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.

In particular, works from some 90 French and overseas artists, mainly from the young generation are on show, forming a rich and diversified panorama of art today.

With a career extended across more than half a century, Stella both holds an important place in the history of American art and maintains contemporary relevance as his work continues to influence younger generations of artists.

In the meantime however, not only the art market — one of her early works was recently sold as the most expensive work ever by a woman artist — but also and above all a young generation of artists have rediscovered Joan Mitchell and her art.

Citing the work's unique blend of urgency and timelessness, as well as its growing impact on younger generations of artists, Obrist dubs Sturtevant «one of the most important artists of the 21st century.»

The exhibition considers works by famed Nouveau Réalisme artists such as Arman and Raymond Hains alongside the likes of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a younger generation of contemporary artists who came of age in the wake of Pop Art.

For more than a decade the designation «post-black» has come to signify the work of a younger generation of African American artists.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

Today, an entire generation of younger artists regard her work as an important point of reference.

At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.

An outlier among the well - known generation of young artists who emerged in London in the 1990s, Landy shares their wry attitude towards the marketplace, although his works have never celebrated their status as commodity - objects or luxury goods.

Peili is among the younger generation of contemporary Chinese artists, her works often appear to be multi-media, conveying a sense of idiosyncrasy and intimacy simultaneously.

Yet, to this day, she also retains her status as an artist extraordinaire, inspiring a young generation of artists in spite of — or precisely because of — the hermetic character of her work.

As of late, a younger generation of artists has started to take notice of his work, and the hip artist - run space Know More Games in Brooklyn has been actively promoting him.

Two video works by artists from a previous generation, Bruce Nauman and Marina Abramovic, point to the tradition in which the works of the younger artists are set.

The unsettling works have been a source of inspiration for her fellow artists and those of younger generations, and have been notably photographed by Robert Mapplethorpe and Richard Avedon.

The edition was produced to accompany The Edge of The Real, an exhibition to showcase of the work of a younger generation of artists working in Britain in 2004 and which was presented to complement Raoul De Keyser's parallel exhibition at the Gallery.

Their extravagantly installed exhibitions, the artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.

It's going to be a sort of survey show, gathering works of established / passed artists like Louise Bourgeois, Dorothea Tanning, Mona Hatoum... and a younger generation of artists: Caitlin Keogh, Loie Hollowell, Sascha Braunig...

Tracey Emin RA's «My Bed» (1998), one of the seminal works of the Young British Artist generation, goes up for sale at Christie's on Tuesday 1 July.

«We are cultivating the younger generation of artists through MACAAL LAB, which works with schools and universities, as well as offering three - month residencies to African artists.

We've had a lot of younger artists through and people do know him, they have been students of Gilliam, but it's also important for the younger generations to see these works especially as abstract painting has entered the center of the conversation again.

This book explores parallels in thought and strategies between Italian Conceptualist Giulio Paolini's (born 1940) work, especially of the 1960s and the «70s, and the work of a younger generation of artists based in New York City today: Sebastian Black, Kerstin Brätsch (with Boško Blagojevic), Seth Price and Antek Walczak.

Whereas the more recent works by the younger generation of artists reconstruct and reinterpret the Modernist ideas and concerns from today's artistic point of view.

So that means a whole generation of these younger artists who are growing up here haven't seen my artists» works up close unless they've traveled to New York or seen their works in a museum.

In this groupshow the work of conceptual artists who have their roots in the 1960s and 1970s is combined with recent work of a younger generation.

Concurrently, the work's traditional themes of family, figuration, and architecture, combined with its expressive Baroque sensibility, impart both clarity of artistic vision and resistance to the broad thematic and stylistic mash - ups endemic in today's younger generations of artists.

Her life and work inspired many artists of younger generations such as Tracy Emin or Robert Gober.

«One striking thing was a certain antipathy toward the exhibition, if not necessarily toward Thelma, by an older generation of African - American artists who believed their work had been ignored by museums in the city,» remembers Okwui Enwezor, then a young transplant from Nigeria (and later a Venice Biennale curator).

In Jerry Saltz's recent New York Magazine piece, «Generation Blank,» he expresses some concern about young contemporary artists making «work stuck in a cul - de-sac of aesthetic regress, where everyone is deconstructing the same elements.»

On the occasion of Frank Stella: A Retrospective, this roundtable discussion with artists Walead Beshty, Keltie Ferris, Jordan Kantor, and Sarah Morris explores key aspects of Stella's heterogeneous approach to painting and its significance for younger generations of artists working today.

The Gardens is mainly working with the younger generation of artists but also organizes cross-generational projects as well as programs concerts and screenings in the premises of Vilnius planetarium where it is originally located.

The exhibition aims to contrast an earlier generation of artists who use shock in their work with a younger generation of contemporary artists who use shock to different ends.

Current Exhibitions Forthcoming Exhibitions Past Exhibitions Publications The Museum's temporary exhibition programme regularly juxtaposes the work of leading, well - established figures with that of younger - generation artists to create a debate about the nature and function of art.

He graduated from Goldsmith's College in 1988 and later that year showed his work in the landmark exhibition Freeze, which heralded a new generation of young British artists.

Other important artists of a younger generation like Lita Albuquerque have recently joined the gallery and their work fits within the context of West Coast Light and Space and Performance.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

In 1977, he was one of the young artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists whose work focused on mass media images.

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

A testament to Pruitt's perseverance, versatility and talent, the book surveys almost 25 years of the artist's work and reflects his influence upon a generation of younger artists